Sentences with phrase «of the animations look»

i liked the other 2 but some of this animation looks downright rushed.

Though the studio was smart to produce the movie as an animated feature, most of the animation looks cheap and dated.

To the extent that many of the animations look as though they're directly from the host anime.

The glory days of the mid-90s are well beyond the series now, and even for its 720p high definition graphical output — the actual look of the animations look fairly antiquated.

Not exact matches

Other times you may want to opt for a smoother look that approaches that of video (without having to spend the money that you would on video or animation).

It is a relatively minor matter whether God infused the transcendent capacity into a freshly made creature or an upwardly mobile hominid that had evolved through various transformations, from an amoeba to a tadpole to an assortment of amphibians and mammals until, as in the familiar diagrams and animations, it looks more or less like Carl Sagan.

Disney's animation machine was looking flimsy there for a minute, but the House of Mouse effectively turned the ship around with a string of delightful animated films like Tangled and...

My husband makes animation software and kits for children x http://www.zu3d.com I am very proud of just how child friendly it is x Would love you to have a look x Jennie recently posted... Siblings February

Embryo animation shows what the typical baby looks like in its earliest stages of development and it's possible to get all stages of pregnancy animation as well to get a better idea what's happening in your growing belly.

So, I do nt think youngters who depend only on the web take a close look at anything.Yes, there is a lot of pedagogical material with animations etc, which may help in smart learning.

Dress up in a pair of animation - printed lounge pants and a funky crop top or a sleeveless T - shirt to look hip.

If you still remember the famous hair look of Elsa in the animation film Frozen, you will not miss the mermaid hair look.

One of Jiayuan's recent investments is a partnership with animation firm Up Studios, whose brand Piggy in Love (which follows a pig looking for his lost love) will be featured in Jiayuan's new mobile app.

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As important as the cast, of course, is the look of the film - although, given the quantum - leaping developments in computer animation, it's far too tempting to let yourself be distracted by attention to detail or by worrying about how realistic it is when you should just be sitting back and enjoying the ride.

Some of the animations are downright awful (for example, look at your Skylander as he exits a cannon).

The animation (most of it apparently done by Miyazaki himself) has a clean, uncluttered look, with sharp line drawings and solid swatches of vibrant primary colours and pastels.

Bringing together the creative team at Aardman Studios (who are responsible for the likes of Wallace and Gromitand Chicken Run) and Dreamworks Animation (the masterminds behind the Shrek franchise), Flushed Away marries a clay animation look with hi - tech computer Animation (the masterminds behind the Shrek franchise), Flushed Away marries a clay animation look with hi - tech computer animation look with hi - tech computer graphics.

Mixing classic and computer generated animation this is actually a milestone of cartoon Sci - Fi movies that still looks pretty great years later.

The hyperrealism of computer animation begs another question: If your goal is to make things look as realistic as possible, why bother with animation at all?

The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.

One thing the DreamWorks / PDI team has to its advantage is that their animation continues to improve and in the swiftly, rapidly changing world of CG, keeping your stable of successful characters looking better and better is half the battle won.

It's pretty detailed and definitely took the cartoonish route instead of what has become popular in animation, which is trying to make it look as close to real life as possible.

There are certainly plenty of creative uses for computer technology in animation: Trey Parker and Matt Stone's «South Park» characters may look crudely animated, but the jumble of construction - paper textures that make up the images is actually computer generated.

This game is abosutly beutiful, and is one of the rare games that looks better in motion, because the animation is so smooth and cool looking.

[Blu - ray Review] Looking and sounding like a million bucks (or more) and full of exhaustive bonus content new and vintage, the Blu - ray release of «The Jungle Book» is a must - own for anyone who loves animation, the Walt Disney studio, or film in general.

It's probably the best inside look at an animation studio that you're ever going to get; short of your own personal tour, or course.

With Inside Out opening in theaters today, other animation studios have released previews for their upcoming releases, hoping to snag some of the audience for what looks to be another Pixar hit.

We made the mistake of playing Mandate first and were really shocked by how average it looks in comparison to any other FPS game currently available - character animation is excellent but the environments are dire.

The look of the animation as a bit more polished than I was anticipating.

Good game that is alot of fun playing with friends.The Game looks absolutely awesome, great graphics and the animations are extremely good,

This game could have been the perfect game, but it has so much small flaws that can be really annoying sometimes.Graphics: 7.0 - The animations look pretty bad sometimes and the scenarios are the same in all of the campaings, but it's not terrible.Sound: 9.5 - The best thing about this game is it sound, almost perfect.

The screenplay, written by Riko Sakaguchi and Yonebayashi, is based on the 1971 children's novel The Little Broomstick by British author Mary Stewart, and the movie's story seems to exist in a unique place, with the characters appearing British but drawn in that specific style of Japanese animation, while the backdrops look as if they could be set in any place where there are fields and forests and farms and tiny villages down some dirt road.

Director Nora Twomey changes the film's style for the fantasy story, transitioning from the sharp lines and solid colors of the real - life scenes to animation that looks like paper models in motion.

Some of the animation in «Coco» is so detailed that it looks photorealistic, particularly the exquisite wrinkled face of the elderly title character.

While EA did a poor job fleshing out the story, some of the sound - alikes aren't nearly as good as the film's cast (Snape doesn't even sound close) and a few facial animations look bizarre, but for the most part, Half - Blood Prince is one of the best Harry Potter games we've played.

Some of the animation in «Coco» is so detailed that it looks photorealistic.

The stop - motion animation - a favorite tool of Burton's - is given loving attention, and the character design is full of terrific touches, such as the hulking flat - topped schoolmate who looks a bit like a certain man - made monster.

And yet, however considerable the film's charms (it's first - rate children's entertainment, to be sure), there's something just the slightest bit disappointing in how pro-forma it all feels: Ghibli geniuses Isao Takahata and Hayao Miyazaki never clung to a house style, making films with wildly different looks and tones over the course of their careers, whereas Yonebayashi's first post-Ghibli effort colors well within the lines of stock Japanese animation.

The simple, hand - drawn animation contrasts beautifully with the slick digital work that comprises most of the movie, inserting realistic - looking talking rabbits into live - action scenes with Byrne and Gleeson.

I loved the way it combines a variety of styles — including some animation that resembles woodcut and some that looks like colorful paper puppets — and the way the animation is made to look flat in flashbacks so the present - day images pop out at us more vividly.

It is hard sometimes to shake the feeling that this live - action Disney adaptation is relying too much on the 1991 animation, to the point that it almost feels like an extended version of that film; but even so, it offers a fresh and modern look at the classic story that makes it worth it.

This second KFP is an enjoyable movie, though I am not sure I can join in with the excitable critical plaudits given to the original and this followup: it's a great - looking animation and a nice entertainment, though targeted at a younger audience, without the extra level of adult sophistication.

In choosing the look of their big - budget production, Lord and Miller stick to that aesthetic, using computer animation to simulate the surface texture and slightly jerky movement we might expect if someone had orchestrated the entire experience with plastic toys painstakingly repositioned and photographed one frame at a time (according to the press notes, that would have taken no fewer than 15,080,330 bricks).

If you're looking into animation, or anything of the sort, pick this game up for $ 10 and let your imagination run wild.

The animation and graphics are truly wonderful to look at, and the voice work and music tie everything together but, the repetition in the puzzles and copious amounts of backtracking means, it is not as fun to play as it is to look at.

* Computer - animation always looks good on the format, but this direct - to - digital port would've left the home versions of this year's other CG extravaganzas (Open Season, The Ant Bully, et al) in the dust were it not for the superfluous — and conspicuous, given the preponderance of black - on - white — application of edge - enhancement.

SOCOM is not one of those games going after perfect looking characters, instead going after nice looking environments, and good animations.

Still, the animation is impressive, an appealing mix of standard cartoon and CGI that blends well and gives Sinbad a unique look.

The film is a look at the fleeting nature of attraction, all done in stop - motion animation and with enough imagination to shame most of its live - action counterparts.