Sentences with phrase «of the abstract expressionism»

In 1953 Blackman was co — founder of the Melbourne Contemporary Art Society and he was also one of seven artists responsible for the Antipodean Manifesto; these artists protested the dominance and rejected the rise of abstract expressionism and non — figurative art.

If you are a fan of any form of abstract expressionism, and particularly of Tàpies, a visit to the Fundació Antoni Tàpies promises to provide you with hours of complete fulfillment!

Einspruch also notes that the murals «were worked up from sketches in gouache on colored paper [that] reveal a kind of premeditation that we don't always associate with the giants of abstract expressionism.»

The albums of art history will forever remark on her sublime assimilation of the School of Paris and the New York School of abstract expressionism.

The gallery continues, «In his essay for the exhibition catalogue, William Agee describes Hofmann as going against the grain of the artistic canon of the day; «His art was too big, too bold, to be encapsulated in a few years after 1945, the years we generally identify as the heyday of abstract expressionism.»

Through his ties to the Willard Gallery, his work was often viewed alongside and studied in the context of abstract expressionism.

Although these masters of abstract expressionism seem ubiquitous, they are not often shown in Hawaii in full force.

In 1968, Guston drastically changed his artistic style from a lyrical form of abstract expressionism to a kind of cartoony figuration.

13 Women Who Broke All The Rules An overview of the early days of abstract expressionism until today A curated selection of 13 women artists featuring Mary Abbott, Mary Corse, Dorothy Dehner, Elaine de Kooning, Natalie Edgar, Helen Frankenthaler, Lee Krasner, Mercedes Matter, Pat Lipsky, Louise Nevelson, Charlotte Park and Michael West

They provide a comprehensive but not overwhelming introduction to the exhibition's theme of abstract expressionism as an amalgam of east and west; here, each work carries weight and can be attended to.

Her pictures reacted to the ropey, anxious canvases of abstract expressionism.

In advance of his representation of the United States at the Venice Biennale, Mark Bradford is collaborating with two institutions in Denver, Colo., presenting exhibitions that pair his work with that of Clyfford Still (1904 - 1980), a 20th century master of abstract expressionism.

One of the code readings of abstract expressionism was ambiguity.

There, she met Franz Kline and Willem De Kooning, who initiated her to variations of abstract expressionism and participated in the effervescence of New York artistic life.

Neel's dedication to the «unfashionable» art of portrait painting and social realism — and this during the decades of abstract expressionism, pop art and minimalism — ensured that her work remained permanently out of kilter with avant - garde artistic developments.

Like other young artists trying to define themselves in the wake of abstract expressionism, Martin first experimented with found assemblages of detritus from the lower Manhattan docks.

It initially referred to a particular type of abstract expressionism, especially the work of Mark Rothko, Clyfford Still, Barnett Newman, Robert Motherwell, Adolph Gottlieb and several series of paintings by Joan Miró.

MoMA's newest exhibit, Abstract Expressionist New York presents a good overview of the NY school of abstract expressionism during its heyday in the 40's and 50's.

Artist Helen Frankenthaler's pictures reacted to the ropey, anxious canvases of abstract expressionism.

And against fashion: she remained a figurative artist when the rest of the New York art establishment was in the grip of abstract expressionism.

A few decades ago, the history of abstract expressionism seemed well established and its main exponents, including heavy - hitters like Willem de Kooning, Jackson Pollock, Robert Motherwell and Mark Rothko, all firmly identified.

The sculptures of «Voyage En Fleurs» deliberately reference the language of abstract expressionism.

Still's style of abstract expressionism, according to Sobel, showed that «the material of art itself can be expressive as much as the scale and the imagery you include within the painting.»

The influence of abstract expressionism on Eggleston, partly through his friendship with the painter Tom Young, is addressed at points throughout the show, and it is important to recognise that perspectival lines, the balance of colour throughout a composition, and the presence of contextual details such as logos and pavements, are as important as the features, dress and celebrity identity of the subjects.

Motherwell's style of abstract expressionism, characterized by loose opened fields of painterly surfaces accompanied by loosely drawn and measured lines and shapes, was influenced by both Joan Miró and by Henri Matisse.

The works represent a variety of abstract expressionism including color theory, traditional abstraction and more, said Strassfield.

These studied renderings of drips and splashes poke fun at the gestural immediacy of abstract expressionism, reducing one of its hallmarks — messy, spontaneous action — to an illustrative trope.

Above all, she left a history of painting noted for its sublime assimilation of the School of Paris and the New York School of abstract expressionism.

He began his career in the arts studying painting in the late 1940s and early 50s, the heyday of abstract expressionism in New York, first at the Art Students League with Morris Kantor and then at Cooper Union with Steve Wheeler.

More broadly, this project offers a unique opportunity for the public to view a vital, missing element in our understanding of abstract expressionism and a key period in America's cultural history.

Schnabel's works frequently reference history and art history, and take on the scale, and in certain ways the appearance, of abstract expressionism.

His work continuously evolves from a language of gestures and colored born out of abstract expressionism, towards the meticulous painting style seen in the 1964 - 66 series dots paintings.

During the 1950s, a trend towards figurative expressionism emerged in reaction to the rise and dominance of abstract expressionism.

Brought together from both institutions and private collections, an exhibition like this may never happen again so if you are a fan of abstract expressionism then this is just plain unmissable.

It became clear that this entire gender had been in the shadows of the men of abstract expressionism.

Early on, Frank Stella's visual vocabulary was heavily shaped by the influences of the abstract expressionism of Jackson Pollock and Franz Kline [3].

And as these artists informed the development of abstract expressionism, so Burkhart gives new interpretation to a strange and compelling emotional landscape.

But he was most enthusiastic about the emergence of abstract expressionism, stating to a friend his pride that «American art had finally «made it.

Back in the 1990s, when many in the art world had turned their back on painting as a «dead» medium, Amy Sillman was one of the leaders of an underground revival, combining cartoonish imagery, a draughtsmanlike line, and jazzy color combinations to give new life to the legacy of abstract expressionism.

Many now see Wool as the heir to Andy Warhol, the next great link in an American tradition of painting that began in the postwar years of abstract expressionism and pop art.

Coming of age as an artist during the 1960s, on the heels of abstract expressionism during a period when the art - world was dominated by men, she succeeded in expressing her unique artistic vision and voice and continues to do so to this day.

The gallery I thought contained countless canvas of abstract expressionism from artists like Jackson Pullock to Ad Reinhardt.

She currently has work in a group show at A.I.R. Gallery in Brooklyn called Another Gesture / Um Outro Gesto / Eine weitere Geste /, which «moves away from the dominant male legacy of abstract expressionism, in which gesture was used to champion the uniqueness of painting as a medium.»

Published by the Royal Academy of Arts, this lavishly illustrated book accompanies the first major showing of abstract expressionism in Britain since 1959.

Highlighting better - known names — Lee Krasner, Joan Mitchell — alongside lesser - known ones — Sonia Gechtoff, Perle Fine — the exhibition will encompass 12 women's work, «focus [ing] on the expressive freedom of direct gesture and process at the core of abstract expressionism, while revealing inward reverie and painterly expression,» according to the description.

Clyfford Still, Barnett Newman, Adolph Gottlieb and the serenely shimmering blocks of color in Mark Rothko's work (which is not what would usually be called expressionist and which Rothko denied was abstract), are classified as abstract expressionists, albeit from what Clement Greenberg termed the Color field direction of abstract expressionism.

They used impersonal, mundane reality, irony, and parody to «defuse» the personal symbolism and «painterly looseness» of abstract expressionism.

A fascinating 1972 documentary, directed by Emile de Antonio, examines the development of abstract expressionism through Hard Edge and Color Field painting to Pop Art.

Hans Hofmann in particular as teacher, mentor, and artist was both important and influential to the development and success of abstract expressionism in the United States.

Gottlieb was a vital force in the history of abstract expressionism, articulating its aims and defining its contours.