His best - known films
of this realist sort include those in the series Six Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons, although Rohmer was also a fascinating formalist when it came to period pieces, whether in his intentionally artificial interpretation of an Arthurian legend, Perceval (1978), or in his technically progressive take on the French Revolution, The Lady and the Duke (2001), an early film to utilize computer - generated imagery for its backdrops.
Not exact matches
He sees Whitehead as a scientific
realist striving after some
sort of correspondence between the world as understood by modern physics and the world
of direct experience (PW 214/236) Whitehead represents the opposite
of Bertrand Russell in his phenomenalist period.
Stackhouse's entire argument seems to require the view that adequacy both to the ideal unity
of the «Christian thing» and to the reality
of pluralism requires that one be a «
realist»
of some
sort.8 It also seems to require rejection
of the «nominalist» view that pluralism is finally irreducible.
Maybe; their paper cites studies that indicate «unrealistic expectations» and «inadequate preparation» for marriage are keeping many couples from having an «our» marriage (and these are just the
sorts of things Susan Pease Gadoua and I are discussing in The New I Do: Reshaping Marriage for Skeptics,
Realists and Rebels.
Well, this is something that I'm
sort of curious about because then Art Front wouldn't have been kind
of a straight social
realist thing?
I am no
sort of realist, because I'm very concerned with the abstract element.
So climate
realists must pressure Trump to stay the course or they risk the
sort of defection to alarmism that occurred with both presidents Bush.
I think that winning a Nobel does convey some authority which is worthy
of note — and obviously so does Rud or he wouldn't have mentioned it, but I'd be willing to bet that he'd be among the fist to cry «appeal to authority» if he saw a «
realist» make the same
sort of attribution.