Sentences with phrase «of the solo exhibition women»

Her work was the subject of the solo exhibition WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and Real Ersatz at the Bruce High Quality Foundation University, New York (2015).

Her work was the subject of the solo exhibition WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, and Real Ersatz at the Bruce High Quality Foundation University.

Not exact matches

Recent solo exhibitions include the National Museum of Women in the Arts, Washington, D.C. (2013); Pérez Art Museum Miami (2011 — 2012); John Jay College, New York (2011); and Neuberger Berman Museum, New York (2010).

Linder (b. 1954, Liverpool, U.K.), whose full name is Linder Sterling, has had numerous solo exhibitions of her work, including The Lives of Women Dreaming at the British Council, Prague (2004) and The Return of Linderland at Cornerhouse, Manchester (2000).

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

Her solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New York City's High Line park.

Sure, 50 % of the artists in the G I R L exhibition are women, but since 2010 only 13 % of solo exhibitions have been by women artists.

The art world took notice: In 1972, she became the first African - American woman to receive a solo exhibition at the Whitney Museum of American Art.

In his solo exhibition Moonlighting at Loudhailer Gallery in Culver City, Greene conjures up sensibilities that remind one of the creative explosion that occurred during the Weimar Republic, the subject of a recent exhibition at LACMA, and a time (1919 - 1933) when Germany was rebuilding itself after World War I, soldiers were coming home maimed or not at all, consumerism was on the rise, women had more independence, and sexuality become a more free, fluid thing to explore.

In 1972, Thomas was the fist black woman to have a solo exhibition at the Whitney Museum of Art in New York.

In 1969, at the age of twenty - nine, Graves became the youngest person, and only the fifth woman, to be given a solo exhibition at the Whitney Museum of American Art in New York.

Solo exhibitions by women at IMMA represented 44 % of the total in 2004, so there has been a steep decline to 14 %.

She was also included in the 2014 Texas Biennial, had a solo show at Women and Their Work, and her mixed media installation, Paper City, is part of the Biennial: 600 Sculpture exhibition at the Amarillo Museum of Art.

Simpson was the first African - American woman to show in the Venice Biennale (in 1993) and to have a solo exhibition in the Projects series of the Museum of Modern Art.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

Hammond has had over 40 solo exhibitions and her work has been shown internationally in venues such as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.

Lee's work has been exhibited widely in major solo and group exhibitions including MoCA Shanghai, Millennium Museum, San Jose Museum of Art, Museum of Contemporary Art Korea, 53rd and 54th Venice Biennale, Incheon Womens Art Biennale, and artfairs including Art Basel, FIAC, Frieze, Armory Show, Art Basel Miami, Art HK.

The exhibition is part of The Untitled Magazine «s Women in Art series, which will feature a wide range of contemporary female artists in a series of pop up solo exhibitions and group shows at The Untitled Space on an ongoing basis.

Flora / Fauna is an exhibit of The Untitled Magazine «s Women in Art series, which will feature a wide range of contemporary female artists in a series of pop up solo exhibitions and group shows at The Untitled Space through 2015.

«Firelei Báez: Joy Out of Fire» is a solo exhibition in the Center's Latimer / Edison Gallery that aims to reframe the history of significant yet overlooked women.

And in this show — the first solo exhibition Tate Modern has ever held for the Spanish master — those voluptuous stretches of flesh appear everywhere, from reclining nudes to portraits of a woman seated in a chair.

As a part of «The Waiting Room,» her solo exhibition that was on view this summer, Leigh invited more than 100 black women artists to take over the New Museum for an evening.

Group Exhibition 2000 Charles Sumner School Museum and Archives, Washington, DC, Group Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 2000 Charles Sumner School Museum and Archives, Washington, DC, Group Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitExhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibitionexhibition, show.

A press release of future solo exhibitions coming in the next year reveals Runa Islam as the sole woman among seven men.

That same year, Michael Rosenfeld Gallery mounted a solo exhibition focused on a selection of Falkenstein's work from the years 1955 to 1975 and she was also included in the group exhibition Impact: The Legacy of the Women's Caucus for Art at the American University Museum of the Katzen Arts Center at American University in Washington, DC.

Each book contains a selection of photocopied covers of the monographs and solo exhibition catalogues by women artists and artists of color published during that period of time and that were part of the CalArts library collection.

Her work was the subject of the solo exhibition Sex Works / WOMEN Words, Phrases, and Stories at Gavlak, Los Angeles (2016), WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and Real Ersatz at the Bruce High Quality Foundation University, New York (2015).

4 Arts + Literature Laboratory 2021 Winnebago St • 608.556.7415 • artlitlab.org SPOOKY BOOBS COLLECTIVE's solo exhibition The Pervasive Curse features installation, performance, and design - based work that draws attention to language that trivializes the experiences of women.

Her work has been featured in distinguished group exhibitions including Reactivation - the 9th Shanghai Biennale at the Shanghai Museum of Contemporary Art, N Minutes Video Art Festival, Shanghai, Decade of the Rabbit, White Rabbit Gallery, Sydney, and DAS ICH IM ANDEREN, Stiftung Mercator, Essen, in 2011; Double Act — 2010 Chinese Contemporary Art Exhibition, Red Town Warehouse, Shanghai, and Centennial Celebration of Women in Art, Shanghai Art Museum, in 2010; and in solo exhibitions at James Cohan Gallery, Shanghai, in 2012, and White Space, Beijing, in 2010 and 2013.

four out of seven Tate solo exhibitions will go to women in 2015!

The exhibition «The «F» Word: Feminism in Art» was curated in celebration of The #GirlPower Issue of The Untitled Magazine, and is part of the gallery's «Women in Art» series, which features a wide range of contemporary female artists in a series of solo exhibitions and group shows at The Untitled Space on an ongoing basis.

More recently, she was given a solo show at the Camden Arts Centre in 2006 and she was one of three women artists included in the «3 × Abstraction» exhibition at the Drawing Center in New York in 2005 alongside another medium, Emma Kunz, and Agnes Martin.

at Fortnight Institute, New York, and Pictures of Women Working at Skibum MacArthur, Los Angeles, and she will present a solo exhibition at Cave in Detroit this year.

Yes, the math is correct on this one: the combined clicks on 11 headlines about solo exhibitions by women artists (from the art - star - canonized to the emerging) totalled less than half of the number of views for an article about a man saying the art world is justified in ignoring women.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Solo Exhibitions: Berkeley Marina, 1974, Oakland Center for The Visual Arts, «Images of Women», 1979.

However, with major solo exhibitions at Tate from artists like Marlene Dumas, Yayoi Kusama and Georgia O'Keefe; and at Modern Art Oxford, Jenny Saville, Barbara Kruger and currently Lubaina Himid, it seems that finally, women's part of the story of art is taking its rightful place.

Recent exhibitions include a solo exhibition at Gallery Hyundai, Seoul, Korea (2003); Another History of Art: Representation of Feminity, Ewha Womens University Museum, Seoul, Korea (2002); and a solo exhibition at AD & A Gallery, Osaka, Japan (2001).

Lukova, whose work has been featured in solo exhibitions worldwide and in permanent collections at the MoMA, the Library of Congress, and the Bibliotheque Nationale de France, was listed as number one in a Huffington Post article related to the MoMa exhibition titled «15 Women Artists Who Have Left Their Mark on Modern Design.»

These exhibitions are featured in Culture Type's roundup of fall exhibitions and listing of solo exhibitions dedicated to black women artists this season.

Faith Ringgold «s solo exhibition at the National Museum of Women in the Arts, «American People, Black Light,» was on view last year and «Groovin High,» her billboard exhibition on the High Line just concluded.

Some recent solo exhibitions of Kent's work include: Someday is Now: The Art of Corita Kent [24] at the Tang Museum at Skidmore College, There Will Be New Rules Next Week [25] at Dundee Contemporary Arts, and R (ad) ical Love: Sister Mary Corita [26] at the National Museum of Women in the Arts.

All three had solo exhibitions at the Lyceum women's club gallery, a key venue of the Cuban vanguard since its founding in 1928, and a site of prior vanguard resistance to political dictatorship.

Carmen Winant, Assistant Professor of Visual Studies and Contemporary Art History, has had solo exhibitions at Skibum MacArthur in Los Angeles and Fortnight Institute in New York, respectively titled Pictures of Women Working and Who Says Pain is Erotic?.

Continuing the concepts embedded in her recent solo exhibition, Smell the Roses at the California African American Museum in Los Angeles, Gaignard's new body of work employs exaggeration and camp to explore social constructions that relate to her identity as a biracial woman.

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

In 1939, Ipcar was the first woman — and, at the age of 21, the youngest artist to date — to be featured in a solo exhibition at the Museum of Modern Art, New York.

Betty Tompkins and Marilyn Minter will discuss Tompkins's solo exhibition REAL ERSATZ and how to unapologetically tackle the subject of sex as an artist and a woman.

In 2013, she had a solo exhibition at the Reginald F. Lewis Museum in Baltimore, and the National Museum of Women in the Arts recently acquired one of her portraits, «They Call Me Redbone but I'd Rather Be Strawberry Shortcake» (209).

For their concurrent solo exhibitions at the Museum of the African Diaspora, Los Angeles based artists Alison Saar and Kenyatta A. C. Hinkle focus on the African American, and African, woman's body as a carrier of profound stories to create narratives that provoke awareness and revere both the beautiful and ugly sides of history.