Sentences with phrase «of traditional animation»

The team hopes to pave the way towards the future of Traditional Animation.

We expect the use of VR to be relatively niche over the next three to five years, with real - time 3D software gradually replacing the use of traditional animation in cases where it is currently used.

This is without considering the artists who do not utilise specific characters but have invoked the aesthetics of traditional animation (Peter Wächtler and Mathias Poledna) or who borrow the tropes of grotesque caricature and anthropomorphisation from the toons (George Condo and Armen Eloyan).

The canvases move like the background of a traditional animation and suggest factory automation through their hardware and stripped down construction.

The decision to do this is intentional, of course; unlike excuses of a «Cinematic Experience», Guilty Gear's characters move at a frame rate that is more in keeping with that of traditional animation and anime in particular.

Over 10 minutes each, Adam and Dog and Head Over Heels are both longer than they need to be, since they lack dialogue; the stop - motion Head has a creative concept, while the quasi-Biblical Adam makes nice use of the traditional animation medium that many love and miss.

The CGI Tinker Bell films show off some dazzling animation and some of the vistas are breathtaking in high definition, even if these landscapes generally lack realism or the authenticity of the traditional animation that birthed Disney's Peter Pan.

It is hard to believe nearly 25 years have passed since the theatrical release of Who Framed Roger Rabbit, Director Robert Zemeckis» irreverent, thoroughly entertaining mashup of traditional animation and classic Hollywood noir.

Not exact matches

«An example of this was the team that created Toy Story, who achieved great success by pairing computer graphics, which at the time was a new tool for animators, with more traditional cel animation.»

And Brad Bird's «The Iron Giant» effectively uses a mix of computer animation and traditional, 2 - D animation.

Reinventing the traditional fairy tale adventure, SHREK features gorgeous computer animation, a unique sense of humor, and compelling characters — especially Eddie Murphy's lovable Donkey.

The animation is not done there: the film is chock full of gorgeous Asian landscapes, and the art style frequently shifts into traditional animation to deliver flashbacks.

Stylistically, both the characters and the action sequences (under the direction of Jennifer Yuh Nelson) have been pushed further, incorporating elements of traditional Chinese folk art with kung fu movie posters and flashes of glittery Japanese animation.

Everything that made the first Winnie the Pooh animated feature so adorable (the official one, also by Walt Disney Animation Studios) is found here too, from great songs to adorable stories, and it is a delightful return to the traditional hand - drawn animation of the Animation Studios) is found here too, from great songs to adorable stories, and it is a delightful return to the traditional hand - drawn animation of the animation of the old days.

The animation here is colorful and crisp, a blend of traditional hand - drawn artistry, which looks almost rotoscoped in its smoothness of motion, and computer - generated work, allowing for the camera to move around the expanse of the palace or the maelstrom.

With Coco, Pixar Animation Studios» take on the traditional Mexican celebration Día de Muertos, audiences are given a film that will become the standard - bearer of a positive example of what the Latino experience can look like on the big screen for years to come.

The fantastic pixel art and animations that are a hallmark of the Metal Slug games are used to create a pretty traditional albeit fun strategy defense game.

Sure, there are moments that betray the involvement of computers — the vehicles, some CGI smoke — but I didn't realise how much I miss the elasticity of traditional 2D animation.

The New Adventures of Huckleberry Finn: The Complete Series (DVD - R) Release date: June 28 Details: 1968 - 69, Warner Archive Collection Rated: Not rated The lowdown: This Hanna - Barbera TV series combined live action and animation as it took Mark Twain's classic characters, Huckleberry Finn, Tom Sawyer and Becky Thatcher, on a series of fantastic adventures as they battle their traditional foe, Injun Joe.

In an era of high - tech CGI, Park uses the beloved traditional form of stop - motion animation.

Meanwhile, traditional animation could rear its head with «The Princess and the Frog,» while Hayao Miyazaki might certainly find the respect of his colleagues once again with «Ponyo on the Cliff by the Sea.»

The tangled, darkly comic plotting might smack of an assortment of crime movies from around the world, but the visual style has a distinctive character, closer to the static panels, crisp lines, and muted colors of modern graphic novels than to traditional animation.

Traditional cel animation is a bit of a dying art in America these days.

Between The Tale of the Princess Kaguya and The Wind Rises, Studio Ghibli has continued to prove again and again that traditional animation still has a place in the modern animated feature landscape.

(One wonders if something about the animation process favoured by the Japanese industry — a combination of traditional cel animation and CGI — obliges a standard amount of artificial sharpening during the telecine process.)

Spirited Away is a masterpiece of storytelling and traditional hand - drawn animation.

The animation technique is an innovative mix of claymation and traditional cel animation, utilizing a thin layer of oil - based clay that is painted / altered by hand to create the illusion of movement.

Add to that fact that there are a number of peripheral characters written purely to conform to the traditional animation stereotypes and you have a significant amount of poor characterisation.

Chicken Little marks the first wholly Disney produced animated film since their pledge to ditch traditional hand - drawn animation in favor of 3D computer graphics - laden vehicles.

There's something a little thrilling in watching how co - writer / director Sarah Smith and her team of animators at Aardman Studios (mostly known for their clay animation efforts — this one is entirely computer - animated but maintains the typical look of their traditional characters) imagine Santa embracing technology.

Check out those fields of flowers, all painstakingly hand - drawn in traditional animation.

Even more than in Mr. Fox, the mix of stop - motion, CGI, and traditional animation produces jaw - dropping effects that bear an artisan's touch.

Disney's return to traditional hand - drawn animation is a hugely enjoyable fairytale adventure with likeable characters, decent songs and some great gags, though some of the scenes may be too scary for very young children.

In Me and My Shadow, which will be released on November 8, 2013, the studio will pioneer a groundbreaking combination of both CG and traditional animation techniques seamlessly together throughout the film.

Its rotoscoping of actors combines uneasily with traditional modes of animation: they mix into an abstract soup of contradictory images that destroys our suspension of disbelief.

Unfolding with a mix of traditional and stop - frame animation, the tale is infested with the kind of dry humor and cynicism found in some of his other projects (Moonrise Kingdom and Fantastic Mr. Fox).

One thing that can be said for the movie is that something exciting is constantly unfolding on the screen, amplified by beautifully animated scenery that fully realizes the potential of computer use in traditional animation (courtesy of the «deep canvas process» that was cultivated for this film).

The animation department had a breath of fresh air blown into it with newcomer artists, which led to projects like The Great Mouse Detective and Oliver & Company that harked back to the style of the traditional Disney musical.

Jessica Oreck's fantastical work combines animation, traditional storytelling, and contemporary nonfiction filmmaking styles to recount the Slavic folktale of the frightful Baba Yaga, a witch said to live in a woodland hut perched on chicken legs who roasts her guests for dinner.

The Lord of the Rings: Remastered Deluxe Edition (Warner)-- Ralph Bakshi's 1978 animated feature film combines traditional cel animation with live action reference footage in his attempt to get J.R.R. Tolkien's sprawling fantasy adventure epic on the big screen.

Replacing the traditional Disney style of animation (exemplified by The Lion King), these films are now the dominating «family movie».

The animation quality is not what it is today, but the New York city locations are nicely composed, and computers were used to augment the traditional cell animation in the scenes of street traffic.

This is a more traditional Sound Test, and it'll give you the names of the tracks and a cute animation from Sonic Mania's main menu as you listen tot racks.

This rendition does try to mollify some of the political incorrectness of the «savages» portrayed in Disney's animation, by presenting a multi-ethnic cast of characters adorned in tribal costumes that seem inspired by traditional African dress, yet created out of made - in - China embellishments.

As studios increasingly turn their attention to producing entirely computer - generated animated features, Spirit is a stunning example of the irreplaceable splendors of traditional hand - drawn feature animation.

More insight on this process is provided by Bluth and Goldman on a commentary track; the pair eloquently discuss, among other things, how animators should have an understanding of acting, and the technical challenges of creating such a smooth blend of traditional two - dimensional, hand - drawn animation techniques with 3 - D computer effects.

The «one - size - fits - none», «fire - and - forget» approach of almost all of today's corporate eLearning — be it traditional, video - based, microlearning or some combination — needs to be relegated to some forgotten decade where outcomes don't matter, and the quality of education is measured by how many people are registered in the LMS and how much animation you can pack into your course.

Research suggests that the animation and interactivity of multimedia can significantly improve student learning, when compared with traditional forms of media such as textbooks and lecture (Meyer, Rocheleau, McMullen, & Ritter, 1991).

On the basis of these findings, we conclude that it is advisable to use computer animations in molecular genetics, especially when teaching about dynamic processes; however, engaging students in illustration activities can still improve achievement, inclusion, and differentiation in comparison to traditional instruction.

Three comparable groups of eleventh - and twelfth - grade students participated: the control group (116 students) was taught in the traditional lecture format, whereas the experimental groups received instructions that integrated a computer animation (61 students) or illustration (71 students) activities.