A fully illustrated catalogue published by the Museum as part
of its UMMA Books series accompanies the exhibition.
Entitled Flip Your Field, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as
that of UMMA's audiences.
At least not in my house... The only way I know
of umma making lentils is in this brinjal curry and mostly as side for ghee rice.
This also helps to maintain the unity
of the umma or community of all Muslims.
Not exact matches
Ibn «Arabi got around the problem
of traditional reaction by positing that Muhammad also had two levels
of knowledge — one, prophetic — for the
umma; two saintly — for the saints.
It's inconceivable that the thinking that we hold most sacred should cause the entire
umma [Islamic world] to be a source
of anxiety, danger, killing and destruction for the rest
of the world.
When
umma is around, fish is a part
of lunch every weekday but I am normally not present during that time.
This is precisely because «Islamic
umma» is not «an imagined community» equivalent
of any nation - state; it «is ideologically not «a society» onto which state, economy and religion can be mapped» as it is «neither limited nor sovereign», and «can eventually embrace all
of humanity» (Asad 2003: 197 — 198).
But more important than that, I met a lot
of ladies from all over the world and found out about a sisterhood, not only in the
umma, the Moslim community, but beyond borders and beyond belief.
Voice
of America interviews Mina Cheon about her new solo exhibition at Ethan Cohen Gallery «
UMMA: MASS GAMES - Motherly Love North Korea» https://www.voakorea.com/a/4099128.html
She has exhibited in numerous museums and galleries including PS1 / MoMA, Long Island City; the Indianapolis Museum
of Art; the Contemporary Arts Center, Cincinnati;
UMMA / University
of Michigan Museum
of Art, Ann Arbor; Galerie Zink, Berlin; D'Amelio Terras, New York; Michael Benevento Gallery, Los Angeles; Ballroom Marfa, TX; Andrea Rosen, New York; White Columns, New York; and Artists Space, New York.
Curated by Dr. Xiaobing Tang, Helmut F. Stern Professor
of Modern Chinese Studies at the University
of Michigan and organized by
UMMA with the assistance and cooperation
of the China Academy
of Art in Hangzhou, China, this exhibition - the largest examination
of contemporary Chinese prints in the US since 2000 - will provide an important framework for understanding both contemporary art from China and contemporary Chinese society.
Additionally,
UMMA gratefully acknowledges the University
of Michigan Office
of the President and Office
of the Provost for their ongoing support.
2002 3 Decades 3 Printmakers - Greg Kucera Gallery, Seattle, WA Glimpses
of the Permanent Collection - CAM - Chelsea Art Museum, New York City, NY Black Mountain College: Una aventura americana - Museo Nacional Centro de Arte Reina Sofía, Madrid All American, Part II - Greenberg Van Doren Gallery, New York City, NY The Big Americans - The Art
of Collaboration - National Gallery
of Australia, Canberra, ACT Group Exhibition - Manny Silverman Gallery, Los Angeles, CA The New York School: Abstract Expressionism and Beyond -
UMMA - The University
of Michigan Museum
of Art, Ann Arbor, MI American Abstraction - Alan Cristea Gallery, London, United Kingdom Art Since the Mid-Twentieth Century - A Politicized Cultural Climate - Utah Museum
of Fine Arts, Salt Lake City, UT Arte Múltipla - Galeria 111 - Lisboa, Lisbon Memoir
of Freedom - CAM - Chelsea Art Museum, New York City, NY Intermezzo - Art Forum Ute Barth, Zurich The Synthetic Century - Collage from Cubism to Postmodernism - Yale University Art Gallery, New Haven, CT Gesammelte Werke / Collected Works - Art Forum Ute Barth, Zurich
Born 1970, New Haven, CT Lives and works in New York City EDUCATION 2001 MFA, Columbia University, School
of the Arts, New York 1993 BFA, Massachusetts College
of Art, Boston 1988 — 90 Boston University, School
of Fine Arts, Boston ONE PERSON AND TWO PERSON EXHIBITIONS 2011 D'Amelio Terras, New York, NY 2010 The Framed Guests, University
of Hawaii School
of Architecture Gallery, Manoa Campus, Honolulu, HI; organized by UH Intersections and Interisland Terminal Trouble Everyday, D'Amelio Terras, New York, NY Heather Rowe and Kevin Zucker: SD Studio Dynamics 57UMSTRA1 «Strata # 1,» Unmounted, 5x7, Forever & Today, Inc., New York, NY Tenuous Arrangements, Indianapolis Museum
of Art, Indianapolis, IN 2009
UMMA Projects: Heather Rowe, University
of Michigan Museum
of Art, Ann Arbor, Michigan (curated by Jacob Proctor) Galerie Michael Zink, Berlin, Germany 2007 On Returning, D'Amelio Terras, New York, NY 2006 Green Desert, D'Amelio Terras, New York, NY Shadows
of a Doubt, Galerie Michael Zink, Munich, Germany SELECTED GROUP EXHIBITIONS 2012 In the Mirror
of Myself, Galerie Zink, Berlin, Germany (forthcoming) Undetectable, La MaMa La Galleria, New York, NY; curated by Nathan Lee Steel Life, Michael Benevento, Los Angeles, CA; curated by Zak Kitnick House Arrest, Franklin Street Works, Stamford, CT; curated by Terri C Smith 2011 Toward A Philosophy
of the Everyday, Castle Gallery, College
of New Rochelle, New Rochelle, NY; organized by Susan M. Canning The Light Show, Kate Werble Gallery, New York, NY Improvising Architectures, MIA, Miami, FL; curated by Gean Moreno 2010 Painting and Sculpture, Lehmann Maupin, New York, NY The Every Other Day, Ideobox Artspace, Miami, FL; curated by Donald Johnson Montenegro It's All American, New Jersey Museum
of Contemporary Art, Asbury Park, NJ Immaterial, Ballroom Marfa, Marfa, TX; curated by Fairfax Dorn.
Heather Rowe Trouble Everyday 2009 dimensions variable wood, steel, mirror, sheetrock, rug, carpet padding, molding, decorative medallion Installation View:
UMMA Projects: Heather Rowe, University
of Michigan Museum
of Art: Ann Arbor, MI, October 17, 2009 - January 3, 2010
Part II: Abstraction, features the site - specific installation
of Random International's LED - light and motion - sensing sculpture, Swarm Study / II, on view in
UMMA's Irving Stenn, Jr..
For Dybbroe Møller's first solo exhibition in a North American museum,
UMMA will present a new body
of work that continues his ongoing engagement with and critique
of the modernist paradigm
of transparency.
Recent solo shows include The Barbican Centre (upcoming 2012); O, Francesca Minini, Milan (2011); Rest On Your Belly In The Mud, Laura Bartlett Gallery, London (2011); Flotsam and Jetsam, Badischer Kunstverein, Karlsruhe (with Jacob Dahl Jürgensen)(2011); Brain,
UMMA Projects, University
of Michigan, Museum
of Art, Ann Arbor (2010); Fast Flickering Black Bugs on a Cool White Background, Galerie Kamm, Berlin (2010); Appendix, Frankfurter Kunstverein (2009); Kompendium, Kunstverein Hannover (2009).
Rowe's solo exhibitions include commissions for the Indianapolis Museum
of Art, Indianapolis, Indiana and
UMMA / University
of Michigan Museum
of Art, Ann Arbor, Michigan.
This is the first part
of a two - part exhibition introducing exciting, recently acquired works from
UMMA's collections gifted to the museum during the past five years.
The Hergott Shepard Photography Collection, University
of Michigan Museum
of Art
UMMA, Ann Arbor, Michigan
«The government
of New Brunswick has a dedicated history
of supporting the professional development
of artists,» says
UMMA museum director George Kinghorn, noting that the majority
of works featured in this exhibition were acquired by the province through its longstanding Art Bank program.
Drawn from the Borusan Contemporary Art Collection in Istanbul, Turkey, two complementary selections
of works rooted in performative action will be on view at the University
of Michigan Museum
of Art (
UMMA) through July 2017.
In addition to attending the performance, participants also received a tour
of the University
of Michigan Museum
of Art by the
UMMA Director Joe Rosa.
See Through: Windows and Mirrors in
UMMA's Photography Collection explores how photographers employ windows and mirrors across 100 years
of photography practice — from street photography to self - portraiture.
Accompany Jennifer Friess,
UMMA's Assistant Curator
of Photography for a conversation in the gallery about how windows and mirrors, like the medium
of photography itself, expand the limits
of the human eye to perceive the world.
His work has recently exhibited at the SCAD Museum
of Art, Savannah College
of Art & Design, Georgia; National YoungArts Foundation, Miami, Florida; Goss - Michael Foundation, Dallas, Texas; High Museum
of Art, Atlanta, Georgia;
UMMA, University
of Michigan Museum
of Art, Ann Arbor, Michigan; The Neuberger Museum
of Art, Purchase, New York; Van Every / Smith Galleries, Davidson College, North Carolina; The Havana Biennial, Havana, Cuba; Museo de Arte de Puerto Rico, San Juan, Puerto Rico; SECCA: Southeastern Center for Contemporary Art, Winston - Salem, North Carolina, among others.
Hence,
UMMA's installation presents a rare and important opportunity to view this lesser - known aspect
of the artist's work.
Parlá's work is in several public collections including, The British Museum, London, United Kingdom; The Albright - Knox Art Gallery, Buffalo, New York; Pola Museum
of Art, Hakone, Japan; The National Museum
of Fine Arts, Havana, Cuba;
UMMA, University
of Michigan Museum
of Art, Ann Arbor, Michigan.
She has exhibited in numerous museums and galleries including PS1 / MoMA; the Indianapolis Museum
of Art; the Contemporary Arts Center, Cincinnati, OH;
UMMA / University
of Michigan Museum
of Art, Ann Arbor, MI; Galerie Zink, Berlin, Germany; D'Amelio Terras, NYC; Michael Benevento Gallery, Los Angeles; Ballroom Marfa [TX]; Andrea Rosen, NYC; White Columns, NYC; and Artists Space, NYC.
Rowe's solo exhibitions include commissions for the Indianapolis Museum
of Art, Indiana and
UMMA / University
of Michigan Museum
of Art, and Ann Arbor.
University
of Michigan Museum
of Art (
UMMA)(Ann Arbor) One
of the largest university art museums in the USA, its collection numbers almost 19,000 works
of art, including works by Joshua Reynolds, Claude Monet, Whistler, Picasso, Max Beckmann, Franz Kline, Helen Frankenthaler, and many others.