Sentences with phrase «of viewer interaction»

Not exact matches

2.4 million viewers Reality TV, along with sports and awards shows, garners a strong mix of viewers and social interaction, thanks to being one of the last vestiges of appointment viewing left on TV.

They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social interaction and rela - tionships; (33) the promotion of fear as the appropriate attitude to life: (34) television's cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.

Alas, the film suffers from the usual buddy movie clichés of having most viewer interest brought about from the interaction of the two leads amid the most threadbare and derivative of plots.

For instance in the story, Lizzie and Jane have a conversation: «Anyone who has seen you together can not deny you're love for him,» yet the film speeds so quickly, even the viewer hasn't gotten a glimpse of that love or interaction they reference.

From my review of Rush Hour: «The film suffers from the usual buddy movie clichés of having most viewer interest brought about from the interaction of the two leads amid the most threadbare and derivative of plots.»

The staccato cadence of Tim Streeto's editing, which clusters together short scenes that excise the beginnings and ends of interactions, often keeps the impact of Bernard's autocratic parenting from registering fully on impact, but the film's tragicomic punch lands in the final act after an otherwise useless therapy session triggers in Walt a warm memory of his mother — thus spawning a stint of self - analysis that doubles as an occasion for viewer reflection.

Some of the interactions are sharply observed with dark humor, but sheer cynicism wins out, giving the impression that LaBute set out to shock his viewers.

The effect is of a crisp, unblinking intentness, one that induces the viewer to pay attention to the characters, their words and interactions from a natural, unforced remove.

The film spends a lot of time acclimating viewers to his dissociative identity disorder, a lot of which we learn about through interactions with his therapist Dr. Fletcher, played by Betty Buckley.

When a video of a South Carolina school resource officer's classroom arrest of an African - American girl spread quickly online last year, most viewers were surprised by the violent nature of the interaction, in which the officer forcefully pulled the girl from her desk and threw her across the room.

Links here installments from a TV show that guides viewers through each of their 15 student - teacher interactions.

Captivate interactions are used to make large amounts of content more interactive for the viewer.

Now they've developed a TV show that guides viewers through each of their 15 student - teacher interactions.

With all of these ways of contact, I've had my fair share of a wide variety of readers and viewers — and that means that not all of those interactions were pleasant.

Happy to see a positive interaction between police and a pet, in just 24 hours, viewers responded with tens of thousands of «likes.»

We've already seen a ton of interaction between streamers and viewers with games like Minecraft, Forza Horizon 3 and Halo 5: Guardians.

In the gameplay reveal, viewers can get a glimpse of the kind of interaction and minute - to - minute experience that Sea of Thieves will offer.

Robert Storr recently wrote an article on the interesting paintings of Rick Briggs where he commented that paintings should initiate a viewer's interaction by creating the question: «What's that?»

In 1998, he published his book Relational Aesthetics, which theorized a new style of art — pioneered by such figures as Pierre Huyghe and Dominique Gonzalez - Foerster — that placed an increased emphasis on viewer participation and the interaction between humans surrounding works.

Real violence reflects the artist's interest in states of interaction between the viewer and the work, in particular as they are activated by the gaze.

These paintings often glow from within and seem almost alive, breathing, interacting with the viewer in silent dialogue, creating a sense of the sacred in the interaction, reminiscent of the I - Thou relationship described by renowned theologian Martin Buber.

The floating cube responds to unique visitor interaction: although the audience plays the role of an active observer, the viewer's relationship to the physical space is called into question.

However, the gestural brushstroke, the evidence of fingers being dragged through the paint, or a drip of contrasting color, breaks the viewers interaction and draws them in to examine the intricate evidence of the artist's hand at play.

Each artwork's expression depends on the viewer's associations with certain color combinations or the interaction of various forms.

What / Why: «Exploring experiential and performative works with an intention of fostering intimate interactions between participating artists and viewers, BCA Fall 2016 Visual Artist Resident Nabeela Vega and Chloe Wong present Noise / Touch, a two night performance event in the BCA's Black Box Theatre.

She subjects the body to juxtapositions with objects and strange rituals that instigate new modes of interaction between the work and viewer.

It was important for the artist to connect the viewer and the work on the level of spatial and physical interaction.

Q: As a viewer coming across your works for the first time, it is hard it is hard to place oneself within the context of this morass of interactions and negotiations.

As Walker states, «It is my hope that the interaction between these very divergent works and methods could return a viewer to the questions of modernism, architecture, urbanism and the resistant bodies who reshape it.»

What will remain if we focus not on a commercial product, not on formal «searching for a new visuality» and not on a pre-built and emasculated structure of interaction of conceptual work with the viewer?

His pictures are structured in a way that their candidness is snapshot like — intimate moments captured through a fleeting glance — the focus of the scene is the interaction, between subject, artist and viewer — described by Freud himself when he said «You can't be aware enough.

Gonzales - Torres» works exist as fleeting interactions between the work and the viewer, and are an extension of the aesthetic of the 1960s, when happenings and conceptual art favoured the artistic idea rather than the aesthetic object.

This additional layer of optical vision and perception only occurs when the viewer finally gets closest to a particular sculpture, an experience that deepens Horn's decidedly complex meditation on intimacy, contemplation, and human interaction.

Frames per Second functions similarly to Invariant Interval — it requires the interaction of viewers in order to succeed.

The portrait has remained an innately relatable form; it welcomes the viewer to look at a person for extended periods, something that can be taken as a questionable form of interaction from one person to another.

This talk will demonstrate how exhibitions create spatial relations between different planes of interaction for the viewer, and how multiple agencies and actors are necessary for an understanding of the curatorial as a constellation of activities that can be can represented the final exhibition - form.

With the film and performance programs initiated this way, viewers can return several times to attend the array of performance acts, which insures an extended interaction with the public, a relationship to whom an institution is always beholden.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

On the first floor, you may walk around Richard Serra's installation The Matter of Time (1994 — 2005) in gallery 104 and explore the unique interactions between the artwork, the viewer, and the space.

This obvious impossibility instigates other modes of interaction selected on the touchscreen directly beneath the monitor: for instance, following the woman along a path through the trees or encountering a demon that in turn gives the viewer a sense of what it's like to be pursued.

The project aims to explain to the viewer how art investigates and comments on the processes of everyday interactions between people and the world, how contemporary art practices interpret the current condition of disappearing transitions from object to subject, from nature and culture to conceptions of the world as a collective process.

Claiming imagery typically referenced through our daily interaction with media sources, Kahrs builds on the diversity of photographic images infused with the seductive palette of artists such as Richter and Tuymans, but invests them with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.

Creating a personal process to claim ownership of an image, Chyrum Lambert's work utilizes the interaction and gravity of his elements to create a work that is ultimately defined by the viewer; Fay Ray creates collections of artifacts that speak of ritualized behaviors and object - fetishism.

The work comes most tangibly into being through its interaction with the body of the viewer.

And on the flip side, is the presence of your body and its interaction with the viewer adding another element to the installation?

Both the hand and the psyche of the artist were emphasized in the majority of works, creating an intimate interaction between artist and viewer.

This digital animation presents a slowly shifting beam of «solid light» whose physical properties become outlined within the haze - filled space of the gallery and are further enhanced through viewer interaction.

As the title suggests, the viewer, the body that meditates the experience of the work, and social interaction come into focus.

The constructions that Morris created — made out of wood, steel and ropes — encouraged viewers» physical interaction.

There is a lot more that can be conveyed through the study of a sitter than their appearance, a more human interaction to be had by the viewer.