Sure, none
of the action scenes here are especially original, but they're well executed and appropriately brutal body collectors that are filmed vividly enough to actually see them.
Not exact matches
Here's a very cool idea that'll keep your child entertained for hours: Use your cell phone to take photos or videos
of action scenes (or let older kids do this themselves if they're careful with the phone).
She has an eye for landscape, a love
of light — relish the infernal glare
of the dust whenever a driver
here hits the brakes at night — and an all - too - rare mastery
of geography in an
action scene.
Because the nerves have grown numb now, there are
scenes of cruel torture in the picture — the kind that a troubled child would enact on his
action figures after a few days
of standard play: Dr. Strange at the mercy
of glass needles, Nebula (Karen Gillan) bloodlessly segmented like a plasticine exhibit in a sadist's medical museum... The atrocity escalates because there's nothing at stake
here.
However, repetition sets in and the escalation
of set pieces reaches some sort
of a peak
here: there are good - to - great
action, chase and fight
scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number
of times people can be kicked through walls before the scraps start to feel samey.
If you can forgive the narrative
scenes, there is plenty
here for fans
of old fashioned, one - man - army
action movies.
All
of these
action scenes are great fun in the moment, but they ultimately prove to be somewhat exhausting — it feels like there's one set piece too many
here — and makes the promising story feel mostly forgettable.
«There are no dramatic new features,» admitted, Ebihara, «but there's a reliable sort
of fun
here, like there always is, between the new
action scenes and the charming story.
Here we also have a foreshadowing
of Tarantino's rhythm in the
action scenes to come, as the two fighters pause as Vernita's daughter arrives home from school.
But the
action here is all political as coaches are managers play one another behind the
scenes, like in a national game
of chess.Director Reitman even uses a neat trick
here showing different frames
of the
action taking place at the same time.
There is a lot
of flair and bravado to the
action sequences
here, whether it be in - car chases, boat chases, Nazi torture doctors, and powerful slaps that can knock a man out while keeping him standing still upright, but your left solely appreciating the idiosyncratic nature
of it all alongside some admittedly wonderful cinematography that captures these
scenes with, again, style.
It's packed full
of clichés from start to finish and whilst Johnson has proven himself as a charismatic
action star,
here he is restricted to flying above disaster
scenes and having heartfelt conversations.
There are a few
action sequences
of shocking coherence in «Transformers: The Last Knight,» the fifth
of Michael Bay's clang - clang - clang - went - the - robot adventures, but fear not, fans
of the franchise: if you're
here for the director's trademark chaos editing (where fights go from points A to D to Q), toxic masculinity (and female objectification), comedy
scenes rendered tragic (and vice versa), and general full - volume confusion, you'll get all those things in abundance.
James Rhodes / War Machine (Don Cheadle) has a smaller, but meaningful role to play in the proceedings
here by comparison, while Clint Barton / Hawkeye (Jeremy Renner) and Scott Lang / Ant - Man (Paul Rudd) are the established MCU players who get the least onscreen development - but Civil War makes up for that by giving these characters some
of the best
action scenes in the movie.
This is a tiny nitpick though as there aren't loads
of action scenes where he does this and we're talking 2 second shots
here and there.
The plot
here is entirely predictable but as with Ozu's family dramas the real meat is in the film's visual aesthetic and cultural context, at once captured most intensely during a
scene where Teresa witnesses a financial crisis - related suicide with all the suddenness
of an Alfonso Cuaron
action sequence and Chen captures her jaded shock by shooting her from low angles through light - heavy filters.
Following Castile, Prince
of the Foxes was the second novel by Samuel Shellabarger the studio flipped into a film, and while less epic in scope (no globe - trotting
here), the story still gave audiences solid moments
of superbly crafted
action in some stirring combat and battle
scenes, and a nasty villain named Cesare Borgia (played with dribbling glee by Orson Welles).
He looks old
here, made up with a gray beard and wizard robes, aside from his introductory
scenes, he doesn't really get time or space to develop his Taoist Gandalf character, nor does he have much opportunity to show off his fighting skills, given the supernatural nature
of the
action (Lam Ching - ying gets such a chance in a too - small cameo role as «The Purple Taoist»).
But
here again, credit must be shared by director Fincher, who imbues
scene after bickering
scene with the kind
of headlong momentum one associates with
action thrillers.
The best setpiece in «Winter Soldier,» Cap taking out a bunch
of would - be assassins in an elevator, had a frenzied smallness that was much more exciting than watching helicarriers crash and monuments crumble; it seems to have inspired the better
action scenes here — not just a stairwell punch-fest that finds Bucky swinging from a torn - up stretch
of railing like Tarzan on a vine, but in a bigger, louder, wilder clash between Avengers (including emergency ringers Spider - Man, Ant - Man and Black Panther) on an airport runway.
Action or fight
scenes don't just happen
here for the sake
of an actor getting to look cool (Affleck looks pretty damn badass in this, I must admit) but rather any fist fight or gun battle takes place because the story demands it.
All
of that being said, there is still some fun to be had
here, as the performances from Aaron Taylor - Johnson, Chloe Grace Moretz, and (especially) Jim Carrey are all extremely fun to watch, the
action scenes are exciting and bad - ass, some
of the humor really works, and a good amount
of the dramatic material is effective.
«Deleted
Scenes» (13:50, SD) are actually largely extended scenes, but there are plenty of gems here, including amusing trims of Walken and Ewen Bremner and even a bit more a
Scenes» (13:50, SD) are actually largely extended
scenes, but there are plenty of gems here, including amusing trims of Walken and Ewen Bremner and even a bit more a
scenes, but there are plenty
of gems
here, including amusing trims
of Walken and Ewen Bremner and even a bit more
action.
(My only complaint is that some
of the
action scenes feel perfunctory, and it's clear ticking boxes on the
action checklist is not what Coogler is
here for, which is fine.
Such
scenes would usually provide depth and reason for the main character's
actions but
here they feel cheap and forced to the point
of being laughable.
If one
of the impressive feats
of the first film was the way Whedon was able to juggle everyone, both narratively and in the
action scenes, I'm afraid he's outnumbered
here.
There are a number
of startling
action scenes to be found
here, and one mighty fine car chase.
You can watch an early animatic for one
of the film's proposed
action scenes here.
The
action scenes are still cool to watch (they just don't come close the original's setpieces), the cast continues to be at the top
of their game, and there are some good laughs
here and there.
In addition to accurately depicting many
of the
action - packed
scenes from the book, Lawrence has also brought his attention to the series» most powerful themes, making sure to include some
of the key lessons from the final book in
here.
In order to combat that feeling
of repetitiveness, what they do
here is add a few more fight
scenes and a very interesting shoot out that's not exactly what we've come to expect from any
action movie.
Director Kathryn Bigelow gives the proceedings a hefty dose
of style, using a lot
of dreamy slow motion and quick editing, and staging the
action scenes with great energy; her most brilliant work
here are the on - screen recreations
of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.
Petersen is good at
action scenes, and he has plenty
of scenes here to work with.
Universal and Legendary have released an «On the Set» featurette for Pacific Rim Uprising which takes us behind the
scenes of the upcoming sci - fi
action sequel and includes interviews with the cast and crew; watch it
here..
Director Breck Eisner (son
of Disney chief Michael Eisner) helms his first major film
here (and honestly, given who he is, I wasn't expecting much) and fills the movie with some very nicely composed shots and gives the
action scenes a very exciting edge.
The most dynamic
of action scenes can't hold up without a dramatic spine, and there's nothing
here to support but the most basic
of retribution yarns.
Here is a movie that exists in the world
of superheroes but focuses on its characters and its story rather than special effects and loud
action scenes.
Here is some behind the
scenes action from the World Premiere
of Captain America: The Winter Soldier:
Click
here to watch a fascinating behind - the -
scenes video
of the fifth film in this top Hollywood
action series.
Action / Reaction Transition: When you have a juicy action scene it can be very effective to break at just after the action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets
Action / Reaction Transition: When you have a juicy
action scene it can be very effective to break at just after the action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets
action scene it can be very effective to break at just after the
action peak and open next chapter with a character - focused reaction: Here is the end of our chapter 17, an ambush where Chief Flowers gets
action peak and open next chapter with a character - focused reaction:
Here is the end
of our chapter 17, an ambush where Chief Flowers gets shot.
Your accommodation
here is in the centre
of town so you'll be close to the
action and can get really stuck into life in the epic centre
of New Zealand's north island ski
scene.
The sequence ends with a surprisingly gruesome and disturbing
scene that I won't spoil
here — but suffice to say, it more than justifies the
actions of Reznov, as well as Alex Mason throughout the game.
The hallways
here, the parking garage mentioned earlier, and a few
action sequences later on will definitely leave you yearning for more
of the creativity on display during the nightmare
scenes.
These decisions also affect the lives
of certain characters and the course
of the game's story, the only drawback
here is that while these decisions are also supposed to change the way the live
action series play out, it only ends up changing few
scenes and does not makes a solid impact.
«Several Art Events Making a
Scene» San Francisco Chronicle Written by Kenneth Baker June 25, 2014 More information
here Sophont in
Action: One
of the most eccentric contemporary artists working in the Bay Area, Desirée Holman will enlist local residents in an outdoor performance activating visionary elements
of her art, on view
here, in static and kinetic media.