Sentences with phrase «of visual marking»

executive resume marking is more than an one - line statement at the highest point of the resume and the best executive resumes incorporate components of visual marking, verbal marking, and focusing on.

Not exact matches

The visual effects required for «The Irishman» are part of the reason the film's budget is over the $ 100 million mark.

I couldn't help leaving my little mark (and a bit of visual flair) on the recipe, so I added lots of lemon zest and chopped chives.

So, it remains appropriate that as the hologram marks more than 70 years since its invention, the technology remains as pertinent as ever, continuing to go from strength - to - strength as an effective packaging device, demonstrating the highest standards of visual appeal, quality, creativity and technical ambition.

If you choose to use the European leaf mark, it must be placed on the product, with the certifier code number and origin of the raw ingredients in the same visual field as the mark.

When it comes to pretzels or salt sticks, the visual contrast between a dark crust and a rich salt décor is a mark of quality for most consumers.

When it comes to pretzels or salt sticks, the visual contrast between a dark crust and a rich salt décor is a mark of quality for most consumers and according to GoodMills Innovation, their new Slow Milling Pretzel Salt SG has the answer.

They often do better with visual reminders, such as a calendar with dates checked off to mark the passage of time.

You could mark a date on the calendar for the big day, have a countdown chart or some other visual representation of the goal date.

It is in this third trimester that stretch marks begin to show on your bellyl In addition, 38 weeks pregnant signs include swelling in your ankles and feete This is quite normal, but if there is excessive swelling or puffiness in your face or around your eyes, you should call you doctor without any delaya Also let your doctor know if you have any headaches that persist or visual changes such as blurred vision, flashing lights, or spots or loss of vision (temporary) y Using a 38 weeks symptoms pregnancy calendar gives you all information you need to know about being 38 weeks pregnantn Some other symptoms include diarrhea, itchy abdomen, difficulty sleeping, enlarged breasts and colostrum, and fatigue or extra energyg In the 38 weeks, baby symptoms include the baby shedding its skin - protecting lanugo and vernixi Also, 38 weeks fetus signs include the fetus producing a substance called surfactantn Your baby is not so little by now and weighs almost 7 pounds and is about 20 inches in lengtht Around this time your baby is also fine - tuning its nervous system and brain and also adding on body fata

«To put it simply, due to the absence of visual input, the cells had less to say — but when they did say something, they said it with particular emphasis,» explains Mark Hübener.

The research team performed special brain scans of the visual cortex, which showed marked improvements in brain activities in patients who also improved in field size and acuity.

With these findings, a «circle is closed,» says neuroscientist Mark Konishi of the California Institute of Technology in Pasadena: The researchers know where the visual information comes from and how it alters the map.

In keeping with this view, Mark Loewen, a co-author of the study claimed that, «The amazing horns of Nasutoceratops were most likely used as visual signals of dominance and, when that wasn't enough, as weapons for combatting rivals.»

At the same time, there were marked increases in the visual attention skills of action gamers.

Sunspots, markers of magnetic activity on the sun's surface, provide a visual proxy to mark the cycle's evolution, appearing in droves at maximum and all but disappearing at minimum.

Mark Fleming, CEO of Fleming Medical, said, «DermaTrax will revolutionize current practice, which involves the manual removal of a dressing and visual inspection of the underlying wound.

Wolfgang Fink and Mark Tarbell, Visual and Autonomous Exploration Systems Research Laboratory, Caltech and University of Arizona

Mark Hughes, European marketing manager for Silicon Graphics» Visual Magic division, says that once a standard is established, it will open up a host of new applications.

Between 2004 and 2014, 477 patients treated with BMT at City of Hope underwent standardized neuropsychological testing before their transplant, and at the six - month and one -, two - and three - year marks after transplant; testing was conducted on eight cognitive domains, including executive function, verbal fluency and speed, processing speed, working memory, visual and auditory memory, and fine motor dexterity.

If you want a visual demonstration, check out this video of Mark Rippetoe coaching a bunch of people to press properly.

This will help balance out the lack of a true waistline, which usually marks the visual beginning of the leg line.

It's not completely terrible, possessing small pockets of visual humour and occasionally hitting the emotional marks of its predecessors.

Co-written with novelist Christine Angot (Incest), whose voice can be heard in the series of casually cruel, at times desperately hilarious conversations that Binoche's character engages in with a merry - go - round of likely and unlikely suitors, this is clearly Denis» chattiest effort yet, marking an about - face for a director whose oeuvre has defined itself, in part, through its swooning visuals and deft aesthetic touch.

The new God of War, with its remarkable visuals, living world, superb combat mechanics and mature narration marks the beginning of a new era for the franchise and, dare we say, single player gaming altogether.

Production companies: Scott Rudin, DNA Films Distributor: Paramount Cast: Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Oscar Isaac Director - screenwriter: Alex Garland, based on the novel by Jeff Vandermeer Producers: Scott Rudin, Andrew Macdonald, Allon Reich, Eli Bush Executive producers: David Ellison, Dana Goldberg, Don Granger, Jo Burn Director of photography: Rob Hardy Production designer: Mark Digby Costume designer: Sammy Sheldon Differ Editor: Barney Pilling Music: Ben Salisbury, Geoff Barrow Visual effects supervisor: Andrew Whitehurst Casting: Francine Maisler

Afterwards, in the opening visual image, the camera pans upward from the pock - marked surface of the Moon in the foreground.

A dazzlingly visual film, one marked by a thoughtful approach to a tale of business and interpersonal intrigue.

Written by the talented Alex Ross Perry (The Color Wheel, Listen Up Philip) and directed by former music video maker Mark Pellington, Nostalgia is a fine combination of visuals and content, and benefits from asking its very unusual question.

Furthermore, the characters are all, for the most part, quite memorable, and there are moments of excellent visual storytelling that match the studio's typical high mark in quality.

JOHN HENRY (2000) U.S. Release Date: October 30, 2000 Director: Mark Henn Producer: Steven Keller Imaginatively told through words, music, and stylish visuals, «John Henry» celebrates the life and legend of a great American folk hero.

Castle provides all the ingredients of a Ghibli hit: a compelling story marked by complex mystery, imaginative fantasy, enchanting visuals, rich characters, a touch of humor, and plenty of excitement.

G - Force marks the feature directorial debut of veteran visual effects artist Hoyt H. Yeatman, Jr., who also receives story credit with fellow effects man David P.I. James.

Production company: Marvel Studios Distributor: Disney Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan, Tom Middleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, Chris Pratt, William Hurt Directors: Anthony Russo, Joe Russo Screenwriters: Christopher Markus, Stephen McFeely, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Michael Grillo, Trihn Tran, Jon Favreau, James Gunn, Stan Lee Director of photography: Trent Opaloch Production designer: Charles Wood Costume designer: Judianna Makovsky Editors: Jeffrey Ford, Matthew Schmidt Music: Alan Silvestri Visual effects supervisor: Dan DeLeeuw Casting: Sarah Finn

Though sadly overshadowed by the overrated dynamic duo of Wall - e and Kung Fu Panda, this warm, familiar animated movie with stunning visuals and beautiful, hand - painted backgrounds doesn't only mark a successful return for Disney on the animated area, but manages to introduce characters and themes that are in many ways more deep and complex than that of the widely glorified Pixar flicks.

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

by Walter Chaw Written and directed by wunderkind J.T. Petty, the second sequel to Guillermo Del Toro's underestimated and, admittedly, somewhat botched Mimic is a self - confessed «Rear Window with giant man - eating cockroaches» marked by a strong sense of camp and a visual style humming with a cohesive, kinetic logic that indicates, possibly, the emergence of a major genre talent.

Little visual themes — such as the way that Braff's characters initially seem to be physically marked by their experience and humiliations — give way somewhere along the line to far more standard, almost obligatory, shots of our heroes in a swimming pool, fully dressed in a two - person tub, and warming themselves before a contemplative fire.

If Vietnam war films aren't the Academy's taste this year, Plummer also has «Cliffs of Freedom,» set during the 1820s Greek War of Independence and marking the directorial debut of visual effects artist Van Ling.

Spielberg's segment, entitled «Kick the Can», is a shmaltzy piece of work that strings together all the visual cliches that mark his work at its most half - hearted.

Roger Deakins» cinematography is stunning with a number of strong visuals and Alexandre Desplat's score hits all the right marks of a serious award contender.

This release marks the best - looking version of the game to date with HD visuals and an improved framerate.

Paul Franklin has made his mark in cinema in the dizzying world of visual effects, having done work on the likes of a few Harry Potter films, a Bond movie, and most recently, Captain America: Civil War.

Schwentke tries to invest visual energy in his latest attempt to prove his big - budget credentials — and in the movement and placement of cinematographer Alwin H. Küchler's (Hanna) roving frame, as well as the frenetic assemblage of shots by editor Mark Helfrich (Tower Heist), his endeavour shows signs of approaching success.

Moderated by Tim Gray, the honorees were Paul D. Austerberry, production design, The Shape of Water; Mark Bridges, costume design, Phantom Thread; Alexandre Desplat, music score, The Shape of Water; Morrison, cinematography, Mudbound; John Nelson, visual effects, Blade Runner 2049; Tatiana Riegel, editor, I, Tonya; Julian Slater, sound mixing, Baby Driver; Arjen Tuiten, makeup, Wonder; and Matthew Wood, sound editing, Star Wars: The Last Jedi.

... (deep breath)... Robert Tapert, Director Mark Beesley, and Visual Effects Art Director Peter Baustaedter for «Spoils of War;» Robert Tapert, Director Jesse Warn, and Executive Visual Effects Supervisor Charlie McClellan for «Mors Indecepta;» Stephen S. DeKnight, Rick Jacobson, and Actors Manu Bennett and Liam Mcintyre for «Separate Paths;» Stephen S. DeKnight and Actors Cynthia Addai - Robinson, Anna Hutchinson and Todd Lasance for «The Dead and the Dying;» and Stephen S. DeKnight, Rober Tapert, Rick Jacobson, and Actor Liam McIntyre for «Victory.»

New to this edition are the featurettes «A Ticking Clock» with film editor Mark Goldblatt (6 minutes), «A Stanley Kramer Production» with filmmaker and film historian Michael Schlesinger (14 minutes), «Imitation of Life: The Blacklist History of High Noon» with historian Larry Ceplair and blacklisted screenwriter Walter Bernstein (10 minutes), and he visual essay «Oscars and Ulcers: The Production History of High Noon» narrated by Anton Yelchin (12 minutes).

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerof Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerof photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerof Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerOf Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

Best Supporting Actor: Christoph Waltz — «Django Unchained» Best Animated Short: «Paperman» — John Kahrs Best Animated Feature: «Brave» — Mark Andrews and Brenda Chapman Cinematography: «Life of Pi» — Claudio Miranda Visual Effects: «Life of Pi» — Bill Westenhofer, Guillaume Rocheron, Erik - Jan De -LSB-...]

Tags 2015 oscars 87th academy awards american sniper benedict cumberbatch bennett miller best actor best actress best adapted screenplay best animated feature best art direction best cinematography best costume design best director best documentary feature best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actress best visual effect birdman birdman or (the unexpected virtue of ignorance) boyhood bradley cooper citizenfour eddie redmayne edward norton emma stone ethan hawke felicity jones finding vivian maier foxcatcher Ida into the woods j.k. simmons julianne moore last days of vietnam laura dern maleficent marion cotillard mark ruffalo meryl streep michael keaton morten tyldum mr. turner nightcrawler One Night oscar noms oscars reese witherspoon robert duvall rosamund pike selma steve carell still alice the grand budapest hotel the imitation game the salt of the earth the theory of everything Two Days Unbroken virunga whiplash wild