Sentences with phrase «of the main character through»

The reader will feel the emotions of the main character through the use of the writer's word choice.

Memoir stresses the movement of the main character through time, and the realizations and life lessons that occur along the way.

Not exact matches

Indeed, whether in the name of Islam or against Islam, the novel's main characters commit a series of ugly, wreckful acts against each other, their personal hurts and vices intensified rather than relieved through their differing contacts with the faith.

But we have seen as we have worked our way through that the main characters of the book were living in a time when many of them were asking, «Where is God?»

As the reader follows the main characters through the narrative, children can note the value of self reliance, connection to family and of being part of a history — personal, familial as well as cultural.

Along with continuing the work of appreciating the beauty of all races, through open dialogue about the importance of diversity in your school and / or neighborhood, it is critical to seek out media that features main characters of color.

Vortex is more of an exploration, where you can experience the story through the eyes and mind of the main character, Drew Griffin, «a young medical student running away from a tragic past».

It was painful for me to get through — not because of the risqué content — but because I didn't like the writing and felt that the voices (words they used, the way they spoke) given to the main characters just seemed soooo fake and uncomfortable.

At the age of ten, I watched the Bond film «License to Kill», and the main female character Carey cuts her hair short midway through the film.

Comments quickly online dating nevada a better and higher quality of life fantasy fest web cam through four main characters with loads.

The last few years of moto gp games have not been the best 2015 was ok but not great but this yrs has gotten a bit better but still has alot to do to be as strong as f1 2016 graphics are good the bikes sound great but the lack of commentary during races sort of makes the last corner over take less fun the main selling point of the game is reliveing rossi's career in the challenge mode its fun to see the video of him talking about it before you try recreate it but its easily cleared in less then an hr and theres some great races left off the list overall it has many different modes now the drift and rally are nice the dirt bike section is fun and the career is your character going through the vr46 riding team to moto gp its fun and id advise fans of motogp to buy it

The main two detectives go through a lot of character development and the movie needs actors who can make the transition feel natural and not forced.

Despite the lessening of madcap energy, Shrek the Third is still quite funny in parts, with some fresh throwaway gags to produce chuckles now and then from characters you'd think they probably should have jettisoned long ago, but are secretly glad they've kept around (the Gingerbread Man, Pinocchio, etc.) The fact that they are keeping in nearly all of the characters introduced in the series thus far is a bit of a double - edged sword, as they do provide a certain respite from the main characters that are already cycling through the same jokes all over again, but on the other hand, it's getting to the point that the high overhead of injecting scenes for all of these characters takes away from the focus of the story at large.

As compelling as the racing scenes are, it's really the depth of the two main characters that touches the viewer, as they forcefully drive home the theme that victory attained through devotion, commitment, integrity, and sacrifice is the most admirable feat that one can achieve.

As a Westernised woman watching this film you really feel a sense of imprisionment and control the main character felt within the marriage and you really see the film through her eyes all the way through.

When the main character in this movie finds out that he has been diagnosed with cancer he goes through the typical stages of depression and finally embarks on a mission to find out what's important to him in life.

If sitting through a film where the main character is in a constant state of suffering and losing his grip on reality, doesn't appeal to you then avoid this, but by avoiding you would only miss out on an acting masterclass.

Flashing back and forth through time to show how our main character got to be where he is, I found the present day more interesting than the past, due to the fact that the interesting portions of the past feel incomplete and not fleshed out enough.

I would have to say my favorite Woody Allen movie is «The Curse of the Jade Scorpion» because it developed the main characters through each and every interaction, and a great deal of that was through dialogue, humor, and mystery.

Green Wing follows thirteen main characters through the daily life of one of the world's most amusing hospitals.

Glorifying these people's way of life would be a much tougher job if the main character was to wind up slurping NHS sludge through a straw after being found comatose in a nightclub toilet.

Stay through the end credits for a funny scene involving his character that likely had been intended as a set piece within the main body of the film, but which works much better out of the context.

Rather than the predominant emphasis on violence and fighting that is found in action films, however, the viewer of adventure films can live vicariously through the travels, conquests, explorations, creation of empires, struggles and situations that confront the main characters, actual historical figures or protagonists.

Koinuma: The main differences are Attack on Titan covers the stories that include Season 2 of the anime, you can create your own original character [and play through the story], and the number of playable characters has been expanded from 10 to over 30.

The main menu rotates the green orb of the poster and cover to cycle through the film's cast of characters with clips.

But if you do choose to go see this, stay through the closing credits to see the fate of one of the four main characters.

Who doesn't love Geralt of Rivia, the main character of The Witcher, the saga created by Polish writer Andrzej Sapkowski and made popular in games through CD Projekt RED's trilogy?

Here's something interesting that you do in almost any game: You've got the main story beats, and you've got to make sure that all four characters have a role in getting through each of these story beats.

Famitsu will also give details on how to progress through the beginning of the main story, but also provide a relationship diagram for the characters, a round - up of previously - published info, and more.

The ensemble nature of the film is cleverly executed through voice over, which delves the audience deep into the psyche of the main characters.

Throughout the story, we're often only told of seemingly vital plot points through second hand accounts, characters tend to change their outlooks without reason merely to fit in the story's trajectory and our main antagonist is a cookie - cutter villain who simply confronts Hope with little reason other than he's on set to be a contemptible dude.

The rest of the film is made up of short vignettes that take us through 1950s Hollywood, introducing a lovable set of characters that roughly blend into the main story.

The grim view accentuates the macabre story, and while Ritchie can not help from giving into the intermittent stylistic flashes, they work and are occasionally exhilarating, like a slow - motion run through a series of explosions that leaves a main character's outcome in question, if only briefly.

The main problem is that the characters in Carlo Bernard and Doug Miro's screenplay are given the thankless task of describing the plot with their dialogue, rather than through their actions.

If these scenes set themselves a lower bar than the unassumingly deft character work of the main story, with its lively attention to adolescent anxieties, «Superbad» at its best goes right through knockabout to land in deliciously obscene places — notably a staggering succession of doodles in which tumescent cocks take on various extraordinary guises.

The menus opt for a tree motif, with most of the listings appearing as bark scratchings, all screens accompanied by serene pieces of score, and the Main Menu rotating through character images in a watery fashion.

In the first ten minutes of the film we are given reason to empathize with our main character and relate to him as he dances to «Come and Get Your Love» through the gloomy and treacherous caverns of the planet «Borg.»

The film delicately plays with tone as we pace through the creaking and haunting chambers of The Yankee Peddler Inn with our main characters, waiting to see what secrets the Inn holds.

Braff's acting is respectable as the main character, delivering a performance that's good enough for the film but not for an Oscar, though his ingenious cinematography will blow you away with a healthy mix of experimental over-processing and beautifully lit shots of a nighttime dip in the pool and a rainstorm journey through the city junkyard.

Director Leo Gabriadze and writer Nelson Greaves ambitiously contain the entire story to a continuous shot of a glitchy computer monitor where the main character clicks through her iTunes library, her deceased friend's Facebook photos and a group Skype chat infiltrated by the «hacker ghost.»

This 90 - minute movie is a sharp, muscular little action - packed ride that thrills the viewer as much as biking through the streets of New York thrills its main character.

It's a pointless, violent drive - by through clichéd settings within a ludicrous plot, piloted by a main character that apparently has some undiagnosed form of super-Tourette's syndrome.

Through the professor's stories, the player engages with the true history of the war, learning the secret motivations behind the «villainous» actions of the main characters, giving depth and meaning to their actions while not necessarily justifying them.

Like with Lady Bird, both Zelda and Giles have their own lives and are going through pain separate from Elisa, rather than being mere extensions of the main character.

But much like the main character, who's trying to break the cycle so that his own son doesn't go down the same path, «Trespass Against Us» seems incapable of following through on its many developments.

One of the main things that sets the «Shaun» series apart is that, unlike with most animated films and programs, the non-human characters don't speak English — instead communicating through animal noises.

Elsewhere, the arcade mode is interesting in that your path through it depends on the rank you get in each match, but my main motivation to play was to unlock different versions of the characters.

Take It Out In Trade plays like a cross between Russ Meyer and John Waters, full of digressions — at three separate points throughout the film, the main character takes himself on a «vacation» that consist of peeping at naked women through potted plants in front of posters for various far - flung locales — and extensive full - frontal nudity and simulated sex.

In the book, when main character Parzival / Wade Watts (Tye Sheridan) passes the first of three tests created by a billionaire loner (Mark Rylance) in order to win control of the internet of the future, it's by walking through a total 3D recreation of War Games and delivering every line and gesture first delivered by Matthew Broderick in that film.

In the middle of it all is Chris Pratt, whose main character Peter Quill (AKA Star - Lord to no one but himself) is introduced to the audience dancing through a ruined planet to the tune of «Come and Get Your Love» playing from a Walkman attached to his belt (he even has the orange ear pads on his headphones straight out of the 80's).