Sentences with phrase «of typeface»

The personality of each typeface is an important part of the overall impact of any graphic statement.

It's all in the subtleties of the typeface... that's what I say.

Curriculum Vitae or CV as the title for example, will stand out as old - fashioned, as will the wrong choice of typeface.

Font size may vary in the entire document (between size 10 and 12 on regular texts and 15 to 24 on the header, depending on the type of typeface).

It is that awareness that says something positive about you, not the simple change of typeface.

This is why it is important to remember the good and bad side of each typeface when used in this specific type of document.

In modern computer - based usage, font has come to indicate the style, but not the size or weight, as modern publishing and design applications can easily scale the size and weight of the typeface on the fly.

Of course, the choice of typeface isn't the only aspect of the print world (whether on paper or in pixels) of interest: how the text is laid out is an obviously important feature affecting readability, one element of which I want to touch on in this post.

Lots of things go into making this possible, as any book or magazine publisher will tell you, including the choice of typeface, point size, space between lines (leading) and colour of paper.

My own quick sample leads me to think that the source of the problem in Acrobat is Matthew's settings, rather than the selection of typeface.

It often sounds like a foreign language when type nerds discuss the use of ligatures and descenders and the history of a typeface as seen in this example:

Rob makes use of the typeface across a series of posters which brandish slogans that offer glimpse into Rob's mind — a mixture of politically provocative and hilariously silly.

Since 2007 he has taught typography and design at the Cooper Union School of Art, and also teaches the history of typeface design at Type@Cooper, the postgraduate certificate program he co-founded in 2010.

Alexander Tochilovsky leads an exploration of the history and theory of typeface design through lectures, discussions, and independent research.

Hannes Famira teaches Principles of Typeface Design: Pen to Pixel and Typeface Design: Open Studio

Hannes Famira, teacher of Principles of Typeface Design: Pen to Pixel and Typeface Design: Open Studio, succinctly sums up the art of type design: «Crafting type demands a concentrated focus on the rhythm of positive and negative space, form and counter-form and the smoothness and tension of curves.»

The name of the typeface suggests Literata will remain exclusive to Play Books, with the Droid family staying on as the default typeface for Android and Google apps.

Pressing the D - pad up or down enlarges or reduces the size of the typeface.

He feels that user mind will not divert attention from the the contents while using this type of typeface.

To learn more about choosing the right typeface combinations for ebooks, reports, and online sign - up essentials, there's also The Big Book of Font Combinations: Hundreds of Typeface Pair Ideas for Students and Designers.

This includes changes of typeface, type size, image treatments, and the overall style in which your book was formatted.

Does your choice of typeface impact the font size?

Choices of typeface, spacing, decorative or illustrative -LSB-...]

This allows the reader to choose the size of the typeface, the margins, and the line spacing.

In print books it seems impractical to make use of this typeface, since it definitely does not enhance reading for those of us without dyslexia, but in the ebook world it could be quite different.

Lack of typeface support and robust layout tools are major pain points, and often publishers simply export their proof PDF and call it the digital edition.

Just as Mildred's overalls and headscarf are a key part of her character, so her choice of typeface tells us something about her personality.

The design of the feature was hailed for its effective use of typeface, color, layout and images.

Funny to see continuation today of the acres of typeface, digital and inky, using the Carabao Cup as the pinnacle of the focus for the current «Wenger - induced apocalypse».

Popular examples of typeface logos are Google, eBay, Microsoft etc..

«In California it might mean a founder who is fixated on the elegance of a chunk of code, the speed at which bytes are transmitted, the chemical and physical properties of a piece of silicon, the space in which data is stored or the size of a typeface.»

The mix of typefaces plays with the eyes like an optical illusion almost as much as the central image itself — is it a real drawing or not?

They created the now infamous «smiley» logo which signifies an immediate welcome, while breaking the barriers of typefaces and language for its 35,000 members.

The Digital Editions reader is a bare - bones, stripped - down version of Adobe's standard Reader product (eg, it has no collaboration features) and is operated with simple controls that are optimised for basic reading tasks such as page turning, scrolling, changing the size of typefaces, and organising ebooks into a «library» for easy storage and retrieval.

Take photos, take screenshots of typefaces that you like, find colours and patterns that resonate with the book's contents, and organise them into common themes.»

Each of these typefaces in their own right is fine to use, but do any of these work well with this particular title?

That said, of course none of us would use fonts like these either for a book body — most of the typefaces you see publishers using in print don't ship for free with your computer.

Since Guttenburg launched the book printing revolution, type designers have created a wide range of typefaces to improve readability but also to create headline and display type for billboards, flyers and other uses that are designed to get the reader's attention.

The devices display a very limited number of typefaces, and allow the viewer to control the typeface and type size.

You could say that our culture has grown up, grown literate, and grown learned through the agency of these typefaces, and I think that's one of the reasons they have such a firm place in our cultural history.

Although there are thousands of fonts available online, very few of these typefaces are appropriate choices for book covers or interior book design, as they tend to be tailored for use by artists and graphic designers.

And to close the BookWrap for this week, why not leisurely check out The Periodic Table of Typefaces or look back at Reading Rage Tuesday: Ebooks vs. Paper Books.

Find it on the gigantic Periodic Table of Typefaces, a new poster from Gotham Books to promote the September paperback release of Just My Type by Simon Garfield.

Most of the typefaces we use for books are classic typefaces, either oldstyle or transitional designs.

One of the annoying features for me with the Voyage is the paltry selection of typefaces available on the device.

Digital download of typefaces created for each game (TrueType Font).

Taking an unusual mix of typefaces, an original approach to layout and a striking colour palette of bright green, black and white; theses designs for the Vilnius City Opera give a rather traditional art form a very contemporary twist.

He has designed the logotype for Helmut Lang — a heavy sans serif typeface that was the result of painstaking study at Cooper Union's Herb Lubalin Study Center of Design and Typography where he researched early versions of typefaces with similar qualities.

This is pretty meta, but it's a goal of mine to have one of my typefaces used in a daily planner.

As the Fontself Maker user community keeps growing (it started gathering during a successful Kickstarter campaign in 2015), it is now about to produce a whole new generation of typefaces, chromatic fonts and colour fonts, leading to a typographic renaissance that will benefit to the whole design community.