Sentences with phrase «of vernacular cultures»

Taking Domanović's interest in both the development of technology and the history of vernacular cultures in the former Yugoslavia, Lina Džuverović draws parallels between the unregulated, chaotic developments of urban spaces and the incongruities of the fast - shifting nature of the Internet.

Rummage is an extension of Lynn's previous performance - based projects, exploring aspects of vernacular cultures and casting others to investigate the messy intersections of art and life.

The success of the nurses, the Nurse of Greenmeadow especially, is due to the celebration of vernacular culture combined with a heightened awareness of art history, Abstract Expressionism in particular, and the artist's understanding of color composition and atmosphere.

His work is distinguished by rigorous formal and structural analyses of neglected forms of vernacular culture, informed by his large collections of objects representative of consumer desires, religious fervor, and a constantly evolving counterculture.

In its quotation of vernacular culture, «52 Variables» is Pop.

Cruz - Diez joined the conversation via pre-recorded video, with comments about his unknown images of vernacular culture on folklore rituals in his native Venezuela.

Like his Chicago Imagist peers, Brown aggressively blended borrowings from art history with the languages of vernacular culture.

Not exact matches

Avon Ladies used to be a fixture of U.S. pop culture, their «Ding Dong Avon Calling» rallying cry part of the vernacular.

SIL's Language and Culture Archives houses over 60,000 works of various kinds, including scholarly publications, Bible translations, and vernacular literacy materials in addition to SIL's flagship publication, the Ethnologue — an online database of the world's more than 7,000 living languages.

Following on the British government's decision in favour of promoting English rather than Oriental or Vernacular education in India, and to seek the help of private agencies in the task, the Missions started Christian colleges for imparting education in Western culture and modern science with the teaching of English literature at the centre of secular courses and spiritually interpreted by the teaching of Christian Scripture.

Krishna in the north become the objects of bhakti's impassioned devotion, and bhakti poetry, brimming with love for the Lord flowers in the vernacular languages which, to some extent, take over from the language of «high» culture, Sanskrit.

They show also that the root of the malaise of the Church, and of Christendom as a culture, did not lie and does not lie in structures, canon law, liturgy, or the use of the vernacular, necessary and urgent though reform in these spheres may have been.

The importance of vernacular translation was that it brought the missionary into contact with the most intimate and intricate aspects of culture, yielding wide - ranging consequences for both missionary and native alike.

Later, as Christians became more powerful in the culture, they had to decide whether to translate the «holy» language of the Church into the vernacular, using the new technology of the printing press.

Ways of speaking reflect the aesthetic and communicative values of both a particular congregation's culture and tradition; our language for worship is designed to link the vernacular with the formal.

Sure, at SOME point in time, they learned the vernacular of the culture (christianeze or churchianity) but once they became pros at «church sub-culture» and politics, they put it on cruise control.

We could say that when missionaries adopted the specificity of vernacular languages and cultures as vehicles for the gospel, they were extending the principle of Jewish particularity, the paradigm by which God has chosen to instruct the world in righteousness.

He is not necessarily talking in these quotes about teaching theology through story, but by looking at his practice, I think that he would argue that the most basic «vernacular» of any culture is story.

LESSON # 1: THE MISNOMER USE OF THE ADMONISHMENT «YOU KNOW BETTER» — Spun in the drawl of the Southern vernacular used in the film, the phrase of «you know better» is dealt to Richard Loving often in the film under the incorrect expectation of conformity to the majority culture or upbringing present in community and among his racOF THE ADMONISHMENT «YOU KNOW BETTER» — Spun in the drawl of the Southern vernacular used in the film, the phrase of «you know better» is dealt to Richard Loving often in the film under the incorrect expectation of conformity to the majority culture or upbringing present in community and among his racof the Southern vernacular used in the film, the phrase of «you know better» is dealt to Richard Loving often in the film under the incorrect expectation of conformity to the majority culture or upbringing present in community and among his racof «you know better» is dealt to Richard Loving often in the film under the incorrect expectation of conformity to the majority culture or upbringing present in community and among his racof conformity to the majority culture or upbringing present in community and among his race.

The film's line, «I see dead people,» has also entered the pop culture vernacular and has been voted one of the top 100 movie lines in more than one poll.

Not only are these films a part of our pop - culture vernacular, but they also serve as the basis for Gordon's film, and — as you'll surely agree once you've seen it — that makes them invaluable, even if they are a little moldy nowadays.

Despite the fact that Thelma and Louise is part of the pop culture vernacular, I'd...

Danny DeVito and Richard Dreyfuss starred as feuding aluminum siding salesman in 1963 Baltimore, and once again Levinson demonstrated his flair for capturing the vernacular of a particular species of American male, effusive about work, food and pop culture, clueless about the women around them.

McDonagh would probably be the first to admit that his all - guns - blazing parable of midwestern revenge and arguable redemption wasn't deeply embedded in the culture and vernacular of small - town Missouri.

That's because, writes Vatterott, in her chapter, «The Cult (ure) of Homework,» the concept of homework «has become so engrained in U.S. culture that the word homework is part of the common vernacular.»

A pedagogical objective of this assignment was to increase the interaction among preservice teachers for the purpose of improving the following: (a) their understanding of musical vernacular, genres, and cultures; (b) their appreciation of the relationships among personal, social, and cultural identities; and (c) an introduction to digital learning technologies as a platform for community building.

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

One of Marks's summer 2015 exhibitions examined the Hairy Who, a faction of Chicago Imagists whose work drew directly from vernacular art, comics, and ecstatic pop culture, and who, in the 1960s, helped introduce Darger, Martín Ramírez, whose drawings appeared this year on a series of U.S. postage stamps, and Joseph Yoakum, a creator of fantastical landscapes, to the mainstream art world.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

«That Sidibé was a «popular» photographer rather than a satirical pop commentator on vernacular culture — which is to say he was a photographer firmly grounded in his environment who combined work - for - hire portraiture with his own exploratory documentation of the quotidian excitement of his Bamako neighborhood — made him one among several recording angels of a new generation of urban Africans, of which the other most important Malian example was his elder, Seydou Keita.

Walker Art Center, Minneapolis, MN January 29 - May 8, 2011 Contemporary Arts Museum Houston, Houston, TX July 23 - September 18, 2011 Montclair Art Museum, Montclair, NJ October 8, 2011 - January 1, 2012 Ackland Art Museum, Chapel Hill, NC January 14 - March 18, 2012 Inspired by artist Mike Kelley's observation that «the mass art of today is the folk art of tomorrow,» The Spectacular of Vernacular embraces the rustic, the folkloric, and the humbly homemade as well as the crass clash of street spectacle and commercial culture.

The new ceramic pieces are presented on customised plinths of stacked walnut - veneered box - section, perforated steel sheeting and smoked glass that assimilate the visual vernaculars and architectures of high - finance and corporate culture.

As a descendent of Marcel Duchamp and Andy Warhol, and after Pop art had magnified critical interest in consumerist culture, Prince's «rephotographs» could be seen as a cynical representation of reality, and as a piercing inquiry into the ethos of the American vernacular.

The artist blurs the line between the seemingly disparate spheres of learned and vernacular culture, art, and craft to create poignant sculptures that are both utilitarian and deconstructed, sculptural objects.

With his unique perspective, Hammons fuses the power of street vernacular with African American culture.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

CAMH Receives AAM Reaccreditation The Deconstructive Impulse Perspectives 177 McArthur Binion CAMH awarded NEA Grant Perspectives 176 Glen Fogel Donald Moffett The Extravagant Vein The Spectacular Of Vernacular Perspectives 175 Marc Swanson Steel Lounge Underground CAMH Announces New Curator Stan VanDerBeek The Culture Intercom CAMH announces launch of redeveloped website Perspectives 174 Re Generation Perspectives 173 Clifford Owens Answers to Questions John Wood and Paul Harrison CAMH announces 2011 exhibition schedule Film screening and discussion of Wojnarowicz's A Fire in My BelOf Vernacular Perspectives 175 Marc Swanson Steel Lounge Underground CAMH Announces New Curator Stan VanDerBeek The Culture Intercom CAMH announces launch of redeveloped website Perspectives 174 Re Generation Perspectives 173 Clifford Owens Answers to Questions John Wood and Paul Harrison CAMH announces 2011 exhibition schedule Film screening and discussion of Wojnarowicz's A Fire in My Belof redeveloped website Perspectives 174 Re Generation Perspectives 173 Clifford Owens Answers to Questions John Wood and Paul Harrison CAMH announces 2011 exhibition schedule Film screening and discussion of Wojnarowicz's A Fire in My Belof Wojnarowicz's A Fire in My Belly

Deploying posters, books, postcards and even a café and hotel, his projects have consistently had at their center a focus on the American vernacular — its music, popular imagery and ephemera — mining the nuances of culture through its unsung conventions.

Annotating Art's Histories series Featuring internationally renowned scholars and curators at the critical edge of current research in art history, visual culture, and the humanities, Pop Art and Vernacular Cultures is the third volume in the Annotating Art's Histories series.

Often called «pop artists», they saw mass popular culture as the main vernacular culture, shared by all irrespective of education.

An English and Spanish word that broadly describes images and objects produced in the Americas and typical of American cultures, here it is specifically intended to evoke both North American vernacular art collecting traditions and a unique hemispheric perspective that reaches across national borders.

«Conceived as a complete retrospective of Evans» work, this exhibition highlights the photographer's fascination with American popular culture, or vernacular,» explains Clément Chéroux, senior curator of photography at SFMOMA.

Noguchi Breton presents creative content that reflects and critiques the regional and vernacular culture of South Florida.

Wide ranging in approach, his work is unified by his regular use of American vernacular culture — including books, posters, newspapers and magazines, records, old films, and other vintage items — which he draws from his vast collections source material.

He has turned up at the Schomburg Center for Research in Black Culture, as a «vernacular artist,» and in a Whitney Biennial heavy on political art, where I never so much as took note of it.

Featuring internationally renowned scholars and curators at the critical edge of current research in art history, visual culture, and the humanities, Pop Art and Vernacular Cultures is the third volume in the Annotating Art's Histories series.

He has contributed major texts to well over a hundred art books, monographs and exhibition catalogues and dedicated much of his energies to charting the visual vernaculars of youth culture, including graffiti and street art.

They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.

His work, he says, comes out of California surf culture and the vernacular of album - cover illustration, though he also borrows from Indian miniatures and Renaissance painting.

The origins of the blues lie in the vernacular culture of African Americans living in the Mississippi Delta and New Orleans around the turn of the twentieth century — people for whom slavery was a recent memory and basic civil rights were far in the future.