Sentences with phrase «of the studio audience for»

Not exact matches

Netflix is a classic double - edged sword for traditional TV studios and networks: Most of them would much rather not sell their content to the company, but in some ways they are forced to do so, in order to reach a growing audience of millennial cord - cutters.

To compete, other studios could also merge — giving us essentially a movie version of the NBA's super-team syndrome — or they could amp up efforts to infiltrate streaming, leaving their movie studios as an output for major blockbusters that audiences still want to watch in theaters.

They were a live studio audience for an entirely new sort of election night broadcast.

A limited number of studio audience seats are available for $ 10 each, which includes lunch.

In terms of style, not only had the tent and stadium disappeared from the 700 Club, but the program «s elements were almost indistinguishable from those of the «Tonight Show,» with a genial host (Robertson), a foil with whom the host can banter (Ben Kinchlow, who now has become a «co-host»), guests lounging around a coffee table, musical breaks with cut - aways to commercials (for mission projects and CBN membership) and a «studio audience» to applaud and laugh.

My Appearance re: McDonald's «540 Meals» on The Doctors Talk Show Continued thanks to the TLT readership for supporting me through terrifying life experiences like this one: going head - to - head with a McDonald's rep on national TV, in front of a live studio audience — and I didn't even know anyone from McDonald's was coming on the show until the night before the taping.

Mr Cameron's first TV grilling of the campaign, by Sky News political editor Faisal Islam and then by a studio audience chaired by the queen of afternoon TV, Kay Burley, must have been more uncomfortable for the PM than he was expecting.

It fascinates me that the tendency of Hollywood is to use the locked - in audience of a franchise like cattle to a slaughter, spiting patrons with no more than they'll merely settle for because studio executives know they'll see the film anyway.

With Inside Out opening in theaters today, other animation studios have released previews for their upcoming releases, hoping to snag some of the audience for what looks to be another Pixar hit.

It's a shame to watch, because it's not as if the comedy world isn't continuing to produce all kinds of great talent — it's just that the lumbering process of putting together a mid-budget studio comedy feels ill - suited for their skills and the tastes of audiences alike.

But without it, Mystery Girls might be just another ABC Family - com for viewers who have aged out of Disney Channel and silly situations with sentimental topping for studio audience uproar.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

While it's got that professional Burrows sheen of unerrant joke delivery — especially from the talented Galecki, who can do this in his sleep — you have to assume the pile of scripts on his desk in this hurting age for the three - camera studio - audience format isn't what it once was.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

Two of the biggest studio films of the year in the awards race are both from Paramount, and both will be challenging for mainstream audiences — Silence and Arrival.

After dabbling in foreign studios for the development of projects designed to appeal to Western audiences, Namco Bandai has announced they will shift development...

The studio is also hoping to capitalize on a more recent trend — the emergence in the 2010s of the month of August as a successful launching pad for dramas, as a summer increasingly saturated with effects - driven blockbusters leaves adult audiences craving something aimed at them.

The country's audiences have developed a taste for big - budget Hollywood blockbusters to rival any in the United States, but China's cultural traditions and the deeply - ingrained involvement of the Chinese government have proven difficult both to Hollywood studios looking the penetrate the market and U.S. filmmakers seeking collaborations.

Along with the trade show floor that featured the latest technological advances, concession goodies, comfort seating and more to enhance the theater audience movie going experience, each of the movie studios presented a sneak peak of their upcoming films slated for release in 2012 and beyond, many which were being seen for the very first time.

I'm going to venture that Bug is going to have a small, loyal audience, as it is a strange film, with a sense of gruesome atmosphere that will most likely turn off mainstream viewers, particularly those who fall for the studio's marketing of it as a straight horror flick.

At the very least, it's good to have a movie like this able to find an audience, because this feels like the kind of comedy that otherwise might not get any interest for a studio.

The Globes are really the best «For Your Consideration» ad a studio can get, showcasing potential nominees in front of the largest possible audience before it comes time for Oscar voters to lay down their own picFor Your Consideration» ad a studio can get, showcasing potential nominees in front of the largest possible audience before it comes time for Oscar voters to lay down their own picfor Oscar voters to lay down their own picks.

For NBCU, the high level of engagement of Snapchat's audience on the shows it has produced convinced the media company to go forward with the plan to form a scripted - programming studio, Suniewick said.

With the movie business evolving at a record pace, and studios struggling to lure audiences into theaters, buyers are much more reluctant to plop down massive amounts of cash for high - risk projects — Assassination Nation's price tag notwithstanding.

It may only be February, and half of the country may still be buried under a foot of snow, but there's a decidedly pre-summer feel to this month's releases — the time of year when studios unleash a barrage of popcorn - friendly movies on audiences that aren't deemed important enough for the summer season.

Speaking to Deadline today, Walt Disney Studios President of Theatrical Distribution Dave Hollis stated that the studio is not concerned whatsoever with the low audience scores, and think that the conversations this film sparks will lead to good word - of - mouth for the holiday weekend next week:

A Wrinkle in Time (Mar. 9th) Make way for the first major - league studio tentpole with a woman of color at the helm, as director Ava DuVernay invites audiences into her singular adaptation of Madeleine L'Engle canonical kids» book.

But while the studio's marketing for the film must continually remind audiences that, yes, the movie is due in theaters in less than two months, they're fast approaching the limit of revealing things too much or too often.

These are the kinds of releases that studios want to reach the widest possible audience, and if you don't aim for a PG - 13, you're already severely limiting your box office potential.

Every single ounce of the film's budget is splashed colorfully (but modestly) on the screen, Krasinski and Co. adding even more fuel to the raging appeal of highbrow horror movies, for both studios and audiences alike.

With Budapest, though, the studio knows for a fact that it has a well - received film on its hands, and if Birdman should falter with critics or audiences, they may well shift all of their efforts behind Wes Anderson.

Film festivals mostly tend to feature a wide collection of upcoming indie films, including many of which that are seeking out major studios for distribution to audiences around the world.

The Ellison - Rudin riff presented Paramount with two potential futures for «Annihilation»: Tamper with Garland's vision to make the movie accessible for mainstream audiences or preserve Garland's vision and find a way to minimize the financial risk of releasing an incredibly challenging studio film.

In regards to the awards bait release schedule, I don't know if there really is a perfect cure b / c every studio constantly repeats the same release patterns since they seem to be effective for maximum awards nominations / wins — if not for the enjoyment of a potentially wider and more receptive audience (who may have to choose between seeing only one comparable film being released in the same weekend.)

However, the makers of the movies must be mindful of how much time they take, not only because people will grow restless in the audience the longer you go, but also that, for the studio, the more showings that theaters can have in a given day, the more money they can make by striking while the iron is hot when the film opens.

The best of the Mexican studio films, (or perhaps more exactly, the films made for a Mexican audience) are the ones in which Buñuel's personality, interests and wit have freer reign within the constraints of narrative convention.

The beloved studio behind Spirited Away and My Neighbor Totoro makes its most ambitious play for American audiences yet with this gentle, well - made adaptation of The Borrowers.

A studio tour is the theme for the box art, liner notes, and menu design, and while they are amusing and impressive to general audiences, they are even more so for those of us familiar with the Fox studio lot, on which the designs are based.

Say what you will the R - rated superhero flick — like for instance that it falls in line with many of the same familiar tropes it purports to mock — but the gleefully violent and «adult» - oriented box office smash opened the flood gates for more of its R - rated ilk, showing studios through the ever influential power of green (not Green Lantern mind you), that audiences were more than receptive to «mature» content in their superhero films.

This is a lesson that people of color have been trying to teach studios and audiences for years, and to have it finally come to fruition is immensely satisfying.

The new film comes after the studio's popular trilogy of movies starring Brendan Fraser that started in 1999, which many audiences still remember fondly for its goofy take on Egyptian horror.

With Snatched hitting theaters this past weekend, studios threw out new trailers for some of their upcoming comedies that are being geared towards female audiences.

By audience request, a special welcome to FilmJunk's Jay Cheel (also of The Documentary Blog) as he drops by the virtual studio for this cinecast episode to help level the playing field on our SPOILER quite divided impressions of Kick - Ass.

In a Season 2 episode of Community, «Advanced Dungeons & Dragons,» Harmon famously structured an episode around the game, and on the digital network Seeso, HarmonQuest is a hybrid animated / live - action comedy series where Harmon and his comedian friends play the game for a studio audience.

There's an air of studio tradition surrounding The Legend Of Tarzan, and not just because a revival of the Edgar Rice Burroughs character is a classic executive gambit based on the misconception that audiences hunger for all old stories to be ceaselessly retolof studio tradition surrounding The Legend Of Tarzan, and not just because a revival of the Edgar Rice Burroughs character is a classic executive gambit based on the misconception that audiences hunger for all old stories to be ceaselessly retolOf Tarzan, and not just because a revival of the Edgar Rice Burroughs character is a classic executive gambit based on the misconception that audiences hunger for all old stories to be ceaselessly retolof the Edgar Rice Burroughs character is a classic executive gambit based on the misconception that audiences hunger for all old stories to be ceaselessly retold.

The group will perform songs from its new album together for the first time in front of a live audience at 3 p.m. ET today — and you can watch it live from the studios of Oregon Public Broadcasting.

Striped of its international cinema release by Paramount Studios due to worries that it was too cerebral for audiences, Annihilation (based on the novel by Jeff VanderMeer) comes to Netflix on more of a positive wave of critical reaction than the two sci - fi streaming flicks before it, two films which have done a great detriment to Netflix's standing as a major film studio competitor, only enforcing the notion that the streaming service is becoming a dumping ground for doomed movies.

Studios would also produce for television, he said, but — and here's the kicker — «it will be more difficult to find studio backing for independent theatrical films, because the theatrical market will need only the kinds of films that audiences can't get in their own homes.»

For far too long, Hollywood has kept audiences from experiencing Maximum Bayhem (some scientists maintain that such a thing isn't even possible, much less morally responsible; these scientists can go straight to Hell where they belong), reining in this absolute madman via studio notes, budgetary constraints and a vaguely - defined sense of «right and wrong».

Most of the time the movie is a knockabout slapstick comedy with a «Back to the Future» feeling, staging grand action sequences and feeding audiences new plot information every few minutes, but of course, being a Pixar film, «Coco» is also building toward emotionally overwhelming moments, so stealthily that you may be surprised to find yourself wiping away a tear even though the studio has been using the sneak - attack playbook for decades.