Sentences with phrase «of the major retrospective robert»

On the occasion of the major retrospective Robert Rauschenberg: Erasing the Rules at SFMOMA, the museum hosted a colloquium on Saturday, February 10, 2018, which gathered scholars, curators, and artists to consider Rauschenberg's engagement with photography throughout the course of his career.
On the occasion of the major retrospective Robert Rauschenberg: Erasing the Rules at SFMOMA (November 18, 2017 — March 25, 2018), the museum is convening scholars, curators, and artists to consider Rauschenberg's engagement with photography throughout the course of his career.
On the occasion of the major retrospective Robert Rauschenberg: Erasing the Rules, SFMOMA is convening scholars and artists to consider the artist's engagement with photography throughout the course of his career.

Not exact matches

Robert Mapplethorpe is currently the subject of a major touring retrospective The Perfect Medium, which opened at the J. Paul Getty Museum and Los Angeles County Museum of Art (LACMA), Los Angeles in 2016, has recently toured to Montreal Museum of Fine Arts, Canada and will next be shown at the Art Gallery of New South Wales, Sydney, Australia (October 2017 - February 2018).
The major retrospective Forty Years of Painting was held at MoMA in 2002, it featured 190 works, and it was curated by Robert Storr.
On the eve of the opening of the San Francisco Museum of Modern Art's «Robert Rauschenberg: Erasing the Rules» retrospective, supporters gathered at the museum to pay homage to the art, to the artist and to the woman instrumental in bringing some of the major works to the museum, which owns about 90 Rauschenbergs.
This month, the J. Paul Getty Museum and the Los Angeles County Museum of Art, launch a major two - venue Mapplethorpe retrospective, Robert Mapplethorpe: The Perfect Medium, that digs deep into the photographer's massive archive and features more than 300 pieces of art and ephemera from every period of his prolific career.
Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by Robert Pincus - Witten, Everson Museum of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, PhiladRetrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadretrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.
Celebrate the opening of Robert Rauschenberg: Erasing the Rules with early access to this major retrospective that celebrates the artist's continual experimentation with materials and collaborative working processes.
Currently, she is leading a major research project on Ellsworth Kelly and preparing SFMOMA's presentation of the upcoming Robert Rauschenberg retrospective, as well as overseeing the inaugural presentations of the Doris and Donald Fisher Collection at SFMOMA.
And it's especially admirable that it's happening while the Tate is also showing major exhibitions of gay artists David Hockney and Wolfgang Tillmans, with the revelatory Robert Rauschenberg retrospective only recently ended.
Robert and Robyn Wilson turned their London restaurants, Bleeding Heart and The Don, into Hoyland shrines; there were retrospectives at Tate St Ives (2006) and at the Yale Centre for British Art (2010), where his work forms the major part of the Lurie Gift.
New York's MoMA organizes a major retrospective of Robert Rauschenberg art titled Among Friends featuring landmark artworks such as Pelican and Map Room II
Previously Ms. Butler was The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art (2006 - 2013), where she co-curated the first major Lygia Clark retrospective in North America.
Schimmel has organized major one - person retrospectives for artists Chris Burden, Willem De Kooning, Takashi Murakami, Laura Owens, Sigmar Polke, Charles Ray, and Robert Rauschenberg, and significant thematic exhibitions such as The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938 - 1948 (1987), The Figurative Fifties: New York Figurative Expressionism (1988), Hand - Painted Pop: American Art in Transition 1955 — 62 (1992), Helter Skelter: LA Art in the 1990s (1992), Out of Actions: Between Performance and the Object, 1949 - 1979 (1999), Ecstasy: In and About Altered States (2006), and Collection: MOCA's First 30 Years (2010).
The J. Paul Getty Museum will present one half of Robert Mapplethorpe: The Perfect Medium, a major retrospective exhibition of Mapplethorpe's work, on view March 15 - July 31, 2016 at the Getty Center.
14 February - 20 May: A major retrospective, Forty Years of Painting, curated by Robert Storr, opens at the Museum of Modern Art, New York.
«Tate Modern's major exhibition of the work of Robert Rauschenberg (1925 - 2008), organised in collaboration with The Museum of Modern Art in New York, is the first posthumous retrospective and the most comprehensive survey of the artist's work for 20 years.
«Tea for Two (The Collector)» was included in «Robert Colescott: A Retrospective, 1975 - 1986,» the first major survey of his work, which was organized by the San Jose Museum of Art in 1987, and co-curated by Lowery Stokes Sims.
Her tenure was recently capped with the 1 December 2016 opening of «Robert Rauschenberg» at Tate Modern, London, the first major retrospective of the artist since his death in 2008.
In photography, a major retrospective of American landscape photographer Robert Adams opens at Fotomuseum Winterthur, Switzerland.
Major exhibitions: «Gerhard Richter: Forty Years of Painting» (2002), «Marc Chagall» (2003), «Diane Arbus Revelations» (2003), «Philip Guston Retrospective» (2003), «Chuck Close: Self - Portraits» (2005), «The Art of Richard Tuttle» (2005), «Robert Bechtle: A Retrospective» (2005), «Anselm Kiefer: Heaven and Earth» (2006), «Matthew Barney: Drawing Restraint» (2006), «Brice Marden: A Retrospective of Painting and Drawing» (2007).
During his tenure as Chief Artistic Officer at the Guggenheim, he organized and produced close to 300 exhibitions at the Guggenheim Museums worldwide, including major retrospectives of artists such as Robert Rauschenberg, Roy Lichtenstein, Claes Oldenburg, Robert Morris, Jenny Holzer, and James Rosenquist among others; large historical surveys such as «Africa: The Art of a Continent,» «China: 5,000 Years,» and «Brazil: Body & Soul;» design exhibitions such «The Art of the Motorcycle» and «Giorgio Armani;» and architectural retrospectives of Frank Gehry, Zaha Hadid, and Frank Lloyd Wright.
Robert Swain Color: Theory and Affect Artist Reception: Saturday, December 9, 2017 from 1:00 — 7:00 On view through January 20, 2018 Robert Swain, a leading color theorist, exhibits at David Richard Gallery's New York location, marking the first comprehensive survey of his work since the major 2010 retrospective at Hunter College.
Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago
Previously she worked at the Museum of Modern Art for four years as curatorial assistant on the major retrospective Robert Rauschenberg: Among Friends.
This showcase of Goldin's subjective and urgently confessional work is a timely rebuttal to the major Robert Mapplethorpe retrospectives mounted earlier this year at the Los Angeles County Museum of Art (LACMA) and the J. Paul Getty Museum.
In 2009 Robert Gober organized a major retrospective for the Hammer Museum which traveled to the Whitney Museum of American Art.
From 2006 — 2013 she was The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, New York where she co-curated the first major Lygia Clark retrospective in the United States (2014) and «On Line: Drawing Through the Twentieth Century» (2010).
The Museum of Modern Art, New York City presents a of Robert Rauschenberg Foregrounds the Artist's Collaborative Practice thru Sept. 17, 2017 MAJOR RETROSPECTIVE OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-..of Modern Art, New York City presents a of Robert Rauschenberg Foregrounds the Artist's Collaborative Practice thru Sept. 17, 2017 MAJOR RETROSPECTIVE OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-..of Robert Rauschenberg Foregrounds the Artist's Collaborative Practice thru Sept. 17, 2017 MAJOR RETROSPECTIVE OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-..OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-...]
Massachusetts artist Robert Cumming was featured in Boston this fall in three concurrent exhibitions: a major retrospective of photography, works on paper, sculpture, and painting at the Museum of Fine Arts; a small show of drawings and two sculptures at the Howard Yezerski Gallery; and an intriguing new installation piece at MIT, entitled The Blackboard Brain, 1993.
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