Sentences with phrase «of the film sets everyone»

The first act of the film sets everyone up perfectly, starting with the trio of robbers showing their stuff when it comes to hitting a mark.

Not exact matches

On their first film together, Verdi says Kraft was the hardest - working person on set, with the vision of a natural - born entrepreneur, always thinking further into the future than everyone else around him.

It is in the brief last act, set in the hippie culture of 1975 and then the present day, when everyone is gray - haired and wearing wrinkle makeup, that the film leaves its element for a quick gulp of easy sentimentality.

Everyone knows about different acting methods and a lot of people knew about what Carrey did on the set of Man on the Moon but obviously we never saw it, but that's what this documentary is and although it's not spectacular or anything, it gives another look at the work of the actor and it becomes an excellent companion to the film and especially serves as a testament of one of Jim Carrey's best acting jobs.

As for exactly where those homes might be, Ronan described the setting as «a burnt - out world where everyone has left, kind of like a much worse Detroit [where the film will indeed shoot].»

The rest of the DVD includes a commentary with the film's co - writers / directors Friedberg and Seltzer (who continue to showcase their lack of humor), a separate audio track («Breaking Wind») with additional fart and burb sounds, several featurettes of the cast / crew riffing on - set («Everyone Loves the Beaver,» «Epic Porn,» «Hot or Not,» «What Makes Aslo So Irresistible?»)

For everyone else, the first half - hour of the film serves as the set - up for main character Merida's conflict.

With a solid belief from film critics that she's bound for stardom and a growing filmography of award - winning indies and big - budget productions, Emmy's success will rest on her own talents when she sets out to prove everyone right.

The trippiest film of the bunch is Corman's hippy apocalypse Gas - s - s - s (1970), a groovy satirical road movie set in a future where everyone over 25 is killed by an experimental weapon, and a group of peace - loving hippies goes looking for utopia amidst the fashionable fascists that have taken root.

Now add to that the pictures of various MCU stars filming what looks to be «period» scenes on the set of Infinity War / Avengers 4, then everyone's theories of time travel seem to stand up.

It's a ballsy move by Marvel, especially since Warner Bros. has the Batman / Superman film set for July 17 across the pond that year; Marvel will be hoping that everyone flocks to that in the first two weeks and is ready for something different by the end of the month.

The film is reasonably good at giving everyone something to do, although I couldn't shake the feeling that some cast members, such as John Cho (Sulu) or Anton Yelchin (Chekov), only spent a couple of weeks on set, so fleeting are their appearances.

But because the deus ex machina here is not only evident from the start, and because the identity of the Rainmaker is glaringly obvious, then the conclusion to the film betrays everyone in the audience by only partially observing the rules of time travel set up in earlier scenes.

Set amid the glamour of 1950s London, Phantom Thread tells the story of renowned dressmaker Reynolds Woodcock, who designs gowns for everyone from the Royal Family to film stars, sewing hidden messages into the linings of his dresses.

Saoirse Ronan leads the future - set film, playing a normal human teenager whose body gets taken over by a powerful alien force that has taken over the Earth, erasing the memories of everyone on the planet.

McDonagh's latest, and his first film set on American soil, is War On Everyone and represents a clear, though offbeat, progression of the director's interests.

Its sole bonus feature is a 11 - minute making - of featurette which interweaves footage from the set and film itself with interview chats with Bateman, Kunis, Judge and producer John Altschuler, and Judge mocks his acting cameo in the movie and shares that his inspiration for Kunis» character was «a sociopath whom everyone happens to like.»

Set against the scenic splendor of Hawaii, and under a starry sky everyone keeps lovingly gazing into, the film never quite makes the case that its hero, a fallen dreamer played by Bradley Cooper, is worth falling for.

With no less than three primary adversaries facing our hero over the span of only about 100 minutes, the film feels overstuffed and rushed; once everyone is set up, the film is barreling headlong into its climactic stretch.

The film plays like a mostly serious version of Groundhog Day, whereby the protagonist must relive the same exact set of resetting events, but he can affect the outcome because he retains a knowledge base of what's going to happen and who everyone is that increases with each repeated visit.

With its sunny New Mexico setting and pseudo-philosophical banter between two corrupt protagonists (surely the best send - up of True Detective's Rust Cohle and Marty Hart yet), War on Everyone ostensibly has more in common with Martin McDonagh's Seven Psychopaths than John Michael's two previous films, Calvary and The Guard.

As for the setting — lovingly filmed throughout Frances Ha — everyone is so familiar with New York from TV and film that it could be crowned capital of the screen world.

Everyone Else writer - director Maren Ade is underway on Toni Erdmann, another film about a strained relationship, this time focusing on woman whose father believes she has lost her sense of humor and proceeds to bombard her with jokes... John Travolta and Ethan Hawke will team with Ti West on In a Valley of Violence, «a revenge Western film set in the 1890s.»

I set out to contact everyone that I could get a hold of and below we have some amazing interviews from the cast of the film.

Everyone else is literally acting in a different movie — which may be a very meta - joke as Eddie flitters from film set to film set trying to quell problems — but it's still an unsolved flaw at the heart of Hail Caesar!

Come to think of it, there's no reason why this film is set in the 1980s — everyone looks like they could be from the»90s or 2001, for that matter — except to give Carey a chance to cover and / or sample the R&B hits of the era (most prominently, Cherrelle's «I Didn't Mean to Turn You On»), which, in the film's storyline, are original hits by Billie — hence giving Miss Mariah a history - rewriting ego boost.

And some of the set and character designs in the final third of the film are fantastically creepy: a suburb where everyone dresses alike and bounces their balls in sync; a red - eyed devil played by Michael Pena that devolves into an easily - deconstructed marionette, an image that would've scarred me as a seven - year - old urchin.

We have a few more days of filming left, but we will keep everyone posted when it is completed and set to air.

We will be showcasing several show - exclusive vinyl variants including an extremely limited «Black Pumpkin» vinyl variant for the The Addams Family «Original Music from the Addams Family» 50th Anniversary Edition LP, a «Brains & Guts» vinyl variant for the best - selling The Walking Dead «Original Soundtrack Vol.1» LP, a «Highland Mists» vinyl variant for the Outlander «Original Television Soundtrack Vol.1» Double LP, three colored vinyl variants for the Book of Life «Original Motion Picture Soundtrack» based on key characters from the hit animated film, as well as a very limited set of five 18» x 24» hand - screened art prints by artist Andrew Barr, inspired by everyone's favorite breakfast cereal characters and entitled «Cereal Chillers».

He listed some «crazy ideas,» and contacted everyone he imagined might have an interest, including nonprofits like the YMCA and community theater groups, the film industry (to offer the building as a set location), apartment developers, and companies that might need simple office space with plenty of parking, such as a call center.