Sentences with phrase «of those abstract painters on»

Seldom, however, does one get the opportunity to view the work of those abstract painters on the West Coast whose work was every bit as strong, and every bit as compelling as their East Coast contemporaries.

Not exact matches

Pennsylvania, United States About Blog Taryn Day's style of painterly realism is inspired by the work of modern painters who combine realism with a strong emphasis on abstract design, such as Richard Diebenkorn, Fairfield Porter, Edwin Dickinson and Edward Hopper.
«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.
Contemporary abstract painting lacks credibility because its success depends on the suppression of a generation of lyrical painters, censored since the mid seventies.
A studio visit with the New York - based painter and drawing maker David Row, who presents his recent work, traces his development, and reflects on abstract painting's open - ended possibilities of meaning.
Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..
Specifically, the exhibition features several sketches from Arthur Garfield Dove 1903 and went on to become one of the first American abstract painters and modernists.
More recently, multiple paintings and works on paper by Lewis, the late abstract painter whose first museum retrospective debuted last fall at the Pennsylvania Academy of the Fine Arts (and opens June 4 at the Amon Carter Museum of American Art in Fort Worth, Texas), have appeared regularly and covered the April catalog.
It makes me think of everything from abstract painting and Sam Gilliam, the noted African American painter, to Southern rural quilting and the homeless on the streets of Manhattan.
I've recently become part of an online group of artists organized by Yifat Gat, a painter based in France — the group is focused on contemporary abstract art.
Los Angeles painter Patrick Wilson presents a magnificent new body of his brilliantly constructed, abstract acrylic on canvas paintings in his highly anticipated third solo exhibition Slow Motion Action Painting at Marx & Zavattero, June 2 - July 14, 2012.
Currently the official story of avant - garde abstract painting and sculpture in America that is on view at the Whitney Museum, denies works of scores of artists that demonstrate that American painters and sculptors by the late sixties went beyond minimalism creating a new expressionism.
The Pennsylvania Academy of the Fine Arts is putting on the first ever retrospective of abstract painter Normal Lewis.
PAUL CUMMINGS: Well, there was a time when a lot of the painters felt there was a while conspiracy on Hess» part to promote certain abstract painters and not others.
The influence of abstract expressionism on Eggleston, partly through his friendship with the painter Tom Young, is addressed at points throughout the show, and it is important to recognise that perspectival lines, the balance of colour throughout a composition, and the presence of contextual details such as logos and pavements, are as important as the features, dress and celebrity identity of the subjects.
«There were some glaring omissions in the collection that we were really trying to rectify, and this is one of them,» Panetta says of this abstract short by the painter - turned - filmmaker Mary Ellen Bute (which will be screened in a black - box gallery on the seventh floor).
While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.
• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter
John Plumb was an English abstract painter who produced paintings with large fields of a single color and narrow strips on the edge of different colors.
The biggest compliment one can give the abstract paintings of Bill Scott, on display at Hollis Taggart Galleries, is that they'll spur fellow painters to run to their studios and get down to business.
As part of Joan Mitchell Foundation's ongoing collaboration with Voices of Contemporary Art (VoCA), please join us on Thursday, October 12, when abstract painter and Yaqui Indian Mario Martinez will sit down with Steven O'Banion, Director of Conservation at Glenstone, to discuss his life, work, and personal philosophy.
Through the Mint Museum's collection you can trace the evolution of this genre from the work of the Hudson River School painters such as Thomas Cole and Sanford Gifford, who focused on the natural beauty of our country's topography, through the rise of Impressionism: a movement whose artists celebrated a more abstract, subjective view of their surroundings.
CHICAGO — Congratulations to artist Magalie Guérin on being awarded a Pollock - Krasner Foundation Grant.The Pollock - Krasner Foundation, Inc. was established in 1985 for the sole purpose of providing financial assistance to individual working visual artists of established ability through the generosity of the late Lee Krasner, one of the leading abstract expressionist painters and the widow of Jackson Pollock.
[34] Lyrical Abstraction is a type of freewheeling abstract painting that emerged in the mid-1960s when abstract painters returned to various forms of painterly, pictorial, expressionism with a predominate focus on process, gestalt and repetitive compositional strategies in general.
To reduce the 40 - year career of our most flamboyant non-figurative painter — he insists on «non-figurative» in preference to «abstract» — to 22 canvases is like limiting Gary Sobers to that one over when he hit every ball for six; but in the confinement of the Sackler Gallery it works.
But most of all, he filled the place with images of himself, as stoical lighthouse keeper, 1960s abstract painter, a camera - shop owner, and passer - by on the street.
Brooklyn - based abstract painter Katherine Bradford is on the graduate faculty at the Pennsylvania Academy of the Fine Arts in Philadelphia.
To reduce the 40 - year career of our most flamboyant non-figurative painter — he insists on «non-figurative» in preference to «abstract» — to 22...
It is undeniable that many early 20th century abstract painters drew on spiritualism to fuel their artistic projects but this does not mean their interest in occult sources exhausts the meaning of the work.
The painter Basil Beattie RA, who I met at the gallery on the show's opening day, reminded me that Bert — like Basil himself — was converted to the abstract creed by the exhibition of Abstract Expressionism that visited London's Tate from America in two touring shows at the end of the 1950s.
Placed against a neutral backdrop with their labels inscribed below, Wylie's hard - won forms play on the language of ancient art as well as modernism and the abstract compositions of painters like Franz Kline and Ad Reinhardt, who attempted to divorce image - making from even the most fundamental visual associations.
The current show at Artspace in New Haven, CT, highlights seven painters whose abstract work focuses on elements of color, shape, and surface.
Mark Bradford on Clyfford Still Los Angeles - based abstract painter Mark Bradford is co-founder of Art + Practice and currently has an exhibition on view at Hauser and Wirth Gallery in New York.
Judith Leiber, an internationally known handbag designer, and her husband of 72 years, Gerson Leiber, a noted abstract painter, died on Saturday at home in Springs.
We are back in the territory of the last discussion on Picasso's «Mandoline et Clarinette», back in the abstract painter's dilemma of how to paint abstract space, and whether that dilemma might be circumvented by dabbling in three - dimensions.
I remembered that growing up I would visit my friend whose father was an abstract painter, and on his studio wall was a poster of Wool's Cats in Bag Bags in River (1990).
Washburn Gallery will offer a selection of recently rediscovered landscapes and tree studies by abstract painter Myron Stout, and Chambers Fine Art will exhibit recent abstract ink paintings on rice paper by noted Chinese artist and calligrapher Wang Dongling, alongside mixed - media paintings by Yan Shanchun.
When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.
In celebration of the exhibition, Painter of the Fields is the first major overview of Warren Rohrer's work held in Lancaster County and will examine the various stages of his career; including works from his early days of drawing to his fully realized abstract artistic language based on the fields of Lancaster County where he lived.
The paintings were completely abstract and they expressed big themes and emotions — tragedy, despair, the unconscious, angst of every description; feelings that were embodied not through imagery, but the intensity with which the painter got the paint on to the canvas.
In 1951, Gechtoff moved from Philadelphia to San Francisco, where she installed her studio in «Painterland,» an affectionately titled building on Fillmore Street that was home to a bevy of abstract painters, including DeFeo, with whom she developed a friendship but also a rivalry.
The lower horizontal band retains an emphasis on bands of color similar to abstract works by painters such as Morris Louis and a repetitive logic that foreshadows minimalists such as Donald Judd.
Gary Petersen, Wish You Well, 2009 Acrylic on panel, 20 x 16 inches February 10 — March 17, 2010 Curated by Joanne Freeman and Kim Uchiyama, Color - Time - Space is an exhibition of thirteen geometric abstract painters that highlights the relationship between art and music.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
He began his career as a painter, drawing on the work of the abstract Expressionists, but as time went on he became increasingly dissatisfied with painting, a medium that he came to believe was a thing of the past.
Jack Whitten (1939 — 2018) The abstract painter and sculptor has died in New York at the age of 78, his gallery Hauser & Wirth announced on Sunday.
The recent debate on Abcrit about Howard Hodgkin made it pretty clear to me that many abstract painters begin with light, and are attempting to paint the effects of light.
The respected architects Caruso St John designed the space, which opened with an exhibition focused on British abstract painter (and personal hero of Hirst) John Hoyland.
Even so, there is a special quality about these California abstract painters that carries not only a classical context in terms of pictorial space but also a certain unpredictable eccentricity, which the Hammersley exhibition at Ameringer McEnery Yohe expresses paradoxically on both a modest and heroic level.
As Alan Gouk pointed out recently, those somebodies often end up being Joan Mitchell and Philip Guston, American painters not without their own flaws, and it is on their account that scores of contemporary abstract artists readily and without question adopt a «hell for leather» approach to paint handling that through its complacency tends to have very familiar results.
a b c d e f g h i j k l m n o p q r s t u v w x y z