The great Ben Hecht (The Front Page, Twentieth Century, Gunga Din, Notorious, Kiss Of Death, and a whole lot
of uncredited work on some of the best films of the 40s and 50s) wrote the screenplay.
Not exact matches
The
work is
uncredited on Betty Crocker, but the terms
of my agreement with General Mills were that the content I provided them was theirs to do as they wished!
WAMC's David Guistina talks with Mike Spain, associate editor
of the Times Union about a charter school proposal that would allow
uncredited teachers to
work, and a push to sue pharmaceutical companies that produce opioids.
Ingram also did
uncredited pre-production
work on Ben - Hur (Fred Niblo, 1925) and edited the original theatrical release version
of Greed (Erich von Stroheim, 1923).
While pithy, the term isn't quite right: In the 45 years since her first
uncredited on - screen appearance, at age 6 in her mother's film White Lightning, Dern has amassed one
of the most consistently interesting bodies
of work in Hollywood.
Set in London, Kevin Billington's
uncredited remake
of Interlude is a romantic melodrama about an ordinary
working woman who falls in love with a married musician with a foreign accent.
-- «He Walked by Night,» directed by Alfred Werker with
uncredited work by the underappreciated Anthony Mann, this story
of a police search for a canny killer is elevated to the crime stratosphere by John Alton's black - and - white cinematography.
Written by Earl W. Wallace and William Kelley, with Weir's
uncredited work on the script, shot by the Australian cinematographer John Seale, who would later win an Oscar for his
work on The English Patient, with the French composer Maurice Jarre's (Doctor Zhivago, The Train, A Passage to India) score and Thom Noble's (Red Dawn, Thelma & Louise) editing, and with the strong supporting roles
of Danny Glover, Josef Sommer, Alexander Godunov and Lukas Haas, Witness is a pleasure to go back to even thirty - two years after its release.
Removing voice - over
work, shorts, and
uncredited cameos, Streep has received 21 nominations out
of 54 performances.
Gilliam and his co-screenwriters (an
uncredited Charles Alverson (Jabberwocky), Charles McKeown and most famously, Tom Stoppard
worked on it on and off over six years) stuff the film with subversive bon mots, furiously paced slapstick and sight gags, and the blackest
of humour — it is at once thrilling and hilarious.
Phantom Thread is a
work of tremendous focus, not only from Day - Lewis but also Paul Thomas Anderson, who writes, directs and shoots the film (albeit
uncredited as the cinematographer).
Although Lucas directed all
of the prequels himself, he's known for directing many
of his films from the editing room, doing
uncredited work on the first three Indiana Jones films in that respect.
The director himself, who co-wrote the screenplay with Rodo Sayagues (and an
uncredited polish by Diablo Cody), directs with a self - assurance that is all the more remarkable when one considers that his most prominent
work before this — and the one that got him noticed by Raimi — was a five - minute short, reportedly made for $ 300, in which giant robots destroy his native city
of Montevideo, Uruguay.
Anderson has created for himself — and to some extent by himself (he directed it, wrote it and, though
uncredited, shot it)-- a
work through which he can freely exercise his gift for ecstatic cinema, never mind how banal or understated a scene might seem to be: Reynolds conducting his morning ablutions, for instance, shaving luxuriously, taming his hair with a pair
of brushes, dressing to the nines just to have breakfast.
Annie, meanwhile, can't quite get over a guy (an
uncredited Jon Hamm, making the most
of his few scenes with a goofy aura
of entitlement) who only spends time with her for sex, is still traumatized by the commercial letdown
of a bakery she opened (She makes a single cupcake in secret and closes off whenever anyone asks why she doesn't bake anymore), and
works a dead - end job at a jewelry store where she can not help but inject a skeptical perception into the happiness
of her potential customers.
Having impressed Fox executives with his screenplay for «Buffy the Vampire Slayer» and his
uncredited work on «Speed,» Joss Whedon was hired to write a new «Alien» film, and, with Ripley dead, he elected to focus it around a clone
of Newt.
(Although Sirk is
uncredited on Never Say Goodbye and disowned the movie, he did
work on it, and there are so many similarities and points
of reference in it to other Sirk movies, both thematically and emotionally, I feel it should be counted.)
(
uncredited images, from top: Installation view
of Rewind: 1970s to 1990s:
Works from the MCA Collection, Museum
of Contemporary Art, Chicago, March 13 - September 5, 2010.