The residual aesthetics of Sietsema's art practice result from the translation
of visual information between mediums — for instance, his sculptures and paintings appear on film rather than in their original media.
Not exact matches
Another piece
of the puzzle are the signals sent back to the Pulvinar from
visual cortex, which seem to make
information flow back and forth
between the two parts
of the brain in a loop.
Scientists take advantage
of this discrepancy
between perception and reality to gain insights into how our eyes and brains gather and interpret (or misinterpret)
visual information.
We can use our rich knowledge
of how neurons in animals process
visual information to bridge the gap
between animals and people.
«The brain's ability to take in
visual and sensory
information and transform that into physical movements requires communication
between the parietal area at the back
of the brain and the frontal regions,» explains Sergio.
Silly hype notwithstanding, the doc should be viewed before tackling the audio commentary track with Carpenter and Debra Hill because, while some minor
information is repeated, the doc acts as a concise intro and
visual alternative to watching the film a second time (making a nice buffer
between viewings), and adds the perspectives
of cinematographer Dean Cundey, production designer / editor Tommy Lee Wallace, and actors Adrienne Barbeau and Janet Leigh.
Contents
of this guide run as follows: *
Visual summary
of plot * Storyboard resource for students to then recall the plot and key events from memory * Form and structure comprehension questions * Settings questions * Context (students explore key issues raised in the play such as youth stereotypes, gang culture, growing violence in the age
of the internet etc) * Symbols and Motifs - lots
of information about symbols and motifs in the play, followed by a revision activity * Key Quotes - Students explore key quotes through analysis
of their meaning and significance, quotes are broken down chapter by chapter and provide thematic links etc. * Themes - Students make connections
between themes, characters and events in the novel * Characterisation - Students have to complete a character profile for all the main characters using the study tasks provided * Key Terminology - Exploring some key terminology and vocabulary that will deepen their understanding
of the play as well as impress examiners.
She has compiled a chart
of information describing the difference
between an auditory - sequential learner and a
visual - spatial learner.
Note: The
information between brackets describes the
visual and audio content
of the video that is not dialogue or narration.
The abstract artist Josef Albers celebrated art as a «swindle,» delighting in its ability to teach us about the chasm
between physical facts and our
visual perception
of them, and to undermine our trust in the
information our eyes convey.
Seen together, this selection
of videos highlights the ways in which her works investigate the intimate relationship
between on - screen images and the physical and psychological response
of the viewer — a relationship that has become increasingly direct in recent years due to the proliferation
of electronic devices and the ubiquitous dissemination
of visual and verbal
information in our surroundings.
This volume presents new essays and commissioned
visual projects that elaborate on the crucial ideas raised in the forum — the new kinds
of cultural identifications facilitated by the Internet; the relationship
between art and activism; the poetics
of online communication; the relevance
of the museum in a digital world; and the complex relationships
between bodies,
information systems, and urban realities.
These pieces reflect Beckley's ongoing examination
of the relationship
between physical actions, vocal reactions, and
visual information.
Her attuned use
of hue, space, and contrast induce a kind
of visual interference that embodies her concerns about the way
information is disseminated — oftentimes generating strains
between regions
of glitches and consistency to illustrate the inherent flaws
between transmission and perception.
Addressing notions
of readership, storytelling, and the relationship
between the
visual and verbal, Mental Pictures combines the elements
of information and representation common in a gallery setting.
Commissioning works
of art based on these segmented portions
of famous texts, Painting
Between the Lines fills in the
visual information that is left out
of the organization
of black - and - white letters on each literary page.
His use
of the conceptual art strategy
of appropriating signs and
information to express unexpected ideas is a form
of «code - switching,» employing
visual tropes that shift
between art world and community - based points
of reference.
Her work crosses the boundary
between poetry and
visual art, and suggests both the limitations and power
of technology and the
information age.
This edition contains impeccable reproductions
of Albers» famous series, which beautifully illustrate the artist's primary thesis, that the discrepancy
between visual information received by the retina and what the mind perceives proves that this
information is not intrinsic to color itself, but is dependent on its relationship with its surroundings.
This «feed aggregator,» as Salavon calls it, at times appears as a collage
of visual and textural
information that walks the line
between abstract and representational art.
This client / server, process - driven solution is extremely powerful, user - friendly and flexible, striking a balance
between usable and excessive
information, and adapting to a company's unique needs and work patterns, according to Marc Betesh, president
of Visual Lease.