Sentences with phrase «of the action scenes not»

I've read some reviews that really slam his direction and fumbling of the action scenes not to mention amateurish CGI.

Not exact matches

Make sure you don't miss the next edition of How I Started, when we'll get behind the scenes with a story from another entrepreneur who turned ideas into action.
Well, not as we might want or expect, but the almost unbelievable set of circumstances and human actions all point to a director behind the scenes.
The divine action need not be thought of as a matter of super-casuality behind the scenes through which everything happens; but as the continual divine self ~ communication, presenting to the creatures not only the good to which they may aspire, but also the support and recreative power of the sustaining and loving reality which is in the depths of all things.
But we miss the real spirit of the reformation if we do not see the element of the renaissance with its acceptance of man's natural life as essentially good and the scene of his creative action.
So there will be a lot of work going on behind the scenes, even though the official action can not begin until the window actually opens on the 1st of January.
Whereas AI relies on two newspapers to write its report on countries across the world, Global amnesty watch, will ensure that does not only visit scenes of incident but will go further to consider actions with existing legislature and in conformity with the Universal Convention on Human Rights», they revealed.
Workout Plan The already slender actress «didn't need to make any drastic changes,» Hood says «She did a lot of her own action scenes so we focused on movement, strength and general stamina.»
While I can not give up the details of the behind the scenes action of recruitment, I wanted to give some tips I have learned from being on both sides of the process.
I'm very disappointed by the actions of the people behind the scenes because it was uncalled for and not fair!
The exhibition wasn't just vehicles — the top gallery is filled with story boards and sketches, so you can see how they orchestrated some of the famous actions scenes.
The reason why I give it at least 4 points is: rememberable scenes (bungee jump, Judi Dench's first»M» appearance, Death scene of the main villain) and as action crime it's not a complete failure.
With all the action, all the tears and all the brief moments of joy, The Deathly Hallows Pt. 2 would not feel complete if these scenes were to be screwed up.
This exciting epidemic thriller has quite a lot to offer: an outstanding cast of great names, great cinematography by Ballhaus and direction by Petersen and a thrilling plot that doesn't leave you much space to catch your breath, even has quite a few decent action scenes to offer.
Sin - Dee and Alexandra's last, quiet scene together, in a laundromat not far from the same Donut Time franchise where they began their action - packed Christmas Eve, succeeds at once as a new kind of female buddy comedy and as a rueful reflection on the meaning of coming home — by whatever definition you choose to understand that word — for the holidays.
While not an elite action film, and overall disappointing, its stars compliment a witty script, a couple of cool fight scenes, and exotic locales.
The action scenes are fine, but not all that memorable, save for the South Korea car chase in the middle of the movie.
It isn't pumped up with phony action scenes, but follows the curve of Brashear's life as it intersects with another man, Master Chief Billy Sunday (Robert De Niro), a redneck who at first hates Carl and then gradually changes his mind.
I will admit there are some fun action scenes, and the fight scene in the last act was quite a bit of fun, but it is definitely not worth sitting through just for that.
The actors are really just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening scene of the film rewinds through the entire film, showing every action beat, which was a really bizarre move.
But it wasn't a total loss: ace casting, Jackman shining throughout, some pretty damn enthralling action scenes and a couple of good laughs.
And by giving away so many details about the ending up front, writer - director Alex Garland (Ex Machina) seems to be emphasizing that Annihilation isn't about who - will - live dynamics, or the fast mechanics of action scenes.
Another forgettable prequel to The Avengers that doesn't seem to be something of its own, with a plot that is mostly dull, action scenes that are unimpressive for a superhero movie, and a poorly developed villain with uninspired plans of destroying the world.
He is provided not only with action sequences but scenes of intense dramatic power.
It's rare these days to walk out of a modern sci - fi blockbuster and think not of the visual effects or action scenes but the incredible screenplay.
The viewer is not transported to the magical, complex and elaborate kingdom of Alagaësia of the book, but rather is merely observing action scene followed by action scene.
For all of the gonzo flourishes, Waititi is a fairly conventional plotter and stager of action scenes, and so eventually we must move on to a denouement we don't quite care about, as well as a potentially weighty theme — Hela might represent the ugly origins that all prosperous societies bury — that stays too far out of focus.
Will there be a lot of stunts and action scenes that people haven't seen before?
This allows for plenty of ridiculous - in - a-good-way action scenes, the best of which finds her levitating a group of armed assailants so they can not harm her.
Marvel's struggle to make fight scenes more than the cinematic equivalent of a child bashing their action figures together does tend to prevail, though a few sequences are well - choreographed enough to ensure boredom isn't ever a real threat.
Characters will jump and twirl and come out of nowhere in spaceships to save the day, and as you guide them through one over-the-top action scene after another, it's tough not to smile at the cartoonish demeanor and scale.
Semiotics aside, the movie has some action scenes you can follow and some you can't, lots of talking scenes in between, and everywhere you look, some of our finest actors are doing their best to bring human emotion into this universe.
Not just that the lead is an actual MMA fighter, which means the action scenes will be great, but it's directed by one of my favourite directors, Steven Soderbergh.
The almost robotic performance by the increasingly unreliable Cage doesn't help the character's likability, however, the action scenes involving Big Daddy are easily some of the film's best.
Although they help set the tone at the outset of the film, we don't need more of these scenes after her first action sequence as her character's MO is very clear.
I just don't know about some of these full - blown action scenes... I mean, they are clearly going for something along the lines of Get Smart and Pineapple Express, and I'm not sure they need to.
He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.
It's a funny scene, provided you're into this kind of thing, but it's not really the kind of cool action that people typically want to see from this kind of movie.
Fortunately, with the exception of this scene, most of the other action is not particularly explicit.
In the penultimate shot, dead Lincoln is lying on a small bed, nestled as a baby, his face quite calm, it is obvious that his murder has not astonished him; then in the final scene at the Capitol, Lincoln is standing erect, in action, delivering a speech to the multitude in the middle of the frame.
The future scenes also contain some good action beats that bookend the 1973 section, but because many of the featured mutants (like Bishop, Blink, Warpath and Sunspot) are appearing on screen for the first time with almost no introduction, you don't really care what happens to any of them, especially when the actors only have about three lines of dialogue combined.
The budget doesn't seem able to match the increasing magnitude of the action scenes, so that by the end the special effects are truly awful.
Film editors Michael McCusker and Dirk Westervelt not only knit together the action scenes effectively, they also maintain a good sense of momentum during the dramatic sequences, and enable the few comic moments room to breathe.
Don't miss: Supplemental materials include a making of featurette, a look inside the action, deleted scenes and a blooper reel.
The shootouts and chase - scenes are also not super enjoyable, but they do inject a bit of much - needed action in between the quieter moments of the game.
Even with long scenes of action utilizing modern effects, the approach doesn't seem gratuitous, which is an impressive accomplishment after having seen so many action films already this year.
Maybe Tomorrowland dawdles its way to its climax because that particular set piece is such a bust: an underpopulated and anticlimactic action scene that doesn't come close to fulfilling the promise of the movie's best moment, a mid-movie single - take tour of the Tomorrowland that once was.
But, so long as you can follow the story well enough, and don't mind the rather lengthy takes that Soderbergh enjoys during scenes of running or driving, Haywire is worth seeking out for a smart, stylish, and off - speed action film that blends traditional thrills with Soderbergh's independent experimentation with the process of genre filmmaking.
I've never been a fan of Statham, I find him to be incredibly wooden and all of his action scenes are always shot using a bunch of quick cuts so you can't even tell what's going on.
This chapter may not be as spirited as the last one, but the Russo brothers — veterans of TV shows like «Arrested Development» and «Community» — demonstrate an unexpected facility with action scenes.
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