Research scientists at IBM have set a new world record for storing data on tape, and managed to store over 330 TB
of uncompressed data on a single tape cartridge.
It has 8 channels
of uncompressed sound, and it has a detachable microphone for fully wireless chat on PS4, PS3, Wii U, and Xbox One.
It's possible that WIMBoot would be faster — the eMMC drive can read the smaller compressed data and the CPU can decompress it faster than the slow eMMC drive could read a larger amount
of uncompressed data.
That means when Scorpio will have the ability to easily run games at 60 Hz
of uncompressed pixels, which should translate into high fidelity frame rates when gaming.
These enable 100 percent lossless audio in files half the size
of uncompressed pulse - code modulation (PCM).
The sound quality
of the uncompressed LPCM 1.0 Italian language option is excellent and undistorted; almost all of the background noise has been eliminated without compromising the quality and range of the dialogue, music, or effects.
These comprised 72 sacks of compressed dried leaves and 52 sacks
of uncompressed dried leaves, all suspected to be cannabis.
Not exact matches
Talk
of the Sound obtained a hard copy and scanned it both
uncompressed and optimized.
The
uncompressed version
of the file is nearly 3 Gigabytes.
Based on its high metal content and excluding the effects
of gravitational compression, Mercury is the densest major planetary body in the Solar System, with about 1.2 times the
uncompressed density
of the Earth which averages 4.4 gm / cm3 (Murchie et al, Scientific American, March 2011).
New, restored 4K digital transfer
of the original uncensored film, approved by cinematographer Krzysztof Pakulski, with
uncompressed stereo soundtrack on the Blu - ray
The monaural audio, presented in
uncompressed PCM, is unremarkable in terms
of fidelity.
Special Features High - definition digital transfer from the 2004 Film Foundation restoration, with
uncompressed monaural soundtrack Archival introduction to the film by director Jean Renoir «Around the River,» a 60 - minute 2008 documentary by Arnaud Mandagaran about the making
of the film Interview with filmmaker Martin Scorsese from 2004 Audio interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by film writer Paul Ryan Trailer Plus: An essay by film scholar Ian Christie and original production notes by Renoir
It's a potent
uncompressed mix, making greater use
of the rear channels than most movies do.
Special Features New high - definition digital restoration, with
uncompressed monaural soundtrack New interview with British cinema scholar John Hill, author
of «Cinema and Northern Ireland: Film, Culture and Politics» Postwar Poetry, a new short documentary about the film New interview with music scholar Jeff Smith about composer William Alwyn and his score «Home, James,» a 1972 documentary featuring actor James Mason revisiting his hometown Radio adaptation
of the film from 1952, starring Mason and Dan O'Herlihy Plus: An essay by critic Imogen Sara Smith
New high - definition digital restoration
of the 1942 sound version, with
uncompressed monaural soundtrack on the Blu - ray edition
Special Features New 16 - bit 4K digital restoration
of Monterey Pop, supervised by director D. A. Pennebaker, with
uncompressed stereo soundtrack Restored high - definition digital transfers
of Jimi Plays Monterey and Shake!
Otis at Monterey, with
uncompressed stereo soundtracks Alternate soundtracks for all three films featuring 5.1 surround mixes by recording engineer Eddie Kramer, presented in DTS - HD Master Audio Two hours
of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, Buffalo Springfield, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, the Electric Flag, the Grateful Dead, Jefferson Airplane, Al Kooper, the Mamas and the Papas, the Steve Miller Blues Band, Moby Grape, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentaries from 2002 featuring Pennebaker, festival producer Lou Adler, and music critics Charles Shaar Murray and Peter Guralnick New interviews with Adler and Pennebaker Chiefs (1968), a short film by Richard Leacock, which played alongside Monterey Pop in theaters Interviews from 2002 with Adler and Pennebaker and with Phil Walden, Otis Redding's manager 1987 interview with Pete Townshend on Monterey and Jimi Hendrix Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby Photo - essay by Elaine Mayes Festival scrapbook Trailers and radio spots PLUS: A book featuring essays by critics Michael Chaiken, Armond White, David Fricke, Barney Hoskyns, and Michael Lydon
New high - definition digital transfer, supervised by director
of photography Marcello Gatti, with
uncompressed monaural soundtrack on the Blu - ray edition
Special Features New 2K digital restoration, with
uncompressed monaural soundtrack New interview with Richard Neupert, author
of A History
of the French New Wave Cinema Jacques Rivette's 1956 short film Le coup du berger, featuring cameos by fellow French New Wave directors Claude Chabrol, Jean - Luc Godard, and Francois Truffaut New English subtitle translation Plus: An essay by critic Luc Sante
New 2K digital restoration
of director Jacques Tati's 1978 rerelease version, with
uncompressed monaural soundtrack on the Blu - ray
New digital master
of The Film Foundation's 2012 4K restoration, with
uncompressed monaural soundtrack
Formats: DVD, Blu - ray Disc supervised by director George A. Romero, co-screenwriter John A. Russo, sound engineer Gary R. Streiner, and producer Russell W. Streiner; new restoration
of the monaural soundtrack, supervised by Romero and Gary R. Streiner, and presented
uncompressed on the Blu - ray.
High - definition digital transfer
of restored film elements, with
uncompressed monaural soundtrack on Blu - ray edition
Formats: DVD, Blu - ray Disc with new 4K digital restorations
of the original theatrical version
of the film and the 1989 director's cut, both supervised by director
of photography Walter Lassally, with
uncompressed monaural and stereo soundtracks on the Blu - ray.
This
uncompressed mono track retains the authenticity
of the time period and is surprisingly dynamic on this Blu - Ray release.
The
uncompressed LCPM monaural 1.0 soundtrack is also satisfying, dispensing the dialogue and music with little evidence
of 55 years
of inevitable deterioration.
The improvement to the audio is almost as dramatic, a richness
of sound apparent in this disc's
uncompressed PCM track that was missing from the DVD's thinner, treble - heavy Dolby Digital track.
New, restored 4K digital transfer
of director Brian De Palma's preferred unrated version, supervised by the director, with
uncompressed monaural soundtrack on the Blu - ray
Special Features New 2K digital restoration, with
uncompressed monaural soundtrack on the Blu - ray New interview with Geoff Dyer, author
of Zona: A Book About a Film About a Journey to a Room Interviews from 2002 with cinematographer Alexander Knyazhinsky, set designer Rashit Safiullin, and composer Eduard Artemyev PLUS: An essay by critic Mark Le Fanu
While these people might be compelled to check out the concurrently - issued Blu - ray Disc's
uncompressed soundtrack, the standard DVD mix is sure to delight the vast majority
of home theater owners.
LIMITED EDITION CONTENTS • Limited Edition Blu - ray collection (4000 copies) • Brand new 2K restorations
of all four films in the series presented on High Definition Blu - ray (1080p) and Standard Definition DVD • Original mono audio (
uncompressed PCM on the Blu - rays) for all films • Optional English subtitles for all films • Double - sided fold out poster
of two original artworks • Reversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan • Booklet featuring new writing on the film by critic Chuck Stephens, a brand new interview with Toru Shinohara, creator
of the original Scorpion manga and an archive interview with Meiko Kaji by Chris D. illustrated with original stills
Dubbed in post and presented here in
uncompressed stereo, the audio sounds quite pristine, though voices overlap quite a bit, so complete digestion
of all conversations is made quite difficult for anyone not fluent in Russian.
Special Features New 4K digital restoration, with
uncompressed monaural soundtrack on the Blu - ray New interview with critic Gary Giddins about director Leo McCarey New video essay by film critic David Cairns on Cary Grant's performance Illustrated 1978 audio interview with actor Irene Dunne Lux Radio Theatre adaptation
of the film from 1939, starring Grant and Claudette Colbert PLUS: An essay by film critic Molly Haskell
New high - definition digital transfer, supervised by cinematographer Raoul Coutard (DVD edition); digital master
of Gaumont's 2010 high - definition restoration, with
uncompressed monaural soundtrack (Blu - ray edition)
New high - definition digital restoration
of the English - language version, with
uncompressed monaural soundtrack on the Blu - ray edition
Restored high - definition digital transfer, supervised by director
of photography László Kovács, with
uncompressed monaural soundtrack on the Blu - ray edition
Though the
uncompressed PCM track is monaural only, the dialogue recordings are generally clean (if uneven) and the music is nicely presented, whether it's the brittle synth - and - sax stylings
of the score by L.A. session musicians Gabriel Black and Lance Ong or the party - pop beats
of Texas punk band Refugee.
Newly restored digital transfer, supervised and approved by director Ken Loach and director
of photography Chris Menges, with the filmmaker's original production soundtrack, with
uncompressed monaural audio on the Blu - ray edition
New, restored 2K digital film transfer, supervised by director Terence Davies and director
of photography Michael Coulter, with
uncompressed stereo soundtrack on the Blu - ray
High - definition digital transfer
of the original German - language version
of the film from the 1998 restoration by Martin Koerber and the Cineteca di Bologna, with
uncompressed monaural soundtrack on the Blu - ray
The attendant
uncompressed 2.0 stereo audio doesn't exhibit a lot
of left - right imaging, but Angela Morley's score and Art Garfunkel's «Bright Eyes» sound as lush as they ever have or probably could.
Special Features New 4K digital restoration
of Charlie Chaplin's 1972 rerelease version
of the film, featuring an original score by Chaplin, with
uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version
of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage
of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning
- New, restored 4K digital transfer
of the English - language version
of the film, with
uncompressed monaural soundtrack on the Blu - ray - Alternate French - language version
of the film - Audio commentary from 2005 featuring film scholar Adrian Martin - Portrait: Orson Welles, a 1968 documentary directed by François Reichenbach and Frédéric Rossif - New interview with actor Norman Eshley - Interview from 2004 with cinematographer Willy Kurant - New interview with Welles scholar François Thomas - An essay by film critic Jonathan Rosenbaum
- New high - definition digital restoration, with
uncompressed monaural soundtrack on the Blu - ray - Audio commentary featuring film scholar James Naremore, author
of The Magic World
of Orson Welles - New interview with actor Keith Baxter - New interview with director Orson Welles's daughter Beatrice Welles, who appeared in the film at age nine - New interview with actor and Welles biographer Simon Callow - New interview with film historian Joseph McBride, author
of What Ever Happened to Orson Welles?
New, restored high - definition digital transfer, supervised by director
of photogaphy László Kovács, with
uncompressed monaural soundtrack on the Blu - ray edition
New, restored digital transfer, supervised by director
of photography Gary Thieltges, with
uncompressed monaural soundtrack on the Blu - ray edition
New high - definition digital transfer, supervised by director
of photography Giuseppe Rotunno and presented in the original Super Technirama aspect ratio
of 2.21:1, with
uncompressed monaural soundtrack on the Blu - ray edition
Special Features New, restored 4K digital transfer, supervised by cinematographer Caleb Deschanel, with
uncompressed monaural soundtrack on the Blu - ray New documentary on the making
of the film, featuring interviews with members
of the production team Excerpts from a 1980 American Film Institute seminar with director Hal Ashby Author Jerzy Kosinski in a 1979 appearance on «The Dick Cavett Show» Appearances from 1980 by actor Peter Sellers on NBC's «Today» and on «The Don Lane Show» Promo reel featuring Sellers and Ashby Trailer and TV spots Deleted scene, outtakes, and alternate ending PLUS: An essay by critic Mark Harris
The attendant,
uncompressed centre - channel mono audio is likewise free
of distortions, with Maurice Jarre's cacophonous and demented carnival theme coming through with disturbing clarity.