On the occasion
of the major retrospective Robert Rauschenberg: Erasing the Rules at SFMOMA, the museum hosted a colloquium on Saturday, February 10, 2018, which gathered scholars, curators, and artists to consider Rauschenberg's engagement with photography throughout the course of his career.
On the occasion
of the major retrospective Robert Rauschenberg: Erasing the Rules at SFMOMA (November 18, 2017 — March 25, 2018), the museum is convening scholars, curators, and artists to consider Rauschenberg's engagement with photography throughout the course of his career.
On the occasion
of the major retrospective Robert Rauschenberg: Erasing the Rules, SFMOMA is convening scholars and artists to consider the artist's engagement with photography throughout the course of his career.
Not exact matches
Robert Mapplethorpe is currently the subject
of a
major touring
retrospective The Perfect Medium, which opened at the J. Paul Getty Museum and Los Angeles County Museum
of Art (LACMA), Los Angeles in 2016, has recently toured to Montreal Museum
of Fine Arts, Canada and will next be shown at the Art Gallery
of New South Wales, Sydney, Australia (October 2017 - February 2018).
The
major retrospective Forty Years
of Painting was held at MoMA in 2002, it featured 190 works, and it was curated by
Robert Storr.
On the eve
of the opening
of the San Francisco Museum
of Modern Art's «
Robert Rauschenberg: Erasing the Rules»
retrospective, supporters gathered at the museum to pay homage to the art, to the artist and to the woman instrumental in bringing some
of the
major works to the museum, which owns about 90 Rauschenbergs.
This month, the J. Paul Getty Museum and the Los Angeles County Museum
of Art, launch a
major two - venue Mapplethorpe
retrospective,
Robert Mapplethorpe: The Perfect Medium, that digs deep into the photographer's massive archive and features more than 300 pieces
of art and ephemera from every period
of his prolific career.
Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by
Robert Pincus - Witten, Everson Museum
of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year
Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philad
Retrospective, 1977 — 1987, Alexandria Museum
of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum
of Art, Atlanta, 1990 (Benglis's last
major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philad
retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum
of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.
Celebrate the opening
of Robert Rauschenberg: Erasing the Rules with early access to this
major retrospective that celebrates the artist's continual experimentation with materials and collaborative working processes.
Currently, she is leading a
major research project on Ellsworth Kelly and preparing SFMOMA's presentation
of the upcoming
Robert Rauschenberg
retrospective, as well as overseeing the inaugural presentations
of the Doris and Donald Fisher Collection at SFMOMA.
And it's especially admirable that it's happening while the Tate is also showing
major exhibitions
of gay artists David Hockney and Wolfgang Tillmans, with the revelatory
Robert Rauschenberg
retrospective only recently ended.
Robert and Robyn Wilson turned their London restaurants, Bleeding Heart and The Don, into Hoyland shrines; there were
retrospectives at Tate St Ives (2006) and at the Yale Centre for British Art (2010), where his work forms the
major part
of the Lurie Gift.
New York's MoMA organizes a
major retrospective of Robert Rauschenberg art titled Among Friends featuring landmark artworks such as Pelican and Map Room II
Previously Ms. Butler was The
Robert Lehman Foundation Chief Curator
of Drawings at The Museum
of Modern Art (2006 - 2013), where she co-curated the first
major Lygia Clark
retrospective in North America.
Schimmel has organized
major one - person
retrospectives for artists Chris Burden, Willem De Kooning, Takashi Murakami, Laura Owens, Sigmar Polke, Charles Ray, and
Robert Rauschenberg, and significant thematic exhibitions such as The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938 - 1948 (1987), The Figurative Fifties: New York Figurative Expressionism (1988), Hand - Painted Pop: American Art in Transition 1955 — 62 (1992), Helter Skelter: LA Art in the 1990s (1992), Out
of Actions: Between Performance and the Object, 1949 - 1979 (1999), Ecstasy: In and About Altered States (2006), and Collection: MOCA's First 30 Years (2010).
The J. Paul Getty Museum will present one half
of Robert Mapplethorpe: The Perfect Medium, a
major retrospective exhibition
of Mapplethorpe's work, on view March 15 - July 31, 2016 at the Getty Center.
14 February - 20 May: A
major retrospective, Forty Years
of Painting, curated by
Robert Storr, opens at the Museum
of Modern Art, New York.
«Tate Modern's
major exhibition
of the work
of Robert Rauschenberg (1925 - 2008), organised in collaboration with The Museum
of Modern Art in New York, is the first posthumous
retrospective and the most comprehensive survey
of the artist's work for 20 years.
«Tea for Two (The Collector)» was included in «
Robert Colescott: A
Retrospective, 1975 - 1986,» the first
major survey
of his work, which was organized by the San Jose Museum
of Art in 1987, and co-curated by Lowery Stokes Sims.
Her tenure was recently capped with the 1 December 2016 opening
of «
Robert Rauschenberg» at Tate Modern, London, the first
major retrospective of the artist since his death in 2008.
In photography, a
major retrospective of American landscape photographer
Robert Adams opens at Fotomuseum Winterthur, Switzerland.
Major exhibitions: «Gerhard Richter: Forty Years
of Painting» (2002), «Marc Chagall» (2003), «Diane Arbus Revelations» (2003), «Philip Guston
Retrospective» (2003), «Chuck Close: Self - Portraits» (2005), «The Art
of Richard Tuttle» (2005), «
Robert Bechtle: A
Retrospective» (2005), «Anselm Kiefer: Heaven and Earth» (2006), «Matthew Barney: Drawing Restraint» (2006), «Brice Marden: A
Retrospective of Painting and Drawing» (2007).
During his tenure as Chief Artistic Officer at the Guggenheim, he organized and produced close to 300 exhibitions at the Guggenheim Museums worldwide, including
major retrospectives of artists such as
Robert Rauschenberg, Roy Lichtenstein, Claes Oldenburg,
Robert Morris, Jenny Holzer, and James Rosenquist among others; large historical surveys such as «Africa: The Art
of a Continent,» «China: 5,000 Years,» and «Brazil: Body & Soul;» design exhibitions such «The Art
of the Motorcycle» and «Giorgio Armani;» and architectural
retrospectives of Frank Gehry, Zaha Hadid, and Frank Lloyd Wright.
Robert Swain Color: Theory and Affect Artist Reception: Saturday, December 9, 2017 from 1:00 — 7:00 On view through January 20, 2018
Robert Swain, a leading color theorist, exhibits at David Richard Gallery's New York location, marking the first comprehensive survey
of his work since the
major 2010
retrospective at Hunter College.
Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964
Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum
of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992
Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A
Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum
of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991
Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989
Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings
of Joan Mitchell: Thirty - Six Years
of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum
of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery
of Art, Washington, D.C.; San Francisco Museum
of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum
of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition
of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell:
Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club
of Chicago, Chicago Whitney Museum
of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition
of Forty - Nine Paintings by Joan Mitchell Everson Museum
of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition
of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute
of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School
of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home
of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago
Previously she worked at the Museum
of Modern Art for four years as curatorial assistant on the
major retrospective Robert Rauschenberg: Among Friends.
This showcase
of Goldin's subjective and urgently confessional work is a timely rebuttal to the
major Robert Mapplethorpe
retrospectives mounted earlier this year at the Los Angeles County Museum
of Art (LACMA) and the J. Paul Getty Museum.
In 2009
Robert Gober organized a
major retrospective for the Hammer Museum which traveled to the Whitney Museum
of American Art.
From 2006 — 2013 she was The
Robert Lehman Foundation Chief Curator
of Drawings at The Museum
of Modern Art, New York where she co-curated the first
major Lygia Clark
retrospective in the United States (2014) and «On Line: Drawing Through the Twentieth Century» (2010).
The Museum
of Modern Art, New York City presents a of Robert Rauschenberg Foregrounds the Artist's Collaborative Practice thru Sept. 17, 2017 MAJOR RETROSPECTIVE OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-..
of Modern Art, New York City presents a
of Robert Rauschenberg Foregrounds the Artist's Collaborative Practice thru Sept. 17, 2017 MAJOR RETROSPECTIVE OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-..
of Robert Rauschenberg Foregrounds the Artist's Collaborative Practice thru Sept. 17, 2017
MAJOR RETROSPECTIVE OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-..
OF ROBERT RAUSCHENBERG FOREGROUNDS THE ARTIST»S COLLABORATIVE PRACTICE Acclaimed Artist and Rauschenberg Collaborator Charles Atlas Worked with MoMA on the Exhibition's Design to Highlight Dance and -LSB-...]
Massachusetts artist
Robert Cumming was featured in Boston this fall in three concurrent exhibitions: a
major retrospective of photography, works on paper, sculpture, and painting at the Museum
of Fine Arts; a small show
of drawings and two sculptures at the Howard Yezerski Gallery; and an intriguing new installation piece at MIT, entitled The Blackboard Brain, 1993.