Join Void Director Mary Cremin as she gives an indepth tour
of our current exhibition Where History Begins.
In February, the artist Sarah Meyohas invented her own currency called «BitchCoin,» which she presented in collaboration with Where Gallery in Brooklyn, as part
of their current exhibition Where 6: Prediction.
Not exact matches
As well as learning from some
of the most influential speakers as they tackled the biggest issues in the
current market, attendees also benefited from accessing our exclusive
exhibition - style area,
where they met top industry suppliers showcasing their latest products and offerings.
As well as learning from some
of the most influential speakers as they tackle the biggest issues in the
current market, attendees will also benefit from accessing exclusive
exhibition - style area,
where they will meet top industry suppliers showcasing their latest products and offerings.
But on June 12 he expects to make a trip to Kansas City,
where Lone Wolf's varsity basketball team will play a team
of former Chiefs in a preliminary to a hoops
exhibition game between
current AFC and NFC players.
A case in point is the
current exhibition of painting and installation by the artist Franklin Evans
where a physical copy
of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.
«Rooted Communities,» his
current exhibition at the LSU Museum
of Art, features works on paper, sculpture and mixed - media works composed
of found objects Jamaican - born Ward has accumulated in Harlem,
where he lives and works.
An influx
of recent gallery shows capture this ongoing investigation, like the
current exhibition «Mary Obering: Selected Works 1983 - 1987» at Marisa Newman Projects in New York,
where Obering illustrates natural wonders, like particle collisions, within her minimalist framework.
His
current solo
exhibition at the South London Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities
of the gallery space,
where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East Africa.
New York born and based artist Michele Mirisola's
current exhibition at Beefhaus, titled «
Of One's Own», is a show about her studio: a place
where she works, creates, escapes, breathes.
The
exhibition continued Waheed's ongoing research into what has been described as «our
current aerial occupation,» highlighting the ever increasing militarisation
of the sky,
where the circulation
of military drones and surveillance technology extends over everyday life, often with lethal consequences.
With five
current exhibitions on view (two permanents and three temporary), is a museological space
of reference in Lisbon,
where the visitor can enjoy the best
of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.
The goal
of the Slide Slam Series is to create cross
currents between the far - flung artist communities
of Long Island by providing artist exposure and
exhibition opportunities in areas
where the artist might not have a recognition base.
Where the artist's previous work pointed to the instability
of capitalism and often included photographs taken by the artist at political protests, the works in the
current exhibition refer to the rise
of the Bauhaus and Deutscher Werkbund and their imminent destruction through the Nazi regime.
The Chief Curator and Director
of Curatorial Affairs at The Contemporary Austin,
where she has worked since 2013, Heather Pesanti has organized monographic
exhibitions and outdoor commissions
of work by John Bock, Anya Gallaccio, Lionel Maunz, Wangechi Mutu, Monika Sosnowska, Robert Therrien, and Marianne Vitale, as well as the
current exhibition of work by Rodney McMillian and a forthcoming project by Abraham Cruzvillegas (2019).
The
current strong survey
exhibition, «From Lens to Eye to Hand: Photorealism 1969 to Today,» currently at the Parrish Art Museum raises a number
of interesting questions and ideas but none is more compelling to me than trying to determine
where and when the concept
of photorealism in art got its start.
We spoke to him about his
current exhibition at the Serpentine Sackler Gallery,
where his film Ribbons (2014) is showing alongside related installations
of text and image.
Where Freeman primarily critiques literature, the
current exhibition at PMCA, curated by artist and participant Constance Mallinson, offers a powerful challenge to Burke's gendered investigation through the visual arts, in the form
of landscape painting.
Following on from
exhibitions of the work
of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982,
where sculptural practice was very much ephemeral, conceptual, or based on performance, this
current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach
of assembling.
Faced with an absence
of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification
of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through
exhibition, in such circumstances
where the Gallery can demonstrate the highest standard
of due diligence has been undertaken and consideration has been given to the view
of the
current possessor, in belief that such display may encourage other legitimate claimants to make known their interest.
The newly designed discursive and research spaces, will be areas
where the full range
of collection resources from the Library & Archives and the Hessel Museum
of Art can be actively mixed and engaged with meeting
current and future needs, and ultimately supporting innovation and experimentation in the contemporary arts within an educational and
exhibition - driven context.
The
current exhibition of recent work at Goodman Gallery Cape, the first in Cape Town for five years, sets elements from these projects together with new work made especially for the
exhibition — allowing the gallery to be the space
where different bodies
of work collide and make new connections.
They always stand out in a crowd, even in a group
exhibition like «Being: New Photography 2018,» MoMA's
current survey
of the photographic landscape
where Muluneh's work is featured.
This casual group will meet at the Franklin Street Works» cozy cafe on April 21 from 3:30 — 5:00 pm to discuss Linklater's work and form a deeper understanding
of «Slow Scrape» (2013 - 16), three text banners that are on view as part
of our
current group
exhibition, «In this place
where the guest rests.»
Prior to her
current position at the Museum
of Fine Arts, Dr. Kinoshita served as consulting curator at the High Museum
of Art in Atlanta for The First Emperor: China's Terracotta Army (2008 - 09), an
exhibition that originated in London at the British Museum
where Dr. Kinoshita had served as Assistant Curator (2006 - 2008) and authored the essay, Qin Palaces and Architecture, for the catalogue.
The
exhibition seeks to incite feelings
of rage and exhaustion as we witness a new age
where artists aren't able to respond or take control because they are swept up in the
current structures
of things as much as anybody else.
For this studio tour, we will be meeting at Vitrine Bermondsey Street,
where we will begin with a viewing
of John's
current solo
exhibition.
Algerian - born Mohamed Bourouissa's
current exhibition «Horseday» continues in the vein
of his previous projects
where he composes photographic images
of the daily lives
of his subject.
Welcome to the Ogden Museum
of Southern Art's online newsroom,
where you can access press releases, media coverage and information on
current and upcoming
exhibitions.
Editor's Note: This is the third in a series
of reports by freelance writer Katherine Calos, who is traveling in China this week with a group
of journalists and museum officials to see
where the masterpieces in the Virginia Museum
of Fine Arts»
current «Terracotta Army»
exhibition were created and to talk with curators and archaeologists.
Twomey attended Reed College and received a bachelor's
of arts degree from Ramapo College in 1976,
where she was known for her ground - breaking installation and performance works, several
of which are documented in the
current exhibition.
Jean - Xavier Renaud's 2015
exhibition «Local Politics» included landscapes
of the small mountain village
where he lives, alongside a portrait
of current French President François Hollande, and a tableau featuring the Pope — each picture representing a level
of politics that affects the artist locally.
Her
current exhibition «Clearing» at Glenhyrst Art Gallery
of Brant is somewhat
of a homecoming: she returns to
where she grew up, in Southern Ontario, to organize a show that explores personal relationships to land.
She is a
current member
of Spark Cooperative / Gallery in Denver
where she has had 3 solo
exhibitions.
First there was a dinner following yet another
exhibition by Ruby — this time
of paintings made with a broom — at the national hunting museum,
of all places,
where guests were greeted by a Walton Ford painting, part
of the artist's
current show in this eccentric place.
Editor's Note: This is the last in a four - part series by freelance writer Katherine Calos, who has been traveling in China this week with a group
of journalists and museum officials to see
where the masterpieces in the Virginia Museum
of Fine Arts»
current «Terracotta Army»
exhibition were created and to talk with curators and archaeologists.
«Gavin goes
where any sound business mind would never go — and at great risk to himself and the gallery,» said Tom Eccles, who runs the Center for Curatorial Studies at Bard College and has known Brown for almost 20 years, pointing to such art world milestones as Urs Fischer's 2007 You, when the artist dug a 38 - foot - by -30-foot-by-8-foot crater inside Gavin Brown's Enterprise, Brown's
current gallery in the West Village; and to Tiravanija's 2011 Fear Eats the Soul, for which Tiravanija removed all the windows and doors
of the main
exhibition space to create a soup kitchen, a T - shirt factory, and a makeshift cooking pit in the ground — all
of which was open to the street.
Schellmann has curated the
current exhibition up at Galerie Thaddaeus Ropac's Paris Pantin location that examines the ephemera, sketches, and the history around this action while brining the action back into the contemporary viewers experience by including a white horse inside the gallery, not a first for Beuys having wild animals as part
of an action like his most famous example «I like America and America likes me», performed in 1974 at René Block Gallery on East Broadway
where he shared a room with a wild coyote, for eight hours over three days.