Sentences with phrase «of the black box drawn»

F is a higher magnification view of the black box drawn in E.

Not exact matches

Game of the Year Batman: Arkham City — Rocksteady Studios Portal 2 — Valve The Elder Scrolls V: Skyrim — Bethesda Game Studios The Legend of Zelda: Skyward Sword — Nintendo Uncharted 3: Drake's Deception — Naughty Dog Outstanding Achievement in Original Music Composition L.A. Noire — Team Bondi Little Big Planet 2 — Media Molecule Uncharted 3: Drake's Deception — Naughty Dog InFamous 2 — Sucker Punch Portal 2 — Valve Outstanding Achievement in Sound Design Battlefield 3 — DICE Call of Duty: Modern Warfare 3 — Infinity Ward / Sledgehammer Games L.A. Noire — Team Bondi Need for Speed: The Run — EA Black Box Uncharted 3: Drake's Deception — Naughty Dog Outstanding Achievement in Story Bastion — Supergiant Games L.A. Noire — Team Bondi Portal 2 — Valve The Elder Scrolls V: Skyrim — Bethesda Game Studios Uncharted 3: Drake's Deception — Naughty Dog Outstanding Character Performance Deus Ex: Human Revolution (Adam Jensen)-- Eidos Montreal L.A. Noire (Cole Phelps)-- Team Bondi Portal 2 (Wheatley)-- Valve Uncharted 3: Drake's Deception (Nathan Drake)-- Naughty Dog Uncharted 3: Drake's Deception (Victor Sullivan)-- Naughty Dog Downloadable Game of the Year Bastion — Supergiant Games Drawn: Trail of Shadows — Big Fish Games Insanely Twisted Shadow Planet — Fuel Cell Ms. Splosion Man — Twisted Pixel Games Orcs Must Die!

A stylish black and white box with an art of Raiden on the front drawn by Metal Gear's famous artist Yoji Shinkawa.

Who Framed Roger Rabbit Wild Gunman Willow Win, Lose or Draw Winter Games by Epxy Wizards & Warriors Wizards & Warriors II - Ironsword Wizards and Warriors III Wolverine World Class Track Meet Wrath of the Black Manta Wrecking Crew WWF Wrestlemania WWF Wrestlemania Steel Cage Challenge Xenophobe Xevious XEXYZ X-Men Yoshi Zanac Zelda 2: The Adventure of Link (Grey) Zelda 2: The Adventure of Link (Gold) Zen The Intergalactic Ninja +30 extra Black Box Set More Pictures....

This evening seeks not only to draw out parallels and overlaps between the spaces of performance in the visual and performing arts — the somewhat outdated concepts of the white cube and the black box — but also to question the increasing role of performance art in museums today and how architecture frames and determines it.

In a black - box gallery, white graffiti and drawings are scrawled across every plane of the room.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iblack 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

«The Towering Inferno: The Babel Trilogy,» University of Tel Aviv, Tel Aviv, Israel, January 21, 2014 — January 30, 2014; catalogue «Codex,» CCA Wattis Institute, San Francisco, CA, January 23 — March 29, 2014 «Imaginary Portraits: Prince Igor,» Gallery Met, The Metropolitan Opera, New York, NY, January 15 — May 10, 2014 2013 «Art and Its Discontents,» University of California Santa Barbara Art Museum, Santa Barbara, CA, October 19 — December 13, 2013 «TACET,» Museum of Fine Art Dole, Dole France, June 22 — Spetember 8, 2013 «Imitation of Christ,» The Hammer Museum, Los Angeles, May 18 - August 18, 2013 «The Whole Earth: California and the Disappearance of the Outside,» Haus der Kulturen der Welt, Berlin, Germany, April 26 — July 1, 2013 «Art Geneve,» Suisse Romande, Geneva, Switzerland, January 31 - March 3, 2013 «Set Pieces,» Cardi Black Box, Milan, Italy, February 2013 «The Circle Walked Casually,» Deutsche Bank KunstHalle, Berlin, Germany, November 28, 2013 — March 2, 2014 2012 «Letters From Los Angeles,» Jack Rutberg Fine Arts, Los Angeles, CA, November 17 — December 22, «Tracing the Century: Drawing from the Tate Collection,» Tate Liverpool, Liverpool, England, November 16 — January 20, 2013 «This Will Have Been: Art, Love, & Politics in the 1980s,» Museum of Contemporary Art (MCA), Chicago, IL, February 11 — June 3, 2012; travels to Walker Art Center, Minneapolis, MN, June 30 — September 30, 2012; travels to Institute for Contemporary Art (ICA), Boston, MA, October 2012 — January 2013 «In Numbers,» Institute of Contemporary Art, London, England, January 25 — March 18, 2012 «Self - portraits,» Louisiana Museum of Modern Art, Humlebaek, Denmark, September 14, 2012 - January 13, 2013 «Behold America!»

2009, «The Polymorphic characteristics of disciplinary education» CITY COLLEGE OF NEW YORK, New York, NY 2009, «Mimetic Depth: from the Greek through the proscenium into the black box» PARSONS SCHOOL OF DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), Panelisof disciplinary education» CITY COLLEGE OF NEW YORK, New York, NY 2009, «Mimetic Depth: from the Greek through the proscenium into the black box» PARSONS SCHOOL OF DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), PanelisOF NEW YORK, New York, NY 2009, «Mimetic Depth: from the Greek through the proscenium into the black box» PARSONS SCHOOL OF DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), PanelisOF DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), PanelisOF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), PanelisOF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), PanelisOF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), Panelist.

2007 «What Will Come» Stadel Museum, Frankfurt am Main, Germany «What Will Come», Goodman Gallery, Johannesburg 2006 «William Kentridge / The Magic Flute: drawings and projections», Marian Goodman Gallery, New York «William Kentridge: 9 Drawings for Projection», Museum of Modern Art, New York «Black Box / Chambre Noire» Johannesburg Art Gallery 2005 «William Kentridge» Johannesburg Art Gallery, Johannesburg Guggenheim Museum, Berlin, Germany 2004 «William Kentridge», Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy 2001 «William Kentridge», Smithsonian Institution, Washington DC 2000 «William Kentridge: New Work», Marian Goodman Gallery, New York 1999 «Projects 68: William Kentridge», Museum of Modern Art, New York «Stereoscope», Goodman Gallery, Johannesburg 1998 «William Kentridge», The Museum of Contemporary Art, San Diego «William Kentridge», Stephen Friedman Gallery and A22 Gallery, London «William Kentridge», Palais des Beaux - Arts, Brussels 1997 «Applied Drawings», Goodman Gallery, Johannesburg 1994 «Felix in Exile», Goodman Gallery, Johannesburg 1992 «Drawings for Projection», Goodman Gallery, Johannesburg 1991 «Little Morals», Taking Liberties Gallery, Durban, with Deborah Bell and Robert Hodgins 1990 «William Kentridge: Drawings and Graphics», Cassirer Fine Art 1989 «Responsible Hedonism», Vanessa Devereux Gallery, London 1987 «In the Heart of the Beast», Vanessa Devereux Gallery, London «Standard Bank Young Artist Award» exhibition, Grahamstown, South Africa, July (touring Tatham Art Gallery, Pietermaritzburg; University Art Galleries, University of the Witwatersrand, Johannesburg; University Art Gallery UNISA, Pretoria; Durban Art Gallery, Durban) 1985 «William Kentridge», Cassirer Fine Art, Johannesburg 1981 «Domestic Scenes», The Market Gallery, Johannesburg 1979 «William Kentridge», The Market Gallery, Johadrawings and projections», Marian Goodman Gallery, New York «William Kentridge: 9 Drawings for Projection», Museum of Modern Art, New York «Black Box / Chambre Noire» Johannesburg Art Gallery 2005 «William Kentridge» Johannesburg Art Gallery, Johannesburg Guggenheim Museum, Berlin, Germany 2004 «William Kentridge», Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy 2001 «William Kentridge», Smithsonian Institution, Washington DC 2000 «William Kentridge: New Work», Marian Goodman Gallery, New York 1999 «Projects 68: William Kentridge», Museum of Modern Art, New York «Stereoscope», Goodman Gallery, Johannesburg 1998 «William Kentridge», The Museum of Contemporary Art, San Diego «William Kentridge», Stephen Friedman Gallery and A22 Gallery, London «William Kentridge», Palais des Beaux - Arts, Brussels 1997 «Applied Drawings», Goodman Gallery, Johannesburg 1994 «Felix in Exile», Goodman Gallery, Johannesburg 1992 «Drawings for Projection», Goodman Gallery, Johannesburg 1991 «Little Morals», Taking Liberties Gallery, Durban, with Deborah Bell and Robert Hodgins 1990 «William Kentridge: Drawings and Graphics», Cassirer Fine Art 1989 «Responsible Hedonism», Vanessa Devereux Gallery, London 1987 «In the Heart of the Beast», Vanessa Devereux Gallery, London «Standard Bank Young Artist Award» exhibition, Grahamstown, South Africa, July (touring Tatham Art Gallery, Pietermaritzburg; University Art Galleries, University of the Witwatersrand, Johannesburg; University Art Gallery UNISA, Pretoria; Durban Art Gallery, Durban) 1985 «William Kentridge», Cassirer Fine Art, Johannesburg 1981 «Domestic Scenes», The Market Gallery, Johannesburg 1979 «William Kentridge», The Market Gallery, JohaDrawings for Projection», Museum of Modern Art, New York «Black Box / Chambre Noire» Johannesburg Art Gallery 2005 «William Kentridge» Johannesburg Art Gallery, Johannesburg Guggenheim Museum, Berlin, Germany 2004 «William Kentridge», Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy 2001 «William Kentridge», Smithsonian Institution, Washington DC 2000 «William Kentridge: New Work», Marian Goodman Gallery, New York 1999 «Projects 68: William Kentridge», Museum of Modern Art, New York «Stereoscope», Goodman Gallery, Johannesburg 1998 «William Kentridge», The Museum of Contemporary Art, San Diego «William Kentridge», Stephen Friedman Gallery and A22 Gallery, London «William Kentridge», Palais des Beaux - Arts, Brussels 1997 «Applied Drawings», Goodman Gallery, Johannesburg 1994 «Felix in Exile», Goodman Gallery, Johannesburg 1992 «Drawings for Projection», Goodman Gallery, Johannesburg 1991 «Little Morals», Taking Liberties Gallery, Durban, with Deborah Bell and Robert Hodgins 1990 «William Kentridge: Drawings and Graphics», Cassirer Fine Art 1989 «Responsible Hedonism», Vanessa Devereux Gallery, London 1987 «In the Heart of the Beast», Vanessa Devereux Gallery, London «Standard Bank Young Artist Award» exhibition, Grahamstown, South Africa, July (touring Tatham Art Gallery, Pietermaritzburg; University Art Galleries, University of the Witwatersrand, Johannesburg; University Art Gallery UNISA, Pretoria; Durban Art Gallery, Durban) 1985 «William Kentridge», Cassirer Fine Art, Johannesburg 1981 «Domestic Scenes», The Market Gallery, Johannesburg 1979 «William Kentridge», The Market Gallery, JohaDrawings», Goodman Gallery, Johannesburg 1994 «Felix in Exile», Goodman Gallery, Johannesburg 1992 «Drawings for Projection», Goodman Gallery, Johannesburg 1991 «Little Morals», Taking Liberties Gallery, Durban, with Deborah Bell and Robert Hodgins 1990 «William Kentridge: Drawings and Graphics», Cassirer Fine Art 1989 «Responsible Hedonism», Vanessa Devereux Gallery, London 1987 «In the Heart of the Beast», Vanessa Devereux Gallery, London «Standard Bank Young Artist Award» exhibition, Grahamstown, South Africa, July (touring Tatham Art Gallery, Pietermaritzburg; University Art Galleries, University of the Witwatersrand, Johannesburg; University Art Gallery UNISA, Pretoria; Durban Art Gallery, Durban) 1985 «William Kentridge», Cassirer Fine Art, Johannesburg 1981 «Domestic Scenes», The Market Gallery, Johannesburg 1979 «William Kentridge», The Market Gallery, JohaDrawings for Projection», Goodman Gallery, Johannesburg 1991 «Little Morals», Taking Liberties Gallery, Durban, with Deborah Bell and Robert Hodgins 1990 «William Kentridge: Drawings and Graphics», Cassirer Fine Art 1989 «Responsible Hedonism», Vanessa Devereux Gallery, London 1987 «In the Heart of the Beast», Vanessa Devereux Gallery, London «Standard Bank Young Artist Award» exhibition, Grahamstown, South Africa, July (touring Tatham Art Gallery, Pietermaritzburg; University Art Galleries, University of the Witwatersrand, Johannesburg; University Art Gallery UNISA, Pretoria; Durban Art Gallery, Durban) 1985 «William Kentridge», Cassirer Fine Art, Johannesburg 1981 «Domestic Scenes», The Market Gallery, Johannesburg 1979 «William Kentridge», The Market Gallery, JohaDrawings and Graphics», Cassirer Fine Art 1989 «Responsible Hedonism», Vanessa Devereux Gallery, London 1987 «In the Heart of the Beast», Vanessa Devereux Gallery, London «Standard Bank Young Artist Award» exhibition, Grahamstown, South Africa, July (touring Tatham Art Gallery, Pietermaritzburg; University Art Galleries, University of the Witwatersrand, Johannesburg; University Art Gallery UNISA, Pretoria; Durban Art Gallery, Durban) 1985 «William Kentridge», Cassirer Fine Art, Johannesburg 1981 «Domestic Scenes», The Market Gallery, Johannesburg 1979 «William Kentridge», The Market Gallery, Johannesburg

Bakker wants to draw a square box around cognition, with a solid black line, and hopes the cognitive box stays the smallest size possible and the same color, filled only with a perhaps - dynamic set of heuristic tricks et.

Just draw one of those black boxes over the text you need to have disappeared, and voila!

Among the many black and white resumes that are presented to the hiring manager, one that looks out of the box, naturally draws more attention

Design: Among the many black and white resumes that are presented to the hiring manager, one that looks out of the box, naturally draws more attention.