Sentences with phrase «of violence in the film»

Save for one sequence near the end, all of the violence in the film remains off - screen.

Green Room (Jeremy Saulnier, 2015) This is only Saulnier's third feature, but already he's proving to be one of the more interesting dissectors of violence in the film world.

«[T] he film isn't about violence, it's about the representation of violence in films and its reception in the media.»

Jim Carrey, who is playing Colonel Stars and Stripes in the upcoming Kick - Ass 2, spoke out on Twitter saying that he isn't happy about the level of violence in the film.

Not exact matches

However, Fox News host Tucker Carlson ran an interview on Friday night's broadcast of «Tucker Carlson Tonight» with documentarian and media personality Ami Horowitz, who presented a clip from a new film documenting alleged violence committed by refugees in Sweden.

After large movie theater chains, like AMC (AMC.N) and Regal Entertainment (RGC.N), refused to screen the comedy following threats of violence from hackers who opposed the film, Sony stitched together a limited release in theaters and a $ 5.99 video - on - demand (VOD) rental and $ 14.99 purchase option on YouTube Movies, Google Play (GOOGL.O), Microsoft Xbox Video (MSFT.O) and a dedicated site starting Dec. 24.

Huffington Post: At United Nations, Organization Of Islamic Cooperation Calls For Ban On Insulting Prophet Muhammad As anti-American protests continue in Islamic nations against a U.S. - made film that mocks the Muslim prophet, the leader of the world's largest Islamic organization met with United Nations leaders this week to condemn violence over the film and call for a ban on insulting the Prophet MuhammaOf Islamic Cooperation Calls For Ban On Insulting Prophet Muhammad As anti-American protests continue in Islamic nations against a U.S. - made film that mocks the Muslim prophet, the leader of the world's largest Islamic organization met with United Nations leaders this week to condemn violence over the film and call for a ban on insulting the Prophet Muhammaof the world's largest Islamic organization met with United Nations leaders this week to condemn violence over the film and call for a ban on insulting the Prophet Muhammad.

Ingmar Bergman's film Scenes from a Marriage tells, like the Lenten season, a serialized story culminating in violence, dawning in a quiet denouement of fragile new life.

The antipornography fight gained its greatest momentum in 1975 with the appearance of «snuff» films in the U.S. Claiming to depict the actual killing and dismembering of female actors during explicitly sexual scenes, these films highlighted the link between sex and violence that frequently characterizes pornography.

This example is among the most benign (see Linda Marchiano's descriptions of the filming of Deep Throat for worse) Many porn products are made in «cottage industry» conditions by small - time operators who do not hesitate to use force, violence, blackmail and drugs on the «actors.»

He and his coresearcher, Dr. Neil Malamuth, Chair of the Department of Communications at UCLA, believe that the increase in «slasher» films and R - rated violence movies in general («I Was a Teenage Werewolf,» «I Spit on Your Grave,»» Maniac,» «Texas Chainsaw Massacre,» and «The Toolbox Murders») are creating a serious problem in homes where such films are now readily available via cable television and home video.

A study done by several universities, The Influence of Media Violence on Youth, states, «Research on violent television and films, video games, and music reveals unequivocal evidence that media violence increases the likelihood of aggressive and violent behavior in both immediate and long - term contextsViolence on Youth, states, «Research on violent television and films, video games, and music reveals unequivocal evidence that media violence increases the likelihood of aggressive and violent behavior in both immediate and long - term contextsviolence increases the likelihood of aggressive and violent behavior in both immediate and long - term contexts.»

A Scottish comic book writer has hit out at Jim Carrey after the Hollywood star effectively disowned a film he was starring in because of its violence.

GLAAD takes action against Ticked Off Trannies with Knives: «The film, its title and its marketing misrepresent the lives of transgender women and use grotesque, exploitative depictions of violence against transgender women in ways that make light of the horrific brutality they all too often face.»

The researchers state: «What increasingly differentiates the instances of gun violence in PG - 13 films from those rated R is not only the higher frequency in the PG - 13 category but also those films» erasure of the consequences (e.g., blood and suffering) and greater likelihood that the violence will be perpetrated by or on comic book - inspired heroes and antiheroes (e.g., Batman, Avengers, and X-Men).»

The amount of gun violence in top - grossing PG - 13 movies, which can be seen by children of all ages, has continued to exceed the gun violence in the biggest box - office R - rated films, a new analysis published in the journal Pediatrics shows.

Indeed, the researchers say that there is no evidence to suggest that the level of violence has changed in children's films since Snow White in 1937, when Snow White's stepmother, the evil queen, was struck by lightning, forced off a cliff, and crushed by a boulder while being chased by seven vengeful dwarves.

With so few female driven and directed films available, Beguiled feels like a breath of fresh air — albeit one with a general sense of foreboding and violence mixed in.

[Editors note: With the success of Saturday morning cartoons and in an attempt to cash in, the third of the Robocop films drastically toned down the violence and added a young sidekick for Robocop.

The reality of the film seems to collapse in upon itself, keeping the viewer trapped in a holocaust of violence and degradation.

This combination of classic horror action and satire make The Cabin in the Woods unique and a film that is sure not to disappoint fans of campy gore and violence.

There is also a scene of an arrow being shot into someone and various other slapstick violence which is common in the film.

The film, yet another in the season's onslaught of vengeance sagas, can't pause to address the desperate political and economic climate that produces (though surely doesn't excuse) such awful violence.

The film soundtrack includes a few mild suggestions of violence in the lyrics of «Bad to the Bone,» «Game Over,» «I'm the Bad Guy» and «Highway to Hell.»

More than that, despite the surplus of violence in the pilot film, it is refreshing to see a television drama about young people in which the protagonists are doing something besides drugs, in which their concerns run deeper than clothes and dates... It could get terrific.

The PG - 13 rating keeps much of the actual violence off the screen, though Forster may have gone too far in removing nearly all of blood and gory moments that many zombie - flick fans relish (that crowd has dubbed the film, «World War Zzzzz»).

Nevertheless, it bears repeating that there is a difference between the depiction of violence in other films concerned with serial murder (such as Natural Born Killers) and a film like Seven.

By focusing on the specific (and frequently heartbreaking) stories of the aforementioned parents, former Congresswoman and gun - violence survivor Gabrielle Giffords, and Moms Demand Action founder Shannon Watts — who was motivated to action by Newtown and unwittingly sparked a grassroots movement on Facebook — the film lays out the gaping holes in the system where regulations are needed, and offers hopeful examples of activism in the face of what often feels like an insurmountable problem.

While the first film in the pair was an eye popping homage to Asian cinema and all things extreme, the outrageous violence of Kill Bill, Vol.

A pretty uneven film, lurching from comedy to violence to sentiment, but it's best when it sticks in the realm of flat - out farce.

VIOLENCE / GORE 6 - In a close - up, film footage shows a man using a knife to cut a large square of flesh from a grunting man's abdomen; the first man pulls back the bloody flesh and we see snake - like coils writhing through the victim's abdomen.

In pushing the film into gonzo - style comedy instead of melodrama or pure docudrama, Gillespie successfully navigates a very tricky line — this is, after all, a story filled with domestic abuse and violence, something that shouldn't be played for laughs but is also not the focus of the story.

The first of the five «episodes» in the film shows a race of peaceful, veggie - eating apes (the precursor of man) as they slowly discover weapons and violence, which causes them to kill and eat meat.

Notwithstanding the fact that Evil Dead 2 is an 18 and this film is a PG, the answer lies in the execution (no pun intended) of said violence.

That moment is the most shocking in the film: the violence, and then the lifetime of care needed to contain and control its consequences, are well suggested; the movie soberly keeps Marjorie away from any suggestion of black comedy.

Many of the most controversial and exciting films of the 20th century are westerns, such the Outlaw with Jane Russell in her memorable film debut - shelved for years before finally receiving approval - to many of our Spaghetti Westerns for their portrayal of explicit violence.

Along those lines, a slow - motion nightmare of war violence that plagues Georges in his sleep feels out of place compared to the understated calm that marks the rest of the film.

... The film may offer no verdict about the coach but there's plenty of another kind of judgment here, captured vividly in the recurrent images of football violence.

Living in an age post-Jackass, where people will willingly be filmed (or film themselves) causing all manner of pain and damage to their bodies, complaining about the violence in Home Alone 2 could come across as quaint.

The lack of a convoluted motivation felt that much more terrifying, a tactic also used in 2006's Them and 2016's Hush, maybe because the indiscriminate nature of the violence makes us all feel unsafe and maybe because, as many classic horror films have shown, the less we know, the more terrifying it can all seem.

7 Boxes is both a tense and frightening crime film as well as a sometimes - dreamy evocation of life in the sprawling underclass, its hallucinatory aspects, its chaos and violence, its fantasies.

The films overall tone is gritty and dark, highlighting the harsh reality of the violence and horror that occurs in the modern world of America as well as parts of Mexico.

Tension and drama unfold along with ample violence in the politically motivated films The Bourne Supremacy and The Sum of All Fears.

In comparison to other films that receive this rating and demonstrate far greater use of profanity, sexual and crude dialogue and often comic violence, this film is much milder and in comparison is a soft PG - 13 or perhaps PIn comparison to other films that receive this rating and demonstrate far greater use of profanity, sexual and crude dialogue and often comic violence, this film is much milder and in comparison is a soft PG - 13 or perhaps Pin comparison is a soft PG - 13 or perhaps PG.

The film deals with very real (and socially relevant) issues of gun violence in the United States, but more often than not skirts around its questionable morals in order to transport Willis back to the 1980s with catchy one - liners as he takes down the next faceless villain.

(While the policemen in this film may worship the violence of American films, the reality is most often quite different.)

The film is too standard for its own good, and there are viewers who will definitely feel uncomfortable with its depiction of gun violence given current events in the country.

In my view, if the humor was taken out, along with some of the violence that was cartoonish and overkill, this film would've been spectacular.

Thankfully, Prey At Night makes no attempt to mythologise or explain its killers, keeping their acts of violence as inexplicable and seemingly random as they were in the first film.

The films overall tone is gritty and dark, highlighting the harsh reality of the violence and horror that occurs in the