Sentences with phrase «of the largest sculpture shows»

Not exact matches

The free, yearlong outdoor exhibition will be the largest display of di Suvero's sculptures ever shown on the West Coast and launches SFMOMA's next phase of off - site programming while the museum completes a major expansion project.

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

Showing a continuous programme of exhibitions including contemporary paintings, works on paper, sculpture and installations, the gallery is also the largest publisher of contemporary editions and prints in Europe.

John Mason had three sculptures and a ceramic wall in the 2014 Whitney Biennial, and the Whitney has a large collection of California ceramics — the Howard and Jean Lipman Collection — but they hardly ever show it, and none of it is on their website.

The exhibition presents a cross-section of Rachel Whiteread's entire oeuvre, showing her most important large scale sculptures alongside her more intimate works.

Showing for the first time at LWP, Silva will present an assortment of 2D collage sculptures and paintings in Gallery Y and a large - scale multi-sensory, multi-media, video animation installation in Gallery X. Featured in Gallery O is...

In 2016, the artist's recent large - scale sculpture Two Orchids, which was originally shown as part of the 56th Venice Biennale in 2015, was displayed in New York's Doris C. Freedman Plaza in Central Park (organized by Pubic Art Fund, New York).

The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of large - scale works on paper, and some mouth - blown crystal vessels.

In addition to Serra's has a forthcoming large - scale sculpture, which is set to be unveiled in May 2015, the artist will have a show of drawings with Zwirner next month --» Richard Serra: Vertical and Horizontal Reversals, and currently has a display at Gagosian Davies Street London to coincide with the artist's Britannia Street show.

Chris Ofili @ New Museum, New York Oct. 29, 2014 - Jan. 15, 2014 (extended to Feb. 1) One of the most anticipated exhibitions of the season, «Night and Day,» Chris Ofili's first major solo museum show in the United States opens Wednesday, Oct. 29 and will feature more than 30 large paintings, watercolor portraits, Afro Margin drawings, and sculpture produced over the past two decades.

Historically only showing during the days of the art fair, this year's planning application confirms the Frieze Sculpture Park as a new fixture on London's cultural calendar, and one of the largest free outdoor art programmes in Central London.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

When I met up with Peter Doig shortly before last year's retrospective, he explained that one of the works in the show would be «a large painting of a very small sculpture made by an artist I know in Trinidad.

The world's largest open submission contemporary art show will be continuing the tradition of showcasing work by both emerging and established artists in all media including painting, sculpture, photography, printmaking, architecture and film.

The American Tour of Roads of Arabia contains around 200 objects, but there is a vast difference between exhibitions of 200 photographs or small paintings and a show like «Roads» with 200 objects, many of which are large stone sculptures and stele.

The Geoffrey Young Gallery is pleased to present «How Bad Do You Want It,» a large group show featuring the work of 21 artists — including local standouts Joan Griswold, Morgan Bulkeley, Walton Ford, Warner Friedman and Bart Elsbach — whose drawings, paintings, photographs and sculpture will open Friday, September 16th, 2005.

Comprising 10 large - scale environments from over the past decade, alongside two newly commissioned multicoloured polycarbonate sculptures in the grand entrance hall of the Manchester Art Gallery, the works in the exhibition show Darbyshire's dedication to the processes of making — and faking — it, with materials ranging from felt to wood to Perspex.

World - leading galleries participating in Frieze London and Frieze Masters will extend their shows beyond the fair, dramatising the landscape of The Regent's Park, with 19 large - scale sculptures and installations remaining on view until 8 January 2017.

A selection of recent work will be shown, including three, new large - scale acrylic paintings, intricately beaded punching - bag sculptures and wall hangings that incorporate textual statements.

Donald Judd: large - scale works: published in conjunction with a show of recent sculpture, March 27 - April 24, 1993

The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.

There is a frontal area where five large paintings from 1980 are displayed, and around the central staircase there will be four cells with four cenotaphs — sculptures I am showing for the first time, which I made this year in Rajasthan — commemorative monuments of my nostalgia for India.

On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

A year after the Whitney Museum's show, a new survey of James Lee Byars (1932 — 1997) on view at Perry Rubenstein, Mary Boone and Michael Werner galleries includes a careful selection of sculptures, works on paper, large - scale installations and a performance.

With Tears in My Ears (1989), a small scale work that is part of the Moderna Museet collection, «anticipates much of what we are being shown nowadays in the most magnificent of Schütte's large scale sculptures,» says Birnbaum.

Happily, the Tate's expansive exhibition recognizes the centrality to Hamilton's work of print as idea and printmaking as process — a welcome antidote to the many surveys that concentrate on painting and sculpture to the exclusion of graphic art — and showed the prints as fully integrated within the larger body of Hamilton's wide - ranging oeuvre.

The world's largest open submission contemporary art show, now in its 244th year, continues the tradition of showcasing work by both emerging and established artists in all media including painting, sculpture, photography, printmaking, architecture and film.

The gallery's most recent Barney show, «DJED» (2011), featured three large sculptures, part of the «Ancient Evenings» project the artist had worked on since 2007.

The Happy Lion is currently presenting The World's Largest Cardboard Sign and Other New Works, a solo show of language - related works, including sculpture, neon and installation, by New York - based artist Alejandro Diaz.

IJ: Your current solo show at Derek Eller, which you titled, Driftloaf, seems a lot more quiet and pared - down compared to your previous installations which included large scale sculpture, painted walls and hundreds of drawings; it's more concise and seems to be more about sculpture.

The focus of this show, however, is on a group of photographs, drawings and small - scale sculptures which together reveal the formal sensibility that clearly informs Fleischner's larger works.

As part of Art Basel's show in Miami Beach, large - scale sculptures and installations by leading and emerging international artists are installed in Collins Park.

In this video, Alexander S. C. Rower (Chairman and President, Calder Foundation) and Oliver Wick (Curator at Large, Fondation Beyeler) talk about the title and the concept of the exhibition, the differences between the first and the second Calder Gallery at Fondation Beyeler, the restoration of the large outdoor sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such as the models for the avant - garde redesign of the Bronx Zoo, and the mobiles The Forest is the Best Place and El CorcoLarge, Fondation Beyeler) talk about the title and the concept of the exhibition, the differences between the first and the second Calder Gallery at Fondation Beyeler, the restoration of the large outdoor sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such as the models for the avant - garde redesign of the Bronx Zoo, and the mobiles The Forest is the Best Place and El Corcolarge outdoor sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such as the models for the avant - garde redesign of the Bronx Zoo, and the mobiles The Forest is the Best Place and El Corcovado.

The exhibition focuses on Bell «s large freestanding glass sculptures, a type of work that he first showed in 1969 and continued to develop and exhibit until the late nineteen - nineties.

Included in the show is a large - scale site - specific stage - like structure as well as several of her «Assists,» sculptures that must lean on something to stand upright; here, two of them rest against matching club chairs.

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

Pressed up close to each of her works in the two - floor show, similarly large - scale sculptures in small confines, you notice the artist's time - consuming transformation of lowly materials, one factor in maintaining an accessible feeling in imposing formats.

With a solo show at L.A.'s Hammer Museum under his belt, the Seattle - born artist shows large - scale objects that balance architecture, sculpture, and installation; surveillance and the utilitarian design demands of the American West are strong undercurrents throughout the work, on view for the artist's first show with the gallery in Paris.

In 2011, a large selection of Plensa's sculptures, both interior — shown in the exhibition rooms — and large works — installed in the gardens — were exhibited at the Yorkshire Sculpture Park in West Bretton, England.

Japanese artist Takashi Murakami was the subject of first comprehensive museum show of Murakami's work and included rarely seen early work and his most recent large - scale sculptures and paintings.

Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.

Consisting of over 40 works, with important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces.

In Basel, Leonard presents a large group of her fruit - peel sculptures and a selection of recent photographs; in Glarus, she shows a mix of older and newer photographs, including «The Fae Richards Photo Archive,» used in Cheryl Dunye's recent film The Watermelon Woman.

The glass works in the gallery show the infinite number of colours, forms and textures these pieces of art can take — and objects range from practical bowls and vases through to ornamental objects and large abstract sculptures.

Do you create your sculptures as individual pieces and then curate them into a coherent show or do you think about the larger body of work as a whole and then begin to develop the individual works?

Some of the art exhibits that stayed most with me this year were the astoundingly rich Raghubir Singh photography retrospective at the Met Breuer, the genuinely odd show of Rei Kawakubo at the Metropolitan Museum (less about fashion than about sculpture), and the impressive Robert Longo show of large charcoal compositions at the Brooklyn Museum.

Victoria Miro was showing one of Conrad Shawcross's large kinetic sculptures, which hummed and clicked a syncopated rhythm as its articulated wooden arms spun lit bulbs in complex, fairground loops.