Sentences with phrase «of the david c.»

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Later, in the time of Joshua, Jerusalem lay within territory allocated to the tribe of Benjamin (Joshua 18:28), but continued to be under the independent control of the Jebusites until it was conquered by David and made into the capital of the united Kingdom of Israel (c. 11th century BCE) Recent excavations of a Large Stone Structure and a nearby Stepped Stone Structure are widely believed to be the remains of King David's palace.

Ceramic evidence indicates occupation of the City of David, within present - day Jerusalem, as far back as the Copper Age (c. 4th millennium BCE) with evidence of a permanent settlement during the early Bronze Age (c. 3000 — 2800 BCE) The Execration Texts, which refer to a city called Roshlamem or Rosh - ramen] and the Amarna letters (c. 14th century BCE) may be the earliest mention of the city Some archaeologists, including Kathleen Kenyon, believe Jerusalem] as a city was founded by Northwest Semitic people with organized settlements from around 2600 BCE.

All works by William Eggleston, from The Democratic Forest, c. 1983 - 1986, copyright Eggleston Artistic Trust, courtesy of David Zwirner, New York / London

Period c. 1931 American Modernist painting frame, gilded carved wood over red bole; patinated gesso flat - and - hollow liner; molding width 3-3/4» Painting Gift of C. David O'Brien» 58, Colby Museum Accession number 1983.006

DeCordova also has one of the largest and most comprehensive museum collection of works by artists of the New England region since c. 1950, with particular depth in Boston artists in general and members of the mid-twentieth-century Boston Expressionist group (Jack Levine, Hyman Bloom, Karl Zerbe, David Aronson, Arthur Polonsky, Barbara Swan, Bernard Chaet, and others).

Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

In September, the gleaming yellow Pluto and Proserpina (2010 - 13) was erected outside Palazzo Vecchio in Florence, near the famous replica of Michelangelo's David (1501 - 04), while inside Gazing Ball (Barberini Faun)(2013) lounged alongside Donatello's Judith and Holofernes (c. 1457 - 64).

SEYMOUR, David «Chim» Soldier, Ernst Thaelmann Brigade, Republic of Spain, 1936 10 1/2 x 7 1/4 inches Gelatin silver print; printed c. 1936

SEYMOUR, David «Chim» Little girl gets her first pair of leather shoes, c. 1947 9 3/8 x 8 inches Gelatin silver print; printed c. 1947

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Bears the inscription in ink lower left sheet «353»; inscribed in ink by Lydia Park Moore «Work of my late husband David Park c. 1955 - 59 / Lydia Park Moore, 8-29-66» verso; bears the inscription in pencil «C. 4426» verso; retains James Corcoran Gallery label verso; retains Stanford University exhibition label verso

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

T03327 NAKED MAN WITH KNIFE c. 1938 — 41 Not inscribed Oil on canvas, 50 × 36 (126.9 × 91.4) Presented by Frank Lloyd 1981 Prov: Marvin Jay Pollock (gift of the artist to his brother; later returned); Stella May McClure Pollock (gift of the artist to his mother); Sanford McCoy; Mrs Sanford McCoy, Deep River, Conn.; Marlborough Gallery Inc., New York; Frank Lloyd Exh: Jackson Pollock: New - Found Works, Yale University Art Gallery, New Haven, October — November 1978, National Collection of Fine Arts, Washington, D.C., December 1978 — February 1979, The David and Alfred Smart Gallery, University of Chicago, March — May 1979 (31, repr.)

Sharing the viewer's space more literally than any other medium, sculpture has given rise to some of the most iconic works in art history, including the classical Greek Venus de Milo (c. 130 - 100 B.C.), Michelangelo's High Renaissance David (1504), Rodin's The Thinker (1902), and Constantin Brancusi's The Kiss (1908).

Playground of David Crockett Elementary School, Where I Attended Grades 1 - 7, Wichita Falls, Texas (Texas Memories # 2), 1984 14 1/4 X 17 5/8 inches Gelatin silver print, printed c. 1988

The first exhibition of c. 58 works puts on show: Flowers in a Terracotta Pot by David Bomberg (1890 - 1957); a portrait by Stanley Spencer (1891 - 1959) of his niece Daphne.

David Douglas Duncan On western front of Korean War, corporal who is out of ammunition and has lost all but two of his squad, cries in anger and frustration., 1950 Gelatin silver print; printed c. 1950 12 1/2 x 9 inches

- Dancer with Veil (1928)- Reclining Figure (1929)- Woman Leaning on a Column (1929, cast 1960s)- Dancer (1929, cast 1960s)- The Snuffer (1930, cast 1960s)- Meditation (1931, cast 1960s)- Jacob and the Angel (1931, cast 1960s)- First Study for Prometheus (1931, cast 1960s)- The Song of the Vowels (1931, Cornell University, Princeton)- Picador, Bas Relief (c. 1932)- Head, Bust and Arms (1932)- Woman with Hair (1932)- Bull and Condor (1932, cast 1960s)- Gericault (1933)- David and Goliath (1933, cast 1963)- First Study for «Toward a New World» (1934, cast 1965)- Study for «Prometheus» (1936, drawing)- The Rape of Europa (1938)- Song of Songs (1945)- Mother and Child (1949, Honolulu Academy of Arts)- Sketch for «Our Tree of Life» (1962)- Sketch for Duluth Monument (1963)- Bellerophon Taming Pegasus (1964 - 66, Columbia Law School)

-- One of Rembrandt's rarest prints, Woman Sitting Half Dressed Beside a Stove (c. 1658) will be presented by David Tunick, Inc. in a newly discovered state, marking a significant discovery in Rembrandt scholarship and connoisseurship.

The Court considered both the expectation of privacy and section 7 (3)(c. 1)(iii) of PIPEDA, referred to by David Butt.