Joanna Penn is a New York Times and USA Today bestselling author
of thrillers under J.F.Penn and also writes non-fiction for authors.
Joanna Penn is a New York Times and USA Today bestselling author
of thrillers under J.F.Penn.
Joanna Penn is an Award - nominated, New York Times and USA Today bestselling author
of thrillers under J.F.Penn and also writes non-fiction for authors.
I'm a USA Today bestselling author
of thrillers under JF Penn and I also write bestselling non-fiction for authors.
Not exact matches
Through the
thriller's first six episodes, we see the sad - sack lawyer (played expertly by John Turturro) scratching his eczema - ridden skin with chopsticks, visiting a succession
of not - very - sensitive doctors, and subjecting his feet to a string
of seemingly suspect remedies, including slathering them with Crisco, bathing them in Clorox, and roasting them
under UV lamps.
A sharp
thriller with great atmosphere, set in Northern Ireland and tied up in the ever - knotty history
of «The Troubles» (which one character refers to as «the madness
of Belfast»), Bad Day for the Cut delivers its cinematic goods thanks to a smart combination
of wit and violence, briskly delivered over just
under 100 minutes.
The horror -
thriller takes place in the small village
of New Bethlehem, a devout community kept
under the tight reins
of the town's vigilant Elders.
A
thriller like this can collapse
under too much scrutiny, but in the moment, it does work as a nitty - gritty game
of cat and mouse, especially when Shaun does break back into the house and outsmarts the numbskulled intruders.
After a detour with the divisive pulp
thriller The Paperboy, director Daniels is back on awards - friendly terrain with this drama based on the story
of real - life White House butler Eugene Allen, who served
under eight different presidents.
Under the Dome is the TV equivalent [of a ham sandwich], with all the fixings: a goofy, sometimes creepy, thriller from horror maestro Stephen King about a town trapped under a large invisible bar
Under the Dome is the TV equivalent [
of a ham sandwich], with all the fixings: a goofy, sometimes creepy,
thriller from horror maestro Stephen King about a town trapped
under a large invisible bar
under a large invisible barrier.
A highly schizophrenic movie that clearly wants to explore the lives
of university students
under stress their senior year but is forced to do so within a
thriller format that requires spooky moments and malevolent ghosts.
«The Walk,» Zemeckis» account
of Phillippe Petit's 1974 tightrope walk between the Twin Towers
of the old World Trade Center, would seem to be the ultimate Zemeckis set piece, rivaling the awesomeness
of the plane crash and island sequences
of «Cast Away,» the upside - down jet maneuver in «Flight,» the intergalactic wormhole trips in «Contact,» and the small - scaled relentlessness
of the suspense sequences in his
under - appreciated 2000
thriller «What Lies Beneath» (which wrung tremendous excitement from the question
of whether a nearly paralyzed woman could use her big toe to remove the stopper from a bathtub drain).
One day you decide to (a) read Wilde's The Picture
of Dorian Gray, Stevenson's Dr. Jekyll and Mr. Hyde, Huysman's Against Nature, short novels all, (b) watch Clouzot's 1953
thriller The Wages
of Fear, Anger's Lucifer Rising, Disney's 20,000 Leagues
Under the Sea and maybe something by Eisenstein, (c) take an LSD microdot, hot - knife some hashish and down a half - bottle
of absinthe, (d) draw a warm bath and then (e), having sufficiently and systematically disorganized your senses, start to write a script.
A delicious
thriller that gets
under the skin à la «All About Eve,» albeit with a twist: The craft here is still theater, but
of the workplace rather than the stage.
Based on Joyce Carol Oates's novel Lives
of the Twins (written
under the pseudonym Rosamond Smith), Ozon's L'Amant double is a fantastical, steamy sex
thriller that gave critics here a much - needed jolt
of humor late in this festival.
I kind
of like slow paced films, especial when they are psychological
thrillers... that's when a movie really gets
under your skin.
Crumbling
under pressure to deliver, Apted — a seventy - six - year - old British filmmaker behind movies such as 007's The World is Not Enough and The Chronicles
of Narnia — struggles to find a steady pace throughout and fails to boost this rather generic and by - the - numbers
thriller with energy, thought and complexity.
With deliberate echoes
of classic Hammer horror, this moody and inventive
thriller gets
under our skin with its deeply personal plot, which pays as much attention to horror as emotion.
Now You See Me, a
thriller that takes place in the world
of stage magic, is a film that might be flying
under your radar at this point.
But rather than go down the path
of political
thriller or straight biopic, Arash Amel's melodramatic script stumbles, ungracefully,
under its unsubtle load.
The big evening hit at the Eccles was Patrick Stettner's «The Night Listener,» an eerie, Hitchcockian
thriller starring Robin Williams as a gay late - night disk jockey whose publisher friend (Joe Morton) asks him to read a manuscript about a young boy (Rory Culkin) tortured by his parents and now dying
of AIDS
under the care
of a foster mother in Wisconsin (Toni Collette).
Even with a number
of «X-Men» movies
under his belt, actor James McAvoy hasn't had his fill
of sci - fi
thrillers just yet.
Related Reviews: New: Autumn Sonata • Cavalcade • Slacker • Behind the Candelabra • Best
of Warner Bros. 20 Film Collection:
Thrillers 1940s on Blu - ray: It's a Wonderful Life • Rebecca • Beauty and the Beast • Dumbo • The Curtis Harrington Short Film Collection • Bambi Oscar Winners on Blu - ray: Sunset Blvd. • On the Waterfront • The Apartment • Lawrence
of Arabia • Annie Hall Kirk Douglas: Paths
of Glory • 20,000 Leagues
Under the Sea
Breslin's switched easily between genres over the course
of her career, but she has relatively few straight - up
thrillers under her belt so The Hive represents a bit
of a change
of pace for her.
Your guess is about as good as ours, because the plot
of the Michael Arlen Ross («Turistas «-RRB- penned
thriller is being kept
under wraps.
Such heady concepts get lost
under what director Jonathan Mostow (Terminator 3, U-571) and the screenwriting team
of Ferris and Brancato (Terminator Salvation, Catwoman) really want to do with the somber Blade Runner - ish premise, and that's to make a sci fi / action /
thriller.
With a remarkable eye for detail, this low - key sci - fi
thriller really gets
under the skin as it probes the nature
of humanity while keeping us on the edge
of our seats.
With a combination
of practical and CGI effects and tight story that boils down to a single night
of hell, this is the kind
of thriller that gets
under your skin and stays with you after you leave the theater.
The Guillotines has spent a bit
of time on the development turn wheel and because
of this, Lau, who already has an iconic crime
thriller under his belt, feels like more
of a hired gun.
It's a raw psychological
thriller centring on two cop brothers, Joe and Chrissie Fairburn, who commit the ultimate crime and soon see their world collapse
under the weight
of their former Police Chief father's shadow.
Under the renewal
of their deal, IMAX will be showcasing the previously announced Batman v Superman: Dawn
of Justice and this December's In the Heart
of the Sea, as well as a slew
of upcoming movies like Guy Ritchie's spy
thriller The Man from U.N.C.L.E., Ritchie's currently filming King Arthur movie, David Yates's 2016 adventure film Tarzan, Andy Serkis» motion - capture Jungle Book: Origins, the
thriller Geostorm, and more.
Props are owed to Dennis Villenue's masterfully told cartel procedural Sicario, the
under - appreciated mile - high disaster epic Everest, Alex Ross Perry's gut - wrenching Queen
of Earth, and Joel Edgerton's slyly insidious
thriller The Gift all for taking us somewhere we never want to go again.
Under Brad Anderson's tight and precise direction, the script from Gilroy (who went on to write and direct Michael Clayton, along with the Jason Bourne films) is almost a throwback to the kind
of international
thriller Hollywood has forgotten how to make.
Full
of straight - faced suspicion, suspense and a whole lot
of grey, Scribe is a film that buckles
under their weight
of its American
thriller inspirations.
For me, Prisoners is part an engrossing family drama and part a chintzy, lurid
thriller, jammed together in a way that lacks conciseness, focus, or ability to avoid collapsing
under the sheer weight
of the many cheap and cheesy plot contrivances that are far too out
of their element to cap off a drama that builds up so well.
Of Unknown Origin (Blu - ray) Details: 1983, Scream Factory Rated: R, violence, language The lowdown: Peter Weller stars in this thriller about a successful Wall Street executive whose New York brownstone becomes a battlefield when he finds himself under siege by a determined group of home intruders — namely some very pesky rat
Of Unknown Origin (Blu - ray) Details: 1983, Scream Factory Rated: R, violence, language The lowdown: Peter Weller stars in this
thriller about a successful Wall Street executive whose New York brownstone becomes a battlefield when he finds himself
under siege by a determined group
of home intruders — namely some very pesky rat
of home intruders — namely some very pesky rats.
A much more gripping aquatic
thriller, Below, snuck onto screens with little fanfare a couple
of weeks ago, and it deserved far better than the
under - the - radar dump release Miramax / Dimension gave it — but then the WWII setting and lack
of a name star in its cast, not to mention the atmospherics - over-cheap-jolts approach adopted by David Twohy, go a long way toward explaining why this one spent considerable time on the «Max shelf.
Ostensibly both a remake
of the Southern Gothic erotic
thriller by Don Siegel from 1971 and also an adaptation
of Thomas P. Cullinan's 1966 novel «A Painted Devil», Coppola (who also wrote the screenplay and won the Best Director Award at the 2017 Cannes Film Festival) smartly and slowly unravels her tale via the female gaze in a film that, if one is patient with it, slowly pulls you
under its sunlit and fainéant spell.
A blackmail
thriller about a persecuted director (Richard Basehart), set in the world
of British studio filmmaking, and directed (
under the pseudonym «Joseph Walton «-RRB-, by blacklist victim Losey.
Pictures» and Village Roadshow Pictures» sci - fi
thriller «Edge
of Tomorrow,»
under the direction
of Doug Liman («The Bourne Identity,» «Mr. & Mrs. Smith»).
Fresh from Venice Film Festival and pitched somewhere between romantic drama and erotic
thriller, it stars Tilda Swinton, Ralph Fiennes, Dakota Johnson and Matthias Schoenaerts and is billed as a «dazzling, sensuous portrait
of desire, jealousy and rock «n» roll
under the Mediterranean sun».
Pictures comes the action
thriller «Run All Night,» starring Oscar nominee Liam Neeson («Schindler's List,» «Non-Stop»), Joel Kinnaman («The Girl with the Dragon Tattoo»), Vincent D'Onofrio («The Judge»), and Oscar nominee Ed Harris («Pollock,» «The Hours»),
under the direction
of Jaume Collet - Serra («Non-Stop»).
With American Assassin set for release in theaters next week, we've got an exclusive preview
of Oscar - winner Steven Price's (Gravity) score for the spy
thriller; check it out here... AMERICAN ASSASSIN follows the rise
of Mitch Rapp (Dylan O'Brien) a CIA black ops recruit
under the instruction
of Cold War veteran Stan Hurley (Michael Keaton).
In the chilling science - fiction
thriller Under The Skin, The Avengers «Scarlett Johansson plays a black widow
of another kind.
«Zodiac» (2007) Savides» first collaboration with David Fincher was the wildly over-the-top «The Game,» a kind
of hyper - intelligent fuck - you puzzle - box
thriller about a very rich man put through his paces by a shadowy organization
under the guise
of an elaborate role - playing game.
We're almost as excited by Screen «s news that the busiest writer alive, Jack Thorne (one
of our Screenwriters On The Rise picks this year), and director Tom Harper, who were behind the excellent, woefully
under - seen «Scouting Book For Boys» a few years back, are getting back together, for a political
thriller called «War Book.»
Pictures» and Village Roadshow Pictures» sci - fi
thriller EDGE
OF TOMORROW, under the direction of Doug Liman («The Bourne Identity,» «Mr. & Mrs. Smith»
OF TOMORROW,
under the direction
of Doug Liman («The Bourne Identity,» «Mr. & Mrs. Smith»
of Doug Liman («The Bourne Identity,» «Mr. & Mrs. Smith»)
The trailer promised an engaging
thriller following an assassin
under the guise
of an accountant who also happens to fall on the autism spectrum.
Director Michael Zinberg showed a strong understanding
of the show's occasionally overlooked spy
thriller dynamic by kicking off the episode with Bobbi and Hunter
under interrogation and flashing back to how they landed in this predicament.
Focus Features» upcoming
thriller Thoroughbreds may seem like it's being helmed by a long - time filmmaker with plenty
of features
under his belt, but it's actually the debut movie for writer / director Cory Finley.