She is one
of the greatest painters ever — by way of Van Gogh, Cézanne, and on into pure abstraction.
Not exact matches
More than thirty years after her death, the oeuvre
of American
painter Alice Neel attracts
ever greater interest, and seems only
ever more relevant: the substantial and moving exhibition
of her paintings currently at the Gemeentemuseum in The Hague is the latest indication
of this groundswell
of attention, including various shows and catalogs in addition to a fine biography by Phoebe Hoban and a biographical film directed by Neel's grandson, Andrew Neel.
Considering that Velázquez is widely seen as the
greatest painter ever to lay oil on canvas, and considering that he only made about 110 paintings in his lifetime, the fact that a new portrait is visiting the Metropolitan Museum
of Art this month (April 16 - July 14) is bound to cause a stir.
But his portraits
of the late 1940s and early 1950s, such as the one
of Herbert Read, were not successful, and the big compositions, like Christmas Eve and Harbour Window With Two Figures, were only doubtfully so, though it is unlikely that Heron himself, a
great protagonist for his own achievements as well as those
of the other
painters he admired (Matthew Smith, William Scott, Peter Lanyon and Roger Hilton foremost amongst the British)
ever thought so.
Landmark surveys
of major figures in the history
of art will include the largest display
of work by Canaletto
ever to be shown in Scotland, an exploration
of the extraordinary impact
of Rembrandt's work in Britain, only to be seen in Edinburgh, and a retrospective
of the
great German Expressionist
painter, Emil Nolde.
This widely acclaimed exhibit from the artist deemed «the
greatest painter this country has
ever produced» has been organized by the DMA's Hoffman Family Senior Curator
of Contemporary Art, Gavin Delahunty.
The competition between the British
painters John Constable and William Turner has gone down in history as one
of the
greatest -
ever artistic rivalries.
Frederic Edwin Church (1826 - 1900) Pupil
of Cole, and America's
greatest ever landscape
painter.
But above all, Claude remained a
painter of nature, which was why the
great John Constable (1776 - 1837)- one
of the leading figures in the English School
of Landscape painting - described Claude Lorrain as «the most perfect landscape
painter the world
ever saw».
Specialist still life artists included: Frans Snyders (1579 - 1657), who is noted for still lifes
of dead game and meat, crammed with religious allusions and moral pointers; Harmen van Steenwyck (1612 - 56), the leading vanitas
painter; Willem Claesz Heda (1594 - 1681), an exponent
of monochrome banketje; Pieter Claesz (1597 - 1660), a specialist in ontbijtjes (breakfast still lifes); Jan Davidsz de Heem (1606 - 83) and Willem Kalf (1619 - 93), who specialized in decorative still lifes; Samuel Van Hoogstraten (1627 - 78), whose speciality was interiors with deep linear perspective; and Rachel Ruysch (1664 - 1750), arguably the
greatest ever female flower
painter.
Ironically, in their attempt to reject European abstract art, American realist
painters only succeeded in creating the
greatest monster
of abstraction,
ever.
Frederic Edwin Church (1826 - 1900) A pupil
of Cole, and America's
greatest ever romantic landscape
painter, Church criss - crossed the continent, painting tropical forests, waterfalls, volcanoes and icebergs.
He remembers meeting De Kooning before the
great painter ever had an exhibition, and he describes his own role as that
of a green kid who had none
of the years
of work that the Abstract Expressionists had behind them.