It's hard to believe that an independently run alternative venue would host this show: a rather formalist set
of triptychs made by a twenty - three year old white man, who used his material, charcoal, as a euphemism for blackness.
Furthermore, as Patricia Junker notes, «The central panel emphasizes the persistence of primitive forms of combat, yet the left - hand panel
of the triptych makes it clear that the engine of war is fueled by technology.
Not exact matches
Establishing an Adequate Anthropology (Part I)(a) Original Man This is the first part
of the
triptych of the proposed Adequate Anthropology and it is where the Pope begins the whole series
of general audiences which
make up the Theology
of the Body in September 1979.
by Walter Chaw Three short films about three women and the men who mistreat them, Rebecca Miller's DV
triptych Personal Velocity: Three Portraits is a fine - looking film that plays a little like Catherine Breillat - lite — a series
of iterations
of Yeats's «Leda and the Swan» that suggest the evil that men do to women only
makes women stronger.
The rest
of my ballot
made it through, save for a single movie that's easy to overlook: Kelly Reichardt's Certain Women, a delicate
triptych of short - story adaptations set in Montana.
(In the case
of the LOTR
triptych, the extras are exhaustive, wholly different from the first editions, and add anywhere from thirty to sixty minutes
of new footage and music,
making the DVD editions genuinely special.)
The most complete cut
of Abel Gance's visionary silent epic, Kevin Brownlow's 2000 restoration, gets a HiDef bump in a generous three - disc set to complement the movie's sprawl, and the extra resolution and image stabilization really
make a difference, especially when the action breaks into an experimental widescreen
triptych.
Why him isn't much
of a mystery, but how this distrusting dance commences in Tony Gilroy's alluring screenplay, detouring into a
triptych of political deceit,
makes Beirut a grownup's pleasure.
Adapting the script from three short stories by Malie Meloy, (sister
of Colin Meloy, frontman for the indie folk band, The Decemberists), Reichardt's poignant
triptych revolves around the lives
of four hardworking, independent women in Montana, all
of whom struggle to
make their voices heard.
The
triptych of slides below
make that case with glaring starkness: in them, we can see Big Five debut authors dropping from 22 %
of ebook sales by debut authors in early 2014, down to barely 9 %
of those vital, career - launching initial sales in early 2016.
The Garden
of Delights (1998 - 2017) is a body
of work
made from the DNA samples
of forty - eight participants, sixteen selected by the artist, each
of whom invited two additional people to
make a
triptych.
It is, instead, a quiet show
of representational drawings — 47 in total, with an additional
triptych and book
of prints
made from the drawings via photogravure — all based on sculptures from an eponymous museum
of ancient Greek and Roman sculpture in Munich.
Bhupendra Karia's
triptych captures the movement and process
of a woman
making clay.
In your ambitious
triptych I Still Face You, for example, you
make references to California Pop Art, Piero della Francesca, hard - edge painting — different kinds
of styles that refer to different cultural perceptions.
A British painter whose harrowing, anguished paintings and infamously licentious personal life have provided endless fodder for movie - makers, scholars, and artists alike, Francis Bacon has achieved the stature
of a contemporary - art legend — all the more so now that his
triptych portrait
of his friend Lucian Freud
made headlines when it sold for $ 142.4 million at Christie's,
making it the priciest artwork to ever go under the hammer.
For this special presentation at the Rose, Mendieta's film will be shown alongside Body Tracks (1982), the rare
triptych of her body prints
made as part
of a performance at Franklin Furnace, New York, and now part
of the Rose Collection.
(1982), the rare
triptych of her body prints
made as part
of a performance at Franklin Furnace, New York, and now part
of the Rose Collection.
Navigating this uprooted position has given rise to enthralling recent work, such as Roots, a large
triptych wall relief
made from reels
of painstakingly twisted cable wire.
Consisting
of three crimson canvases bearing the phrases «One Thing», «1965» and «Viet - Nam» respectively, the
triptych conveys both the consistency and also the expansiveness
of Kawara's practice, and signals its inevitable enmeshing with the time and place
of its
making.
Impressively, Beckmann was able to
make the utmost use
of this radical (and late) relocation and was able to bring about significant transformations in his painting — producing among other works his
triptych masterpiece «The Argonauts» — while also teaching at the art schools
of St Louis, Missouri, and at the Brooklyn Museum in New York, where he also found time to mount a retrospective
of prints and drawings.
The overall size
of the
triptych is 39.5 x 110.5 inches - including the artist -
made frames.
Davenport, who is driven by an enduring fascination with the materiality and process
of painting and printmaking, has
made a series
of monumental
triptychs, his largest prints to date, inspired by the colour compositions
of historical paintings by Hans Holbein, Gustav Klimt, and Vincent van Gogh.
Politics are addressed in a large
triptych titled The Blindfolded, 2002, in which Dumas has
made use
of images disseminated by the news media
of Palestinian hostages.
Making its museum premiere, The
Triptych, curated by Farrell, will be on view at the SCAD Museum
of Art Feb. 7 through June 8.
Here, each
of the nine
triptychs is built on a base
made of three yellow over white modules, perfectly identical, cloning, repetition and difference.
The Marfa
Triptych: Pancho Villa From a Safe Distance has been
made possible by the generous support
of Brown Foundation, Inc., Houston; Creative Capital; Fusebox Festival; Golden Hornet Composer Laboratory; National Endowment for the Arts; National Performance Network; Texas Commission on the Arts; the Ballroom Marfa Board
of Trustees; and Ballroom Marfa members.
The Marfa
Triptych has been
made possible through the support
of Texas Commission on the Arts and Ballroom Marfa members.
Yes, there was a ridiculous cluster
of talent involved in the
making of this
triptych of Titian - themed works.
Billingham is trying to
make a painting out
of Ray, an old video cliché, just as he seems to be trying to
make a Bacon
triptych out
of three magnified close - ups
of Ray's raddled flesh.
Guan Xiao's ICA exhibition includes a video
triptych and new installation comprising five large printed screens, in front
of which sculptures
made up
of various materials are placed, including speakers that emit new audio works.
Barbara Kruger transforms the language
of popular graphic design into a subversive threat in an oversized photo -
triptych of a sleek, predatory jungle cat underscored by the off - kilter legend, «
Make my day.»
Inspired by the abstracted representation
of the angels» wings, Voigt
made her monumental gold - leaf
triptych, 5 Cavallini — Sequences (2015) which will be presented in the main gallery.
Divided into
triptychs, the six large paintings here — biggest 60 bu 90 inches — deftly incorporated bits
of collage along with spatters and ripples
of paint, and they conveyed enough gestural ebullience to suggest the sheer joy
of their
making.
An authentication card signed by Doug Aitken indicating the edition number is included along with: A 23» x 36» double - sided poster with original artwork by Doug Aitken; A 12» vinyl picture disc contains unreleased tracks by Broadcast and a live recording
of Doug Aitken's original opera the handle comes up, the hammer comes down; A 96 - page visual diary
of the
making of the film including sketches, production photos, film stills, script fragments, and inspirational found images; Two flipbooks with motion sequences excerpted from the film and the film's projection
of the MoMA facade; A
triptych gatefold case contains a CD soundtrack that features the tracks on the picture disc plus tracks by Bibio, Ranphorynchus, Steve Roden, Tim Hecker, and Canyon Country; A DVD includes an edit
of Sleepwalkers cut specifically for this box set and a street level walkthrough as installed at the MoMA in NYC
The artists have
made a selection
of the BEARD PICTURES for Galerie Thaddaeus Ropac in Paris Pantin, which vary in size up to the 23 m long
triptych OLD BEARD RUIN.
Human Cargo (2007 - 2008), a monumental
triptych drawn from events in the British news
of human trafficking and «honor» killing, offers another vision
of the world where according to Rego, «the men
make the rules and the women have to obey.»
New drawings
made with India ink on reflective chromed panel from the series Golden, which includes a large - scale
triptych measuring more than three and a half meters, continue Fernández's inquiries into materiality and mining, traditional landscape painting and the cultural significance
of gold.
Downstairs, among the blue - chip galleries, Matthew Marks's Ellsworth Kelly mini-retrospective (partly in honor
of the artist's eighty - fifth birthday) and Helly Nahmad's special exhibition
of Joan Miró paintings all
made in the summer
of 1936 were the most rigorous offerings, but Galerie Karsten Greve's 1958 Cy Twombly (asking price: $ 20 million) and Marlborough's beautiful, unusually minimal 1970 Bacon
triptych, Three Studies
of Human Body (asking price: $ 80 million), were the subject
of more chatter.
A sense
of mutual growth is apparent in the
make - up
of the exhibition: this is the first time Walter has combined his paintings to form diptychs and
triptychs, allowing the viewer to discover visual accord between apparently disparate motifs and subject matter.
A
triptych on white paper, cutting across separate frames, stages the classic abstract expressionist brushstroke -
of which Roy Lichtenstein
made satirical hay - as a black comet, trailing detritus as it arcs toward nowhere.
Finally the film, the last part
of the artwork's
triptych, will be
made using images from both the polar trip and the Central Park performances and will be shown as part
of next year's Whitney Biennial.
The Chinese artist, who co-designed the Beijing «Bird's Nest» Olympic stadium, is best known for large - scale, powerfully provocative work such as an installation
made up
of thousands
of children's backpacks to commemorate the victims
of the Sichuan earthquake, and a photographic
triptych of himself smashing a Han Dynasty vase.
As Figure in a Landscape is reputed to have been
made in the first months
of 1945 before the exhibition, its handling may reflect a greater speed
of conception than the long matured and carefully worked composition
of the
triptych.
Curated by Katharine Stout, the exhibition includes a video
triptych and new installation comprising six large printed screens, in front
of which are sculptures
made up
of various materials, including speakers that emit new audio works.
The work is a somewhat unconventional arrangement for a
triptych,
made up
of two realistic pieces and one abstract piece.
The title Nocturnal Light is taken from one
of the largest works in the show,
made in 1987, a mixed media on linen
triptych which depicts three sources
of nocturnal light: angel, moon and torch.
The building
of extra wall easels
make necessary by the project to paint a
triptych of 6» x 6's.
And how clever it was
of you to
make a
triptych.
A
triptych of framed mirrors
makes a beautiful headboard that brings light into the room from windows on the opposing wall.