Sentences with phrase «of traditional gallery spaces»

2012 Alumnus Artist - in - Residence Matthew Steele explores a new medium, new dimensions, and the boundaries of traditional gallery spaces.

CLOUD was our first truly public work and a calculated experiment, requiring the audience to surrender their inhibitions, unlearning the «Please Do Not Touch» policy of traditional gallery spaces.

For this project we encourage you to consider: how can we use and encounter art directly, outside of traditional gallery spaces or studios, as a means to communicate ideas and issues in our everyday lives?

In turn, both works act as interventions of the traditional gallery space.

Art is a singular opportunity for artists to further their current practice without the physical limitations of a traditional gallery space,» said Brooke Kamin Rapaport, Martin Friedman Senior Curator.

They also seek to reach a wider audience than the usual gallery visitors and to promote appreciation of art through unconventional interventions outside of the traditional gallery space.

Whatever the case, Atlanta will soon be graced with four more large works of art outside the «white box» of the traditional gallery space.

Not exact matches

Teams of 150 - 180 students work with teachers in shared learning spaces with cutting - edge technologies that shift between traditional classrooms, Makeries, Collaboratories, The Gallery, and The Loft to support a student - centered approach to instruction.

With a screen that adapts to the ambient light of its surroundings and an energy consumption 99 % lower than traditional LCD screens, the AMLABEL is completely cordless, with little to no effect on the integrity of the gallery space.

Instead of making yet another shooting - gallery style game, developers Taito created a more traditional over-the-shoulder shoot - em - up similar to Space Harrier, After Burner or Galaxy Force.

Missions are selected from a map of our Solar System, Mass Effect - style, and even feature side quests in addition to your main missions, which can either be space dogfighting or more traditional COD campaign fare, with the usual corridor shooting gallery.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

A visit to the three spaces of the Paul Kasmin Gallery in Chelsea in New York City offers an enlivening education in the power of three of the backbones of traditional art - making: painting, drawing, and sculpture.

When faced with the clean slate of a traditional gallery or museum space, I find less to speak to than when given a triangular - shaped room or a place where sound needs to engage not only with a public but also with the potentially unpredictable interactions of nature or machines.

With the Morgan Library's recent reopening, he proved that he can accommodate a conventional modernist vocabulary, existing structures, traditional galleries, natural and artificial light, and a few ideas of his own, while making them work as public spaces.

Throughout the gallery the visitor experiences differing gallery spaces which will provide a varied experience and provide functional flexibility and a varied palette with which the curatorial team can work, catering for the display of work in an intimate, traditional as well as a large public spectacle capacity.

This gallery space is used to display a large array of Art works from students, faculty and visiting artist ranging from traditional 2d paintings and prints to Multi Media interactive installations.

In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space.

These artists operated on the perimeter of the traditional gallery scene where they carved out a space for themselves as modern artists amid cultural preferences for the traditional.

The exhibition will include works from 1999 to the present which are being shown in New York for the first time., Casebere's latest works are inspired by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis, traditional Japanese architecture and an imagined gallery space.

21c erases the boundaries found in a traditional museum, with curated exhibitions installed in dedicated galleries, as well as works of art featured in unexpected spaces.

The cozy NEWD Art Show, on Johnson Avenue, featured the Lower East Side gallery Regina Rex, which displayed several of Hannah Barrett's playfully deviant folk - arty takes on the traditional portrait and still life; Greenpoint's 106 Green, an artist - run space showing gently noirish figurative paintings by Beijing - raised Xinyi Cheng; and Greenpoint Terminal, offering Eric Shaw's meticulous but sardonically wobbly hard - edge abstractions.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the world.

Transforming the AGO's Signy Eaton Gallery into a series of snaking walkways and small rooms reminiscent of Beijing's traditional communal living spaces, the exhibition Song Dong's Communal Courtyard invites visitors to lose themselves inside a unique installation of 100 vintage Chinese wardrobe doors.

Founded in 2010 in partnership with Hunter College, The Artist's Institute is an exhibition space and research institute in New York City that dedicates seasons to artists twice a year, providing a platform for sustained inquiries outside the confines and rhythms of traditional galleries and exhibition spaces.

The group challenged the traditional parameters of moving image in the 1980s, working across television, cinema and gallery spaces as a way of examining the multiple identities of diaspora in Britain.

Situated on the fair's 250,000 square feet of exhibition space, Platform offers an opportunity for galleries to showcase artworks that extend beyond the traditional booth context.

Interviewed at their studios, galleries and workspaces, Castellon photographed their spaces, their inspirations, their surrounding and their clutter to build a visual narrative of each subject outside of the traditional self portrait.

In a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artists.

The Flatiron Prow Art Space, Cheddar, smART stART and the salon today are all important aspects of the original vision of being a separate entity to the traditional gallery system and «to make art accessible to all.»

Exploring the differences between institutional or traditional galleries and the kind of aesthetic space many people have access to in their own front yard, Outside Gallery provides a new platform for contemporary art.

The gallery is constantly looking for ways to reinvent itself and to breathe life into the Montreal art scene, exhibiting works of art that challenge the traditional white cube gallery space.

Inhabiting unlikely places and partnering with diverse cultural entities to break ground for conversations and narratives outside the traditional white - cube gallery space has always been an underlying principle of the gallery.

In doing so, he not only makes himself accessible to whatever public encounter will come his way, but he also collapses the traditional museum boundaries of private office space and public gallery space, thus foregrounding the participatory nature of his art - making practice.»

Orozco was featured at Documenta XI (2002), where his sensuous terra - cotta works explored the elegance and logic of traditional ceramics — a pointed commentary on Mexican craft and its place in a «high art» gallery space.

He views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of a gallery or museum.

In February, West Berlin gallery ARNDT will be moving to a new space on Fasanenstrasse in Charlottenburg, which is the location of several traditional galleries and auction houses.

Contemporary art's embrace of «time - based media», such as sound and moving image, poses a stark challenge for traditional museum and gallery spaces, which predate such technologies and were designed for a very different kind of experience.

The intention is to create what the artist calls a «suspended» and constructed array of forms in tiers that build outward into the gallery space from the traditional picture plane.

The curator of the show imagined the space of the gallery — a traditional Victorian townhouse — as if filled with water, inserting the sounds, colours and power of the sea.

A new exhibition at The London College of Fashion's Fashion Space Gallery, featuring the latest works by celebrated set - designer Simon Costin, questions the traditional structure of runway shows, offering an alternative to the dictatorship of minimalist sets and predictable fashion presentations.

For one - night only traditional Irish dance will be transported from the South West coast of Ireland to Location One's Gallery space in New York City.

She has curated exhibitions at venues including Smack Mellon, Brooklyn; Nicole Klagsbrun Gallery, New York, the Center for Book Arts, New York, as well as numerous temporary, collaborative, and publication - based projects outside of traditional exhibition spaces.

Like its Miami counterpart, Untitled remains happily a friendly and unpretentious atmosphere to experience its rather humble arrangement of roughly forty booths brought to you by a variety art spaces, from the more traditional and well known commercial galleries like David Zwirner (New York and London) to community - oriented non-profits like Creative Growth (Oakland), academic - leaning institutions like CCA's Wattis Institute (San Francisco), or research and archival - based foundations like the David Ireland - centric, The 500 Capp Street Foundation (San Francisco).

The result is less like a traditional «let's show everything we got» fair and more like an extension of the galleries» own spaces as they mount temporary exhibitions, business as usual.

«Daydreamers», Motel7's second solo show, affirms the ease with which she straddles the divide between urban and gallery spaces - where the traditional process of work progressing from gallery environment to museum or public commission, is reversed.

The layout of the galleries at Urban Arts Space is roughly circular, and sole traditional documentary offering, Gina Osterloh's film New Vision (2012) is encountered either at the beginning or the end, bracketing the exhibition and providing a straightforward counterweight to all of these dense, tightly wrapped works.

Made up mostly of small - scale objects and paintings, this group exhibition transforms the traditional gallery space into a room - sized Wunderkammern of nostalgia, memory, and rediscovery.

VITRINE, London continues to push boundaries in an attempt to break away from the traditional ideas of gallery space.