Sentences with phrase «of vernacular photography»

New York gallery Foxy Production flanks the entrance to the auditorium, with Petra Cortright wriggling around in a striped shirt, exploiting the disorientation of a fun house mirror - like distortion effect in her video i feel u (2015), and Sara Cwynar showing us manipulations of vernacular photography and a new series of color grids melting beyond their neat black borders.

An unsung pioneer of vernacular photography since the Fifties, Weinberger captured a young generation of rebels, who were greatly influenced by American culture.

Together, the two parts of this exhibition present a certain arc across the history of vernacular photography.

None of this was done with the intentions of fine art, but contemporary artists have been deeply influenced by the tropes of vernacular photography.

[3] Lee conceives of her work as less about creating beautiful pictures, and more about investigating notions of identity and the uses of vernacular photography.

Not exact matches

Using photography, text, sculptures, tools, and objects of the vernacular, she has developed a syntax that is driven by personal narrative.

Crooks's doctoral research at the University of London explored 19th and 20th century vernacular photography in West Africa and the Diaspora.

At a time when artists across the board were turning away from painting and towards photography and conceptual art, Pacific Coast Highway and Santa Monica addresses the history and impact of artistic styles such as Post-Impressionism and Fauvism, all executed in Hockney's signature vernacular.

Over the course of nearly six decades, William Eggleston — often referred to as the «father of color photography» — has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition.

Over the course of nearly six decades, William Eggleston — often referred to as the «father of color photography» — has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of >> more David Zwirner Books Steidl ISBN 9781941701423 US $ 55.00 CAN $ 72.50 TRADE Clth, 11.75 x 12.25 in.

Open to participants and audiences of the Open Engagement Conference, the dinner will take place within an exhibition curated by AMERINDA — Recovering Memories: Vernacular photography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native Amphotography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native AmPhotography from the New York Movement of Contemporary Native American Art.

Sadie Barnette uses drawing, photography, objects, book and print making, and site - specific interventions to construct a visual language out of cultural codes and west coast vernacular, economic formalism, text and abstractions.

Using photography, text, sculpture and methods, tools and objects of the vernacular, she has developed a syntax that is driven by personal narrative.

Alice Thorson, «Rauschenberg Gifted in Vernacular of Photography; Exhibit Offers Solid Look at that Aspect of Painter's Talent,» Kansas City Star, April 4, 1997.

Snapshots of Twentieth Century Life showcases works from a recent major gift to the Museum's collection donated by vernacular photography collector Peter Cohen.

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsPhotography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsPhotography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsphotography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsphotography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

Stephen Shore (American, b. 1947) is a pioneer of color and vernacular photography.

He creates works from a mashup of vernacular references, employing a variety of medium, including video, photography, sculpture and painting.

«Conceived as a complete retrospective of Evans» work, this exhibition highlights the photographer's fascination with American popular culture, or vernacular,» explains Clément Chéroux, senior curator of photography at SFMOMA.

With much of the work in «The Order of Things» focusing on the individual and cultural identity, the exhibition also includes a large selection devoted to vernacular photography from the late - nineteenth and early twentieth century — offering a glimpse into the day - to - day life of a time that we will never know.

Further drawing the viewer in is that the complexity of the conceptual and compositional elements is coupled with the enchanting, relatable imagery from Hammond's vernacular photography.

The exhibition at the Walther Collection, which took place from the beginning of May 2015 until the fall of 2016, investigated the production and use of serial portraiture, conceptual structures, vernacular imagery, and time - based performance in photography from the 1880s to the present, bringing together works from international artists.

Tapping the traditions of documentary and conceptual photography, Leonard's project, which she developed during a residency at the Wexner Center in Columbus, Ohio, is positioned within the genealogy of the grand visual archives that extend from Eugène Atget's Paris «then and now,» to August Sander's Face of Our Time, to Bernd and Hilla Becher's typologies of vernacular architecture.

The exhibition, curated by Todd Levin, also includes a selection of images from the Ralph DeLuca Collection of African American Vernacular Photography.

Category: ART, PHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, XaviPHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, XaviPhotography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, Xaviera Simmons

«It's about effacing the difference between other and self, and seeing the elasticity of all these lives you could have led,» says Hammond, who in recent years has become admittedly obsessed with collecting vernacular photography and now owns well over 10,000 images that find their way into her art.

The Order of Things investigates the production and uses of serial portraiture, conceptual structures, vernacular imagery, and time - based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia, and North America.

Jackson's Grape Drink Box (Anacostia Los Angeles Topeka McKinney) is a materially complex work that uses vernacular and technical materials to show the permeation of color and form into social life, and includes elements of photography that are embedded to look like afterimages.

Her research explores turn - of - the - century vernacular photography and the material culture of memory in the United States.

This body of work stems from historical painting as a documentary means to capture vernacular moments in time and space while playing with common motifs in contemporary snapshot photography.

It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery.

The gallery maintains a diverse exhibition program with solo exhibitions of the gallery artists as well as group exhibitions and special projects as editing artists jewels or showing vernacular photography.

Through an extensive variety of media, including drawing, painting and sculpture, video and photography, performance, music, and a formidable body of critical writing, Kelley sought to reveal the unexpected connections and contradictions of the American vernacular.

The gallery has also presented unique shows of historical material such as 2011's Sculpture in So Many Words: Text Pieces, 1965 - 75, which traveled to the Nasher Sculpture Center, Dallas in 2012 - 13, and a trio of critically acclaimed vernacular photography exhibitions: Photo Brut (2013), Other Bodies (2012), and Band of Bikers (2010).

In these recent works, processions of figures assembled from fragments of book and magazine photography and illustration manifest the artist's interest in the cross-pollination of historical and vernacular imagery.

The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album.

This series is based on the growing interest in «vernacular photography» and its acknowledgement of social - historical and artistic value.

African American Vernacular Photography reproduces 70 of Cowin's most exceptional color plates with essays by Brian Wallis, Director of Exhibitions and Chief Curator at the International Center of Photography, and Deborah Willis, MacArthur Fellow and author of Reflections in Black: A History of Black Photographers 1840 to the Present and, with Carla Williams, The Black Female Body: A Photographic History.

Leonard's approach to photography engages with its history as a utilitarian, vernacular, and popular medium; similarly, her sculptures are often composed of found objects — commonplace items that bear signs of their use.

This is the emotional engine of a dry, analytic, simple conceptual project of inverting the vernacular binary code of YES / NO in a closed system — in this case, darkroom photography.

Her 1995 essay «In Our Glory: Photography and Black Life» illuminates the power and importance of the family camera and vernacular pPhotography and Black Life» illuminates the power and importance of the family camera and vernacular photographyphotography.

Zaatari's work explores aspects of representation, identity, intimacy, and desire and is informed by research on vernacular Middle Eastern photography and the functions of the archive.

Although the last iteration of the artist's famous Blue Terrace exercises that led out of the Met's show leads into the one here, Something New in Painting (and Photography)[and even Printing] introduces as advanced a pictorial vernacular as its title suggests and as jolting a reset as a slap in the face.