Sentences with phrase «of the exterior shots»

And that is the only reason why all of those exterior shots in the film look so tactile and beautiful and hand - crafted, and that is one of a thousand suggestions that people who have that depth of talent and experience can just bring.

Many of the exterior shots were taken on the grounds.

Some of the exterior shots with the ghost seen in various places are stunning, Terrence Malick influenced work.

FOR SURE get rid of the opening shot that includes the f# & ked up sidewalk and steps - why in the world is that on there on any pic, let alone the primary pic???? Why all of the exterior shots - its not a particularly attractive exterior?

Not exact matches

However, the rest of the Getty scenes in the movie are clearly of Plummer, which Scott could pull off as they are mostly scenes shot in one exterior location or interiors, which could all have been filmed on studio sets.

And you will also see an exterior shot of the hotel where the girls were rescued.

The money, Cuomo said, would pay for security cameras, interior and exterior lighting, and gunfire detection technology, that could help protect residents like those who live in the East River Houses, where Tyrone Howard, the man suspected of shooting the police officer, Randolph Holder, lived and sold drugs.

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

And the final sequence, in which Devoe and Kelly must defuse the nuclear warhead in a cathedral, is supposedly set in Manhattan but was actually shot in the breathtaking St. Martin's Cathedral, hard on the banks of the Danube in Bratislava (the exterior can be glimpsed briefly in an establishing shot, with the Manhattan skyline digitally added around it).

Contrasting the breathtaking vistas of the Jersey exteriors with the conservative confines of Moll's home - life interiors (the latter were shot in Surrey), Pearce and cinematographer Benjamin Kračun conjure an archetypal landscape in which disparate worlds collide.

Meanwhile, Vanya and other sinister high - ups in the Russian Security Services, including Director Zakharov (Ciarán Hinds, «Silence») and General Korchnoi (Jeremy Irons, «The Man Who Knew Infinity»), discuss matters indirectly while sitting in opulent offices that contrast with the stark brutalism of buildings in exterior shots.

Steven Spielberg grounded the film with looming, exterior shots of Culver City, then flung Elliott's adventures deep into the sun - dappled heart of the ethereal Redwood National Park.

Blending the epic with the personal is no easy task, and the film's scattered exterior shots seem at odds with the intimacy of the long stretches that Elizabeth spends in the company of Sir Walter Raleigh (Clive Owen), Sir Francis Walsingham (Geoffrey Rush) and her ladies in waiting (chief among them Abbie Cornish» Bess Throckmorton).

In one shot, we see all of these shields pierced by arrows that remain stuck on impact, only for the men to emerge with no trace of the arrows still on their exterior — not even any holes!

The Oval Office looks like a business tycoon's mansion in a soap opera, and every shot of a building exterior or rushing ambulance appears to have been bought from Getty or Shutterstock.

Even down to all of the exteriors in the film are these beautiful miniature shots, and it's because of Nathan Crowley.

And the look and texture of the film are fine; Tamahori and cinematographer Matthew F. Leonetti have created a convincing sense of place (to be sure, they shot their Virginia exteriors in British Columbia, but, hey, that's a place, too).

That is followed by three successive silent shots of the building's exteriors in clipped Bressonian beats, evoking the feeling of a sacred space and the rhythm of ritual.

Cinematographer Guy Godfree makes the subdued landscape of the Canadian province come alive in exterior shots that balance out the meticulous work he does inside the tiny little house where the Lewis couple reside.

The new technology also made possible what Lubezki calls «elastic shots,» which go seamlessly from an exterior wide view to a subjective point of view from inside a space helmet.

So, you had Phil Morrison, the director of «Junebug,» talking about the static, empty interior and exterior shots he «lifted» from Ozu, as a way of giving his movie some breathing room.

The budget is noticeably lower his time around, with the majority of the action set in one central location, here the Century City Shopping Center in Los Angeles, plus other exterior shots around the UC Irvine campus.

In some ways, Anderson pushes it even further by bringing in a little bit of that Fantastic Mr. Fox magic and using a healthy dose of stop - motion miniature animation during most of the establishing exterior shots (and one memorable chase scene).

is less about the production than about the saga of Weirton, West Virginia — where most of the film's exteriors were shot — and the crumbling steel mill that once held the town together.

In reality: The exterior shot of the fictional hotel, seen in the intro scene, is now Dosa Allee, an Indian restaurant at 1020 Market Street.

Barring some fly - on - the - wall angles, elegant exterior shots by the brook or Julie's garden, and a couple of truly fantastic reflections of Julie against the window superimposed with the only escape out of the castle; Ullmann decides to keep her camera firmly pointed at the actors, in medium shot, reminiscent of her old mentor and friend Ingmar Bergman.

In reality: The exterior shots (only) were of North Beach's Vesuvio Café, at Jack Kerouac Alley and Columbus Ave.. The interior filming was done elsewhere.

Oscar - nominated director Bruce Beresford (Tender Mercies) competently blends some Flint exteriors with Toronto shooting locations, without giving the movie a strong sense of place.

The front of the shot is just Frank coming in the door and the exterior of the porch light that sort of rims him as he walks in.

(There are CGI effects, but they're largely confined to exterior shots of the train.)

Other than the warden's office (which could have literally been shot in another corner of the cell block) there are only a handful of exteriors when the prison guards start firing into the cell block.

Power and his cinematographer, Simon Chapman (who shot Servant or Slave and Joe Cinque's Consolation), frame exterior shots of Sam and Ian's car from behind.

The entire thing takes place in a single lifeboat, with director Hitchcock not doing many medium or long shots of the lifeboat exterior.

There's a ton of noise on exterior shots with extreme negative space, and plenty of grain in other shots.

In almost all Westerns, the landscape is the dominant visual: lots of daylight exterior shots, big skies, seemingly wild and uninhabited land, sweepingly wide - open spaces.

Also, with exterior shots of San Francisco and in its environs, the films takes full advantage of its widescreen aspect ratio, with natural depth in the landscapes and buildings.

After some exterior shots of a snowy stagecoach, The Hateful Eight goes fetchingly stagy, in the vein of an Agatha - Christie locked - room mystery or a claustrophobic horror movie.

Wellman and his DP William Clothier (The Man Who Shot Liberty Valance) worked out a stark visual design, keeping everything — sets, costumes, make - up, and exteriors — in black and white tones, with the exceptions of one scarlet hunting jacket and one yellow scarf.

That's largely due to the decision to shoot the film on 65 mm, which basically doubles the width of the image, not only resulting in more sprawling exterior shots, but also enhancing the performances and production design.

Aside from a bird's eye view of Manhattan at night in the film's opening moments, Greengrass permits himself to shoot only from camera positions that can be justified by the conceivable presence of a human observer — we never see the exterior of the plane once it's airborne, and the devastation of the Twin Towers is seen only from the remove of the Newark Airport control tower and the television screens in the various control rooms.

Pooly recognized a lot of the «real world» exterior shots as downtown Vancouver.

For the exteriors, there was a lot of location scouting through the windows of the car — we had lots of shots of downtown LA or the industrial area or the financial area, which is kind of a ghost town at night.

Shooting in 65 mm, Branagh delivers all of the eye - saucering exteriors you'd expect, as mountaintops soar, sunlight glints at the end of tunnels and stations snuggle under a duvet of blue snow.

Muted colours and scenic tones are stable in each of the shots, and the film's interior and exterior locations have balanced blacks and dark blues, with the interior ship sequence and various night shots looking quite beautiful.

While the fight scenes were well - staged, I couldn't help but think of beer commercials every time the camera provided an exterior shot of the train.

The snow and chalet scenes are shot in Austria, in particular St Anton where â $ ˜The Museumâ $ ™ is used for exterior shots of the posh chalet â $ «well, they are stunning.

Much of the action still exists in the overheated claustrophobia of the Weston household, yet footage of the rolling Oklahoma fields, characters in cars, and other exterior shots distract as opposed to elaborate on a setting that's meant to be suffocatingly insular.

(Cue exterior shot of locomotive plunging into a dark tunnel.)

There are all sorts of great exterior location shots of New York, and the Dakota building on Seventy - Second Street adds the right spookiness.

The cast and crew film in the city for about two weeks a year for exterior shots, a trip they enjoy because the vibe of the city gives them a better connection to the characters they are playing.