We have even incorporated sound work into our collections, from the ping pong tables on Lindbrook Terrace that are actually a part
of our Hammer Contemporary Collection, officially titled A Sound Work for the Hammer Museum by Mark Allen and Chris Kallymyer as Machine Project, to a series of prints by John Baldessari that feature musicians and guitars rendered in vibrant color devoid of detail.
Her work is currently on display as part
of the Hammer Contemporary Collection.
The premiere
of the Hammer Contemporary Collection marks the beginning of what should become a major new addition to the Hammer Museum and to the cultural life of Los Angeles.
This new installation
of the Hammer Contemporary Collection features approximately 42 significant additions to the collection by Mel Bochner, Mark Bradford, Llyn Foulkes, Evan Holloway, Monica Majoli, Charles Ray, Frances Stark, Alina Szapocznikow, and Gillian Wearing, among others.
This first exhibition
of the Hammer Contemporary Collection is presented in two parts.
This new installation
of the Hammer Contemporary Collection features approximately 42 significant additions to the collection by Mel Bochner, Andrea Bowers, Mark Bradford, Llyn Foulkes, Evan Holloway, Monica Majoli, Charles Ray, Frances Stark, Alina Szapocznikow, and Gillian Wearing, among others.
Not exact matches
For both Williams and Lovelace, the evidence
of contemporary culture is to be: - considered secondarily, if at all, as a general theological statement concerning homosexuality is
hammered out.
Morgan and University
of Liverpool archaeologist Natalie Uomini arrived at their conclusions by conducting a series
of experiments in teaching
contemporary humans the art
of «Oldowan stone - knapping,» in which butchering «flakes» are created by
hammering a hard rock against certain volcanic or glassy rocks, like basalt or flint.
With roots dating back to the 15th century, the
contemporary version
of the
hammer throw is one
of the oldest
of Olympic Games competitions, first
Easily the best - known and most highly regarded
of Mike
Hammer's big screen outings, 1999 National Film Registry selection Kiss Me Deadly has its status reinforced by this week's admission into The Criterion Collection, that beloved «continuing series
of important classic and
contemporary films.»
Alissa: There's Armie
Hammer dancing in the town square,
of course, but the scene that sticks with me — one
of the great scenes in
contemporary cinema, in my opinion — is when Elio, Oliver, and Elio's father go to see the sculptures brought up from the clear water.
Howard Shaw,
of Hammer Galleries, which is toasting its 90th anniversary this year, said, «In a fair that is mostly modern, postwar, and
contemporary, we brought a booth
of major Impressionist paintings,» pointing to works by Degas, Renoir, and Pissarro, plus a Delacroix.
She has been the subject
of solo exhibitions at the Institute
of Contemporary Art, Boston; Samuel Dorsky Museum
of Art at SUNY New Paltz (travelled), and forthcoming at UCLA
Hammer Museum, Los Angeles.
He has exhibited his work in solo exhibitions at Marx & Zavattero, San Francisco; Steve Turner
Contemporary, Hayworth Gallery, and
Hammer Museum, UCLA in Los Angeles; Kravets Wehby, New York; and The Sheppard Fine Arts Gallery, University
of Nevada, Reno.
at the
Hammer Museum (Through May 6, 2018) Reviewed by Emily Nimptsch Let's be honest —
contemporary art, especially anything
of the minimalist or conceptual variety, can be elusive and sometimes even downright mystifying to the general public.
Today works by Rose Wylie are included in the public collections
of Tate Britain, London; Walker Art Gallery, Liverpool; National Museum
of Women in the Arts, Washington, DC; Arts Council
of England;
Contemporary Art Society, London;
Hammer Collection, Los Angeles; Jerwood Foundation, London; the Norwich Gallery, Norwich; Städtische Galerie Wolfsburg, Wolfsburg.
Recent solo exhibitions have been presented internationally at venues including
Hammer Museum (2015); Neuer Kunstverein Wien (2014); Institute
of Contemporary Art, Boston (2013); and The
Contemporary Austin, TX (2013).
Blanton Museum
of Art, The University
of Texas, Austin, TX Dallas Museum
of Art, Dallas, TX Deste Foundation, Athens, Greece Fond National d'Art Contemporain, Puteaux, France The
Hammer Museum, Los Angeles, CA Jumex, Mexico City, Mexico The Los Angeles County Museum
of Art, Los Angeles, CA MAK - Austrian Museum
of Applied Arts, Vienna, Austria The Milwaukee Art Museum, Milwaukee, WI The Museum
of Contemporary Art, Chicago, IL The Museum
of Contemporary Art, Los Angeles, CA The Museum
of Contemporary Art, San Diego, CA The San Francisco Museum
of Modern Art, San Francisco, CA The Smithsonian American Art Museum, Washington, D.C..
Most recently, her work was featured in the critically acclaimed traveling 2015 - 2017 group exhibition Leap Before You Look: Black Mountain College 1933 - 1957, held at the Institute
of Contemporary Art, Boston;
Hammer Museum, Los Angeles; and Wexner Center for the Arts in Columbus, Ohio.
«A Point
of View: Selected Gifts from the Laurence A. Rickels Collection,» Museum
of Contemporary Art, Los Angeles, Los Angeles, CA, February 13 — March 11 2012 «Blues for Smoke,» Museum
of Contemporary Art, Los Angeles, October 21 — January 7, 2013; traveled to the Whitney Museum
of American Art, New York, NY, February 7 — April 28, 2013, and Wexner Center for the Arts, Columbus, OH, September 21 — January 5, 2014 «Group Face,» Paradise Garage, Venice, CA, September 22 — October 24, 2012 «DECADE:
Contemporary Collecting 2002 - 2012,» Albright - Knox Art Gallery, Buffalo, NY, August 21, 2012 - January 3, 2013 «Prima Materia,» Gladstone Gallery, Brussels, Belgium, March 30 — April 28, 2012 «Intimate Immensity: The Susan and Larry Marx Collection,»
Hammer Museum, Los Angeles, CA, February 14 — May 6, 2012 2011»... there is a crack in everything,» Michael Janssen, Berlin, Germany, November 12 - December 20, 2011 «Under Destruction,» Swiss Institute, New York, NY, March 15 — May 28, 2011 «Paul Clay,» Studio 94 Bowery, New York, NY, June 23 — July 30, 2011 «De-Building,» Christchurch Art Gallery Te Puna O Waiwhetu, Christchurch, New Zealand, February 5 - 22 2010 «The Artist's Museum,» Museum
of Contemporary Art Los Angeles, Los Angeles, CA, October 31, 2010 - January 31, 2011 «Under Destruction,» Museum Tinguely, Basel, Switzerland, October 15, 2010 — January 23, 2011; traveled to the Swiss Institute, New York, NY, April 6 — May 8, 2011 «The Jewel Thief,» Tang Museum at Skidmore College, Saratoga Springs, NY, October 9, 2010 — February 27, 2011; catalogue «Immaterial,» Ballroom Marfa, Marfa, TX, October 1 — February 20, 2011 «The Artist's Museum,» Museum
of Contemporary Art, Los Angeles, September 19 — January 31, 2011 «Selections from the
Hammer Contemporary Collection,»
Hammer Museum, Los Angeles, July 3 - January 30, 2011 «Collecting Biennials,» Whitney Museum, New York, January 16 - November 28, 2010 2009 «Collection: MOCA's First Thirty Years,» Museum
of Contemporary Art, Los Angeles, CA, November 15, 2009 - July 12, 2010 «Collecting History, Highlighting Recent Acquisitions,» Museum
of Contemporary Art, Los Angeles, CA, July 12 — October 19, 2009 «Abstractionists Unite!»
Mackler has organized exhibitions at The Museum
of Contemporary Art, Los Angeles (MOCA); The
Hammer Museum, Los Angeles; Artissima LIDO, Turin, Italy; and Frieze Projects, New York amongst others.
Opie, who last year had a two - part exhibition
of her photographs at the
Hammer Museum and Los Angeles» Museum
of Contemporary Art, has taught at UCLA for 16 years and says the new studios can't arrive soon enough.
Her work is in the collections
of the Los Angeles County Museum
of Art, The Museum
of Contemporary Art, San Diego, and the UCLA
Hammer Museum, Los Angeles, CA.
Altoids Collection Armand
Hammer Museum, Los Angeles Astrup Fearnly Museum
of Modern Art, Oslo The Boros Collection, Berlin, Germany Dakis Joannou Collection, Athens Deste Foundation, Centre for
Contemporary Art, Athens, Greece The Domus Collection, Beijing, China Frank Cohen Collection, UK Honart Museum, Tehran, Iran The Judith Rothschild Foundation,
Contemporary Drawing Collection Jumex Collection, Mexico MUDAM, Musee d'Art Moderne Grand - Due Jean, Luxembourg The Museum
of Contemporary Art, Los Angeles MUSAC, León, Spain Museum
of Modern Art, New York, NY Tate Modern, London, UK Vanhaerents Art Collection, Brussels, Belgium Whitney Museum
of American Art, New York, NY
PUBLIC COLLECTIONS The
Hammer Museum, Los Angeles, CA Museum
of Contemporary Art, Los Angeles, CA The Los Angeles County Museum
of Art, Los Angeles, CA Neuberger Berman, Inc., New York, NY Progressive Corporation, Mayfield, OH FRAC, Paris, France Miniature Museum, Amsterdam, NL Museum
of Contemporary Art San diego, CA Santa Barbara Museum
of Art, CA
Important group exhibitions include the Weatherspoon Art Museum, Greensboro (2017), Hessel Museum
of Art (2017), Museum van Hedendaagse Kunst, Antwerp (2016), Museum für Moderne Kunst, Frankfurt a.M. (2016), Tate Liverpool (2015/16), MUMOK, Vienna (2015/16), LACMA (2015/16), New Mexico Museum
of Art, Santa Fe (2015), Bergen Kunsthall (2015),
Hammer Museum
of Art (2014), MoMA (2014), J. Paul Getty Museum (2012/13), Institute for
Contemporary Art, Boston (2012/13), Walker Art Center (2012), Museum
of Contemporary Art, Chicago (2012).
Ackland Art Museum, Chapel Hill, North Carolina Addison Gallery
of American Art, Andover, Massachusetts Albright — Knox Art Gallery, Buffalo, New York Allen Memorial Art Museum at Oberlin College, Oberlin, Ohio The Art Institute
of Chicago Berardo Museum - Collection
of Modern and
Contemporary Art, Lisbon, Portugal Birmingham Museum
of Art, Alabama Blanton Museum
of Art at the University
of Texas, Austin, Texas Boca Raton Museum
of Art, Boca Raton, Florida Brooklyn Museum, Brooklyn, New York Butler Institute
of American Art, Youngstown, Ohio Carnegie Museum
of Art, Pittsburgh Fondation Cartier pour l'Art Contemporain, Paris, France Castellani Art Museum, Niagara University, Lewiston, New York Cleveland Museum
of Art, Ohio Colby College Museum
of Art, Waterville, Maine Cranbrook Art Museum, Bloomfield Hills, Michigan Crystal Bridges Museum
of American Art Currier Museum
of Art, Manchester, New Hampshire Dallas Museum
of Art, Texas The Dayton Art Institute, Dayton, Ohio Denver Art Museum, Colorado Des Moines Art Center, Des Moines, Iowa Detroit Institute
of Arts, Detroit, Michigan The Empire State Plaza Art Collection, Albany Fonds National d'Art Contemporain, Puteaux, France Fonds Régional d'Art Contemporain - Haute - Normandie, Sotteville - lès - Rouen, France Fonds Régional d'Art Contemporain - Provence - Alpes - Côte d'Azur, Marseille, France Foundation de 11 Lijnen, Oudenburg, Belgium Georgia Museum
of Art, University
of Georgia, Athens J. Paul Getty Trust, Los Angeles, California Haggerty Museum
of Art at Marquette University, Milwaukee, Wisconsin
Hammer Museum, University
of California, Los Angeles Harvard Art Museums, Fogg Museum, Cambridge, Massachusetts Hirshhorn Museum and Sculpture Garden, Washington, DC Hofstra University Museum, Hempstead, New York Hood Museum
of Art, Dartmouth College, Hanover, New Hampshire Indianapolis Museum
of Art, Indiana Iwaki City Art Museum, Japan Kemper Museum
of Contemporary Art, Kansas City, Missouri The Art Museum at the University
of Kentucky, Lexington, Kentucky LAAC - Lieu d'Art et Action Contemporaine de Dunkerque, Dunkerque, France Linda Pace Foundation, San Antonio, Texas Los Angeles County Museum
of Art, Los Angeles, California LVMH Moet Hennessy Louis Vuitton Foundation, Paris, France Fondation Maeght, Saint - Paul, France The McNay Art Museum, San Antonio, Texas Magasin 3 Stockholm Konsthall, Sweden The Metropolitan Museum
of Art, New York Milwaukee Art Museum, Milwaukee, Wisconsin Minnesota Museum
of American Art, Saint Paul, Minnesota Modern Art Museum
of Fort Worth, Fort Worth, Texas Musée de l'Hospice Saint - Roch, Issoudun, France Musée des Beaux - Arts de Caen, Caen, France Musée des Beaux - Arts de Montréal, Canada Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France Museum
of Contemporary Art, Jacksonville, Florida Museum
of Fine Arts, Boston, Massachusetts The Museum
of Fine Arts, Houston, Texas The Museum
of Modern Art, New York National Gallery
of Art, Washington, DC National Gallery
of Australia, Canberra National Gallery
of Victoria, Melbourne, Australia National Museum
of Women in the Arts, Washington, DC Osaka City Art Museum
of Modern Art, Japan Peggy Guggenheim Collection, Venice, Italy Philadelphia Museum
of Art, Philadelphia, Pennsylvania The Phillips Collection, Washington, DC Rhode Island School
of Design Museum
of Art, Providence Saint Louis Art Museum, Missouri Samsung Museum, Seoul, South Korea San Francisco Museum
of Modern Art, San Francisco, California Seattle Art Museum, Seattle, Washington Shizuoka Prefectural Museum
of Art, Shizuoka — shi, Japan Smart Museum
of Art at the University
of Chicago, Illinois Smith College Museum
of Art, Northampton, Massachusetts Smithsonian American Art Museum, Washington, DC The Solomon R. Guggenheim Museum, New York The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York Stanford University, Anderson Collection, Palo Alto, California The Tate Gallery, London, England Ulrich Museum
of Art, Wichita State University, Wichita, Kansas Ulster Museum, Belfast, Northern Ireland University
of California, Berkeley Art Museum, Berkeley University
of Iowa Museum
of Art, Iowa City (work is currently on loan to Figge Art Musem) University
of Michigan Museum
of Art, Ann Arbor Vancouver Art Gallery, Vancouver, British Columbia, Canada Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York University
of Virginia Art Museum, Charlottesville Walker Art Center, Minneapolis, Minnesota Weatherspoon Art Museum, University
of North Carolina at Greensboro Whitney Museum
of American Art, New York Williams College Museum
of Art, Williamstown, Massachusetts Worcester Art Museum, Worcester, Massachusetts Yale University Art Gallery, New Haven, Connecticut
LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham
Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum
of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories
of Almost Everyone»,
Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum
of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for
Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.
Examining Pictures, curated by Francesco Bonami and Judith Nesbitt, Armand
Hammer Museum, UCLA, Los Angeles, CA, traveling: Museum
of Contemporary Art, Chicago, IL; Whitechapel Art Gallery, London, UK
Recent solo exhibitions have been featured at the
Hammer Museum, Los Angeles (2014); Centre d'Art Contemporaine, Geneva (2012); MAXXI, Rome (2012); Museo Marino Marini, Florence (2012); and the Institute
of Contemporary Art, Tirana, Albania (2008).
Artworks from some
of the world's most influential
contemporary artists went under the
hammer last night (11th December) at Unicef UK's first ever
contemporary art auction SyriART, raising vital funds to help protect Syrian children from danger.
Exhibited: The Southern New England Invitiational Art Exhibition, Fairfield University, Fairfield, CT, 1978; National Midyear Show, Butler Institute
of American Art, Youngstown, OH, summer, 1979; Barkley L. Hendricks, The Studio Museum in Harlem, New York, January 20 - March 30, 1980; Black Male - Representations
of Masculinity in
Contemporary American Art, the Whitney Museum
of American Art, New York, NY, November 10, 1994 - March 5, 1995, the
Hammer Museum
of Art, Los Angeles, CA, April 25 - June 18, 1995; Barkley L. Hendricks: Birth
of the Cool, Nasher Museum
of Art at Duke University, Durham, NC, February 7 - July 13, 2008, Santa Monica Museum
of Art, Santa Monica, CA, May 9 - August 15, 2009, Pennsylvania Academy
of the Fine Arts, Philadelphia, PA, September 18 - December 20, 2009,
Contemporary Arts Museum, Houston, TX, January 23, 2010 - April 18, 2010, with museum labels on the painting back.
Jeffrey Gibson: Like a
Hammer is the first exhibition to focus on the art that one
of the brightest stars working in the
contemporary art world today has made since 2011, a creative turning point for him.
The works
of Josef and Anni Albers have been featured both together and separately in exhibitions worldwide, most recently including A Beautiful Confluence: Anni and Josef Albers and the Latin American World, Mudec, Museo delle Culture, Milan, 2015 - 2016; and Leap Before You Look: Black Mountain College 1933 - 1957 at the Institute
of Contemporary Art, Boston in 2015 (traveled to the
Hammer Museum, Los Angeles and will be on view at the Wexner Center for the Arts, Columbus, Ohio, from September 17, 2016 — January 1, 2017).
This year's grantees are the Craft and Folk Art Museum; Fulcrum Arts; the
Hammer Museum; JOAN; LA Freewaves; LAXART; the Museum
of Contemporary Art, Los Angeles; the Museum
of Latin American Art; Self Help Graphics & Art; and the Underground Museum.
Her work has been widely exhibited at institutions in the United States and Europe, including the
Hammer Museum, Los Angeles; the Whitney Museum
of American Art, New York; the Museum
of Contemporary Art, Los Angeles; and the Stedelijk Museum, Amsterdam.
Her work is included in the permanent collection
of numerous institutions including the Museum
of Contemporary Art, Los Angeles, CA; Los Angeles County Museum
of Art, Los Angeles, CA; MAMCO, Geneva, Switzerland; and the
Hammer Museum, Los Angeles, CA.
«Uncontained,» Whitney Museum
of American Art, New York, NY, February 8 — April 29, 2007 «
Hammer Contemporary Collection,»
Hammer Museum, Los Angeles, CA, January 16 — April 8, 2007 2006 «The Bong Show or This is Not a Pipe,» curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9, 2006 — January 20, 2007 «The Unhomely: Phantom Scenes in Global Society,» curated by Okwui Enwezor, Second International Biennial
of Contemporary Art, Seville, Spain, October 26, 2006 — January 15, 2007; cat.
2017 Abstract / Not Abstract, Moore Building, Miami, FL The Trick Brain, Curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon Trip
of the Tongue, Simon Lee Gallery, Hong Kong, China Living Apart Together: Recent Acquisitions from the
Hammer Contemporary Collection,
Hammer Museum, Los Angeles, CA Horror Vacui, or The Annihilation
of Space, Misako & Rosen, Tokyo, Japan Whitney Biennial 2017, Whitney Museum
of American Art, New York, NY Third Space / Shifting Conversations About
Contemporary Art, Birmingham Museum
of Art, Birmingham, AL
COLLECTIONS The Dicke Collection
Hammer Museum Los Angeles County Museum
of Art Museum
of Contemporary Art Los Angeles Tate Modern Walker Art Center
Since then, her work has been exhibited widely at institutions such as the San Jose Museum
of Art, CA (2018); Los Angeles Municipal Art Gallery, CA (2017, 2016); Yerba Buena Center for the Arts, San Francisco, CA (2015); St. Louis Art Museum, MO (2014); Museum
of Contemporary Art, Los Angeles, CA (2013); Kunsthalle Detroit, MI (2011); Vancouver Art Gallery, Canada (2011, 2002);
Hammer Museum, Los Angeles, CA (2009, 2001); Museum
of Art, Seoul, Korea (2009); Ullens Center for
Contemporary Art, Beijing, China (2008); Schirn Kunsthalle, Frankfurt, Germany (2006); DA2 Domus Artium, Salamanca, Spain (2007); and ZKM Museum fur Neue Kunst, Karlsruhe, Germany (2005).
The final
hammer has fallen and the doors have closed on the final major art sales
of 2017, as Sotheby's concluded its
Contemporary Evening Sale tonight at its York Ave location in New York.
Her work can be found in numerous public and private collections internationally, including the Chrysler Museum
of Art, Norfolk, VA; The National Gallery, Washington, DC;
Hammer Museum, Los Angeles; Istanbul Museum, Turkey; Los Angeles County Museum
of Art, CA; Minneapolis Institute
of Arts, MN; Museum
of Contemporary Art, North Miami, FL; and Museum
of Fine Arts, Houston, TX.
His recent and forthcoming exhibitions include the
Hammer Museum, MOCA Detroit, the Museum
of Contemporary Art, Los Angeles, Portland Institute
of Contemporary Art, The Jewish Museum, Institute
of Contemporary Art Philadelphia, The Studio Museum in Harlem and Swiss Institute.
Her essays have been featured in publications for The Studio Museum in Harlem,
Hammer Museum, Perez Art Museum Miami, LAXART, MoMA PS1, and NKA: Journal
of Contemporary African Art.
His work is included in the collections
of the Centre Georges Pompidou, Paris;
Hammer Museum, Los Angeles; Museum
of Contemporary Art, Los Angeles; Museum
of Modern Art, New York; Museum Het Domein Sittard, The Netherlands; Tate Gallery, London, UK; The Trussardi Foundation, Milan, Italy; and the Walker Art Center, Minneapolis, MN.
Jeffrey Gibson: Like a
Hammer — the first major museum exhibition
of the artist's work — will chronicle a pivotal moment in Gibson's career when his
contemporary artistic practice converged with his Native American heritage.
Following her death, several exhibitions
of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum
of Modern Art, New York;
Hammer Museum, Los Angeles; WIELS
Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).
Erik van Lieshout has participated in numerous important solo and group exhibitions at home and abroad including S.M.A.K, Ghent, Istanbul Museum
of Modern Art, BAWAG
Contemporary, Vienna, Witte de With Center for
Contemporary Art, Ludwig Museum, Cologne, New Museum, New York, Kunsthaus, Zurich,
Hammer Museum, Los Angeles, Walker Art Center, Minneapolis, Tate Modern, London, ICA London, Museum Boijmans Van Beuningen, Rotterdam, the 2006 Gwangju Biennale, Stedelijk Museum, Amsterdam, 2005 Sjarjah Biennial, Centre Pompidou, Paris, Centre d'Art Contemporain, Geneva, and the Museum
of Modern Art, Tokyo.
Punta della Dogana - Francois Pinault Foundation, Venice, Italy Tate Modern, London, England Rubell Family Collection, Miami, FL Museum
of Modern Art, New York, NY San Francisco Museum
of Modern Art, San Francisco, CA Broad
Contemporary Art Museum, Los Angeles, CA Hirshorn Museum and Sculpture Garden, Washington, DC
Hammer Museum, Los Angeles, CA