(yes, that little bit
of voyeur in me likes to look at the 13Fs filed by portfolio managers that I really admire) What piqued my interest was that Klarman seemed to view BBEP as a bit of an inflation hedge, or at least that was my interpretation from the several interviews with him that referenced his position.
Not exact matches
So what came first, the
voyeur or the victim trying to work out past shame
of having acquiesced and given up their voice
in the first place?
Thanks for standing up for those who are marginalised by the church — I love the way that the cartoon has this almost
voyeur - ish tone «you can watch but you cant play» Its meaningless to the LGBTIQ community when its on this level and its one
of the reasons why I will probably never be comfortable
in a church again.
You see it happen
in football, but if
in real life, you cheat and get ahead
of someone
in your workplace, you yourself will not have the right mind to accept, nor will you readily call your competitor «
voyeur».
With the rise
of anatomy as a profession, however, that visual mood was stamped out —
in part to reassure the public that anatomists were objective scientists, not lurid, grave - robbing
voyeurs.
In waging a nasty public fight over CRISPR, they have already attracted the scrutiny
of the mainstream press (The Washington Post and the Boston Globe Media's STAT, to name two avid
voyeurs), the scientific press and, oh boy, the Internet.
Research has shown that EMG activity
in the middle trapezius is the greatest during shoulder external rotation and flexion
in the prone position (think mini-range lat pull - downs,
voyeur shrugs, half T - raises and standing calf raise shrugs), so make the most use
of that.
Even with the football players at our end
of the field, these
voyeurs were more engrossed
in scrutinizing the gals» body parts than
in watching the plays.
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He, like the most nimble
voyeur (though,
in this case, one who loves the vicarious thrill
of passing it on more than watching) seems to see — or at least wants to see — that sexual deviancy is human nature.
It's a unique take on the war - based theme, and will evoke your inner
voyeur, dazzling
in its moments
of exposition as well as its suggestive junctures.
He's the main attraction
in «Nightcrawler,» a cynical, sick - soul -
of - Los - Angeles movie that announces itself as a «Medium Cool» or «Network» for the TMZ era, but doesn't have much to say beyond the familiar, shopworn hand - wringing about shutterbugs willing to do anything to get the shot and the desensitized
voyeur audience — us — that laps it all up.
Rhinoceros Eyes is an embrace
of dreaming as Chep (Pitt), cocooned
in a decrepit moviehouse, sneaks away nightly to watch the same B - movie soaper, to return, popcorn
in hand, the
voyeur of the undressed windows along his path home.
Carl Van Vechten & the Harlem Renaissance: A Portrait
in Black & White By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait
of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role
in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial
voyeur and sexual predator, an acolyte
of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief
in racial stereotypes... While his early interest
in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature
of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity
of those artists, and to the Harlem Renaissance as a whole?
Now somewhat
of a cliche
in horror movies, Carpenter's skilful inclusion
of it not only makes us a
voyeur but also makes us complicit
in the murder.
Selections include three documentaries spotlighting acclaimed writers, including the World Premiere
of Griffin Dunne's Joan Didion: The Center Will Not Hold; returning NYFF filmmaker Rebecca Miller's tender portrait
of her father, Arthur Miller: Writer; and the World Premiere
of Myles Kane and Josh Koury's
Voyeur, capturing the investigations explored
in Gay Talese's book The
Voyeur's Motel.
We are already the
voyeurs, watching as David and Amy Fox (Luke Wilson, Kate Beckinsale) get lost
in the middle
of nowhere.
And what she decides,
in the end, is the best way to deal with this virginity business is a smack
in the face
of all the
voyeurs — including us
voyeurs in the viewing audience — who are so weirdly invested
in what is, really, such a personal thing, not a public event.
Lawrence (the director) and Haythe dropped one
of Matthew's most intriguing ideas, Dominika's synesthesia (she can «read» people via emotion - revealing colors)-- an idea former video music director Francis Lawrence could have surely visualized
in a novel, engaging manner — altogether while overextending Dominika's stay at the Sparrow School (a plus for salacious
voyeurs, a negative for moviegoers interested
in forward - moving stories and character building or development).
For my money, the film that best captures Grahame
in her complexity, in all her multifoliate relationships with the world and her millions of voyeurs, is Nicholas Ray's scabrous In A Lonely Plac
in her complexity,
in all her multifoliate relationships with the world and her millions of voyeurs, is Nicholas Ray's scabrous In A Lonely Plac
in all her multifoliate relationships with the world and her millions
of voyeurs, is Nicholas Ray's scabrous
In A Lonely Plac
In A Lonely Place.
Unless you're a
voyeur that finds endless pleasure
in pretending you're underwater swimming behind Alba and her not - too - modest bikini bottoms, there's really not much here but lots
of noise and a convoluted plot that could only work when every character involved is a complete idiot (Hmmm... Walker and Alba might be perfectly cast here after all).
We the audience are virtually
in the scene with the lovers like
voyeurs, or even more intimately, as part
of a «menage a trois.»
Meanwhile, The Last Samurai lifts the nursing - from - injury / courtship / surrogate father cycle whole from Peter Weir's Witness (an accidental
voyeur moment nearly shot - for - shot), marking the piece as over-familiar even as the realization that we are
in this film only about sixty - years before the Japanese begin their massacre
of the Chinese at the onset
of WWII provides the piece a sort
of ambivalence that compels as the one thing truly its own.
For those thrill seekers that are the ultimate
voyeur in the most desperate
of times and post videos on YouTube, Vine and Twitter
in hopes
of becoming a trending topic for their 15 minutes
of fame»» this film is for you.
In the final scenes, a brilliant mix of contrivance, intimacy, distance, and dramatic closure peered into like a voyeur, questions of performance and spontaneous action are tossed to the wind in a moment of emotional powe
In the final scenes, a brilliant mix
of contrivance, intimacy, distance, and dramatic closure peered into like a
voyeur, questions
of performance and spontaneous action are tossed to the wind
in a moment of emotional powe
in a moment
of emotional power.
Let's listen to Blackwood now, speaking not
in Private Conversations but about it: «On the set
of John Huston's Under the Volcano I had been very much a
voyeur, observing without interfering.
Haneke, whose eclectic output includes Funny Games (both the original Austrian version and the 2007 American remake), Code Unknown, Caché and The White Ribbon, has proven time and again that he loves using the tools
of cinema to implicate the audience — as participatory
voyeurs —
in the turbulent lives
of his characters.
We live
in a world
of voyeurs and exhibitionists.
I wanted to write a book that was complex; to offer something for the
voyeur, the psychoanalyst, the lover
of memoirs and the romance reader, and insight for those who wonder what really happens
in an affair.
But what truly arrested me about this book was quite simply the thrill
of being a
voyeur in the world
of the bachelor.
«The
Voyeurs,» with a print run
of about 7,000, was printed and bound
in China.
In September his tiny company, Uncivilized Books, released «The
Voyeurs,» a new 160 - page graphic novel by Brooklyn - based cartoonist Gabrielle Bell, an indie comics star who the New Yorker called «a master
of the exquisite detail.»
The
Voyeur's Motel by Charles Frazier From Gay Talese, a remarkable new work
of reportage more than thirty years
in the making.
Feed your inner
voyeur and watch this funny video blow - by - blow
of a day
in the life
of me house - sitting
in Tokyo.
While my figures do not live
in «Eden,» I think seeing that painting gave me permission to keep the viewer at a distance and allow them to either invite themselves
in all the way as part
of the painting or choose to be a
voyeur.
LONDON — Corbett vs. Dempsey is proud to present Limp
Voyeur in a Humid Landscape, a solo exhibition
of 1960s paintings and works on paper by gallery artist Dominick Di Meo at Thomas Dane Gallery, London.
Why do you think we have such a rich panorama
of precedence from Duchamp, who brilliantly summarized nearly every avenue
of the visual arts
in «Etant donne:...», which merged painting, sculpture, installation, viewer participation, perspective,
voyeur, high craftsmanship, shoddy behind the scenes facade construction, performance... it goes on.
The Petzel Gallery
in New York is currently showing a selection
of these rare works
in the exhibition The
Voyeur: Photoroman Collages, 1976 - 1979.
Her work as a curator includes exhibits «The «F» Word: Feminism
in Art» a group show
of 20 female artists, «Human / Nature» a group show revolving around environmental themes and «Allegories
of The Held», a solo show
of works by artist Jennifer Caviola aka Cake, as well as «The
Voyeur» exhibit at Art Basel Miami sponsored by The American Friends
of The Louvre.
Instead
of an immediate reaction (dialogue) between the viewer and the artwork, here the viewer,
in a sense, becomes witness or
voyeur to the relationship.
«This annual
voyeur - a-thon will give you the opportunity to poke your head into dozens
of art studios
in Bushwick, Ridgewood and Bed - Stuy.»
Bushwick Open Studios This annual
voyeur - a-thon will give you the opportunity to poke your head into dozens
of art studios
in Bushwick, Ridgewood and Bed - Stuy on Saturday, June 6 and Sunday, June 7 from noon to 7 pm.
Each piece is situated
in a liminal, transitory space that complicates otherwise familiar places and implicates the role
of the witness and the
voyeur.
By placing the viewer
in the position
of voyeur, Tracey Snelling calls attention to the ways
in which film noir and other elements
of popular culture have shaped our shared consciousness.