Sentences with phrase «of the wall space next»

Not exact matches

Finally, if Wenger really cares that Arsenal go to the next level with Lacazette in the striker's role he will need to surround him with the proper kinds of players, those who compliment his skills and give him a legitimate chance to lead the line... if they can spread the opposing teams back line with Sanchez on the left and someone of consequence on the right (must purchase this individual), this would likely create some space for Ozil in the middle of the pitch... having 3 players who can not only create their own opportunities, but provide assists and make well - timed runs, could bring some much - needed directness back into our ticky - tack approach of late... unfortunately instead of making the tough decisions and spending the supporters money in the right places, we instead have wasted so much time bashing our heads against the same brick wall over and over again and expecting different results..

«The room was basically a work space for an ancient scribe and astronomer who made notations on the wall next to him,» says David Stuart of the University of Texas at Austin, who coauthored a paper describing the find in May.

According to the Wall Street Journal (paywall), the new Chinese owner of the once - tony - now - shabby midtown hotel — Anbang Insurance, which lost out to Marriott in an unsuccessful takeover effort for Starwood Hotels — plans to shut the property down next spring and convert most of its space into apartments.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

Next come the Falling Men: wall assemblages that transform Johnson's signature materials of white tile, oak floorboards, mirror shards and black soap and wax splatters into upside - down stick figures who seem to fall through space.

Ricocheting her unmistakable touch against canvas, paper and, significantly, the wall itself (I found the outsize oval «eyes» of Blinkies, 2013, which have been slapped onto the wall in the rear of the space next to the bathroom door, particularly effective), Pensato, like de Kooning, has taken on everything from popular culture to taste to the nature of expression itself.

I'm standing next to a small wall - mounted speaker, looking through a large circular hole cut in a plasterboard wall and watching a film of dancers moving through the same gallery space I'm occupying.

Within two years, and with a mere handful of works, Judd formulated his essential language and set out a series of propositions that he was to explore over the next 30 years: volume, interval and space, and the relationship of a work of art to the wall, the floor and the dimensions of the room.

More recently, Gisela Colon, who has been recognized in ArtForum as a next generation light and space artist, has created «irregularly shaped wall mounted acrylic orbs... scarab - like objects achieve their iridescence via the play of natural light, yet the sculptures appear to change color as one moves around them, as if lit by multihued bulbs.»

Those exploring the exhibition encountered text on the perils of excessive sitting placed next to a giant red ball, a «Happy Birthday» banner hung above un-inflated balloons seemingly frozen in time and space, a wall covered in overlapping yellow Post-It notes reading «Don't Cry,» and a swarm of copper - colored computer mice huddled on the floor.

These include two walls from a mobile wall system developed for the Art Institute of Chicago, present in the previous venue; a wall from a work of mine from 1991, which itself was a reconstruction of a wall built by Peter Nadin and Christopher D'Arcangelo in the 1970s; wall fragments where exhibition design elements from previous exhibitions in the space at MoMA are visible; vinyl - clad walls built with MoMA's wall system, two of which are clad with vinyl graphics that continue from the lobby; and a cinder block wall which reconstructs a wall system used by the Whitechapel Gallery in the 1950s, a system which will be used in the next iteration of the show at the Whitechapel next year.

11, No. 6 Capps, Kristen, «No Longer Presidents but Prophets», Washington City Paper, March 22 Butler, Sharon «Medium Unspecificity Prevails», Two Coats of Paint, Feb. 27 Peña, Art, «Making [in] Dallas», New American Painting, Feb. 22nd Kimball, Whitney, «This Week's Must - See Art Events», The L Magazine, Feb. 18th McQuaid, Cate, «PAINT THINGS is off the wall», The Boston Globe, Feb. 7th Garza, Evan and Dina Deitsch, «PAINT THINGS, Beyond the Stretcher», January 25 (Exhibition catalog) 2012 «Katie Bell by John O'Connor», Artists on Artists, BOMB, Number 121, Fall 2012 «Primary», City Paper, Baltimore, Aug. 16 Art F City, «We're Going to Open Studios», Art F City, April 25 Labarre, Suzanne, «Katie Bell, An Artist who Paints with Torn Apart Houses», Fast Company 2011 Brennan, Valerie, «Katie Bell» Studio Critical, October 17 Miranda, Lynnette, «Living Arrangements at PLUG Projects», Make Space, Sept. 15 Garza, Evan, «Small Crowd: RISD MFA Painting Grads at Mixed Greens», New American Painting Blog, June 28 Garza, Evan, «New Insight: Top MFA Students on View at NEXT», New American Paintings Blog, April 29 Bergstein, Mary, «RISD MFA Painting 2011 ″, (catalog), June Hamada, Jeff, «Katie Bell», Booooooom!

Vance works in both oil on linen and watercolours and has said of her work: «I am constantly disguising and adding information, masking figuration, and opening and closing spaces in the canvas until the composition behaves in a way that challenges the paintings hanging on the wall next to it.»

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

A wall painting transports the visitor from one space to the next, and a room filled with photographs makes it clear that Lotte Lyon's staging is meant to give an impression of theatricality and performance, as much as they are referencing various Minimalist traditions.

Every step of the game is one of figuring out how to get to the next place, whether that requires the boy to climb walls, slipping through small spaces to unlock gates and doorways, or reach high places by riding Trico as he leaps to towering perches.

Neutral tones for the walls of this open - plan space give each zone its own mood while linking it with the next.

There's a ton of storage and counter space with this vanity, and a linen closet on the opposite wall next to a shower / bath.

Swap wall units for open shelves on one side of a U-shaped kitchen and it will help to open up the space a little, especially next to a full - height cabinet such as oven housing.

Like I mentioned in a previous post, I would've used a dresser next to the bedroom door anyway, and that would've created some wasted space in front of the «bump out» wall, so taking the storage from floor to ceiling, and building a 20 ″ deep storage unit, and a 9.25 ″ deep bookcase seemed to be the way to go.

Since her son's bedroom is next door, Jenifer had the laundry room walls soundproofed to ensure the space could be used any time of day.

-- one whole wall would be shelving (fabric etc. storage) and that shelving would have sliding doors with mounted foam boards (covered in white felt or flannel), so they would double as design walls — BIG center table for cutting and larger ironing surface on one side (smart storage underneath it all)- sewing machine cabinet next to it and small ironing place right next to it — enough space for the long - arm (or mid-arm) quilting machine - big desk in one corner — for drawing, sketching, computer work (preferably next to the window with that great view — big inspiration board on one wall — to pin all kinds of stuff!

how beautiful:) My creative space would have a deep chair, next to a fire place, beautiful pictures along the wall, and a table type desk in the middle of the room to allow me to spread out my ideas.

(And can you name a few items that are currently available to consumers) DM: The next wave of technology promises to truly make kitchens personal spaces with wall panels that can be changed to reflect your mood and appliances that will interact with your personal health and help you to choose foods to meet caloric and other nutrient goals.

I didn't need much space in the desk because I have a wall of cabinets right next to me, I wanted to keep it simple.

Wall mounted or freestanding, create a feature of an unused space with two or three wall systems placed next to each other, or a pair placed either side of your chimney breWall mounted or freestanding, create a feature of an unused space with two or three wall systems placed next to each other, or a pair placed either side of your chimney brewall systems placed next to each other, or a pair placed either side of your chimney breast.