Sentences with phrase «of typeface design»

Since 2007 he has taught typography and design at the Cooper Union School of Art, and also teaches the history of typeface design at Type@Cooper, the postgraduate certificate program he co-founded in 2010.

Alexander Tochilovsky leads an exploration of the history and theory of typeface design through lectures, discussions, and independent research.

Hannes Famira teaches Principles of Typeface Design: Pen to Pixel and Typeface Design: Open Studio

Hannes Famira, teacher of Principles of Typeface Design: Pen to Pixel and Typeface Design: Open Studio, succinctly sums up the art of type design: «Crafting type demands a concentrated focus on the rhythm of positive and negative space, form and counter-form and the smoothness and tension of curves.»

Not exact matches

While his «Hope and Change» slogan may have received most of the attention from campaign strategists, it was the minor detail of choosing a typeface and campaign design that some believe catapulted Obama to the top.

She is also obsessed with typefaces and aspires to design one of her own someday.

Robin Hercia runs AWMYL design studio in Los Angeles, Ca and has a heavy client base in wellness industries - «The branding needs to be original and it needs to be an all encompassing emotional and atmospheric expression of the business - typeface, color, and treatment are all a reflection of its essence and set the stage to attract the desired demographic.»

An ad that matches the typeface, design and layout of the real articles feels less like a tacky intrusion.

The typeface and design of my e-book looked delightful on the computer screen.

The design of the feature was hailed for its effective use of typeface, color, layout and images.

Designed by Geoffrey Lee in 1965, Impact was one of the last typefaces that the Stephenson Blake foundry in Sheffield made from metal.

It's easy to see why Comic Sans was a typeface designed for use in comic books, and would certainly look out of place in Vogue.

Looking at energy points, different typeface shapes, negative and positive shapes, symmetry patterns, repeat patterns, designing with geometric and organic shapes, drawing shapes to different smells, using music to capture shapes, looking at the meaning of words to capture shapes and the play with tangram shapes.

«Mopar's branding since 1937 looks like design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of Visual Arts and writes a weekly column on typefaces for Eye on Design, the American Institute of Graphic Artists»design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of Visual Arts and writes a weekly column on typefaces for Eye on Design, the American Institute of Graphic Artists»Design, the American Institute of Graphic Artists» blog.

But when I wrote a book several years ago, I was thrilled not to have to reinvent the wheel and become an instant expert on typefaces, jacket design and where to buy mailing lists of book reviewers.

The company has made a big step towards better typography with the advent of Bookerly, the first typeface designed for the Kindle for scratch.

The last example is a typeface in which each letter is a work of art in itself, making the title hard to read, yet it might be effective for a historic or Gothic book cover design.

Since Guttenburg launched the book printing revolution, type designers have created a wide range of typefaces to improve readability but also to create headline and display type for billboards, flyers and other uses that are designed to get the reader's attention.

While there is no limit to formatting capabilities in print design, ebook formatting is limited to a selection of web - friendly typefaces, line spacing, etc..

InDesign comes with several typefaces suitable for book design, and in Book Design Made Simple we walk you through the process of setting up your pages and book cover using typefaces that are already available to you in InDdesign, and in Book Design Made Simple we walk you through the process of setting up your pages and book cover using typefaces that are already available to you in InDDesign Made Simple we walk you through the process of setting up your pages and book cover using typefaces that are already available to you in InDesign.

Art Director Peter Mendelsund designed these himself, with the eye image uniting the different jackets and a font that is a blend of Kafka's own handwriting and a typeface that was based on it.

These days, typefaces are designed using computer programs such as Macromedia Fontographer, but in the early days of type, each was made by hand using basic tools.

The typography, also referred to as the font or typeface, plays a significant role in the overall design of a picture book.

Many new book designers find themselves wooed by typefaces that have eccentric design qualities, but it is important to remember that typefaces that distract from the content of your book will make your book harder to read and, therefore, less likely to be read.

Although there are thousands of fonts available online, very few of these typefaces are appropriate choices for book covers or interior book design, as they tend to be tailored for use by artists and graphic designers.

Most of the typefaces we use for books are classic typefaces, either oldstyle or transitional designs.

I am not going to delve into a lot of detail on the basics of using typefaces in design.

Designers and self - published writers use page - layout and illustration software to pull together illustrations, cover designs, layouts and typefaces in a fraction of the time it would take by hand.

In 1551, 12 years after Olaus Magnus designed his famous Carta Marina, Antonio de Espinosa — unknown to the World but adored in Mexico — cut the first original printing typefaces of the Americas, severing the strict lash of Seville over anything book in the territories that now we call Latin America.

It's understandable in an age that puts so much of a book's interior design — typeface, font size, spacing, margins, etc. — in readers» hands.

The process of typesetting an e-book includes selecting typefaces, setting rules for normal body text (such as alignment, line spacing, and handling of breaks, widows and orphans), and visually designing special text such as headers or block quotes.

Things that might not have stood out to most potential users, but that seem to be a big deal in practice, are: the lighter weight of the new design (15 % lighter than the Kindle 2, which was itself noticeably lighter than the competing nook device), the rubber backing which greatly increases the comfort of reading one - handed (assuming no case, of course), and the ability to change your preferred typeface.

The new font was designed by Type Together who had a brief for a new book typeface that would provide an outstanding reading experience on a whole range of devices and high - resolution screens running different rendering technologies.

However, there have been stirrings in this area in Googleland recently, notably with the introduction of the specially designed Literata font as the default typeface on its Google Play Books app.

We'll look into design styles, typefaces — every aspect of the design to make something that just works.

Taking an unusual mix of typefaces, an original approach to layout and a striking colour palette of bright green, black and white; theses designs for the Vilnius City Opera give a rather traditional art form a very contemporary twist.

A family of grid based geometric typefaces designed in collaboration with The Designers Foundry

Organised chronologically, the volume features over 2,500 seminal designs from all over the world, seventy - two of which are profiled in detail beside 57 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphic), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters).

This catalog was produced on the occasion of the exhibition ARLENE SHECHET In the Meantime April 27 — May 27, 2017 Corbett vs. Dempsey 1120 North Ashland Avenue, 3rd Floor Chicago, IL 60622 Tel. [phone] www.corbettvsdempsey.com Text John Corbett Publication Editor Emily Letourneau Photography Lee Stalsworth Phoebe d'Heurle Arlene Shechet Catalog Design David Giordano First printing, edition of 1,000 Printed on 100 # Classic Crest Eggshell cover stock And 100 # GPA Silk text stock Typefaces: ITC Cheltenham Std, Nueu Haas Grotesk Text Std © 2017 Corbett vs. Dempsey All rights reserved All works © Arlene Shechet 2017 ISBN 978 -0-9974995-9-9 Printed in Illinois CvsD0110

A full - dress retrospective for the Hungarian artist revealed the Bauhaus professor as a jack - of - all - trades, as comfortable designing Tube posters as typefaces.

The title of this exhibition, «Transport Medium» refers to a typeface designed in 1961 that is used exclusively for all road signs in Britain.

He was involved in the creation of, and currently teaches in, the new post-graduate certificate program in typeface design at Cooper Union, called Type@Cooper.

Iconic works include New York's landmark Chrysler Building (designed by alumnus and architect William van Alen), groundbreaking covers of Esquire magazine (designed by alumnus and master communicator George Lois), Sesame Street's beloved Big Bird (created by Jim Henson and brought to life by faculty member and master puppet builder Kermit Love), Scrabble (conceived by alumnus and out - of - work architect Alfred Mosher Butts during the Depression), the sleek Corvette C5 (redesigned by alumnus and industrial designer John Cafaro), OXO Good Grips (co-launched by alumnus and industrial designer Tucker Viemeister), and the Dunkin Donuts logo (colors and typeface selected by alumna, faculty member, and industrial designer Lucia DeRespinis).

Type@Cooper and the Continuing Education Department of The Cooper Union, in conjunction with the Type Directors Club, offers a Postgraduate Certificate in Typeface Design.

Using her instantly recognizable white - on - red Futura typeface, the project will include an installation for the popular Lower East Side skate park located beneath the Manhattan Bridge, created in partnership with NYC Parks and skate park designer Steve Rodriguez; the design of a billboard on 17th Street and 10th Avenue in Chelsea; and a full wrap of a classic school bus that will serve as a mobile site for community engagement.

The two designs make use of Kruger's iconic white on red Futura typeface and feature the questions «Who is healed?

Famira designed a custom - made typeface for Céline, another major fashion house, by interpreting metal type specimens of a 1931 font called Semplicità to create a digital font that the company uses for print and screen.

He has designed the logotype for Helmut Lang — a heavy sans serif typeface that was the result of painstaking study at Cooper Union's Herb Lubalin Study Center of Design and Typography where he researched early versions of typefaces with similar qualities.

With literally hundreds of sites out there — publishing a wealth of brand identities, new typefaces and packaging designs — how do you know where to make the extra effort and submit your work to be featured?

As the Fontself Maker user community keeps growing (it started gathering during a successful Kickstarter campaign in 2015), it is now about to produce a whole new generation of typefaces, chromatic fonts and colour fonts, leading to a typographic renaissance that will benefit to the whole design community.