Sentences with phrase «of war photography»

She curated or co-curated over 40 exhibitions, most with accompanying catalogues, including surveys on the Czech Avant - garde, a history of Japanese photography, and a history of war photography as well as exhibitions with catalogues on works of Robert Frank, Brassai, Catherine Wagner, Joel Sternfeld, Richard Misrach, Ray Metzker, Louis Faurer, George Krause, and Chen Changfan.

Ben Khelifa, who has trained his lens on subjects in more than 80 countries, including Iraq and Afghanistan, says he was motivated in part by frustration with the limits of war photography and its power to produce real change.

JEFF KOONS talks politics and fear; the three - part series AXIS OF EVIL profiles artist ANDREAS GURSKY penetrating the geo - political fortress that is North Korea, artist TREVOR PAGLEN turning his lens to the moonlight activities of the CIA, and photographer SIMON NORFOLK revealing new forms of war photography; Vogue features editor SALLY SINGER enunciates optimism and Vogue «s idea of life;

Armstrong tracks the influence of Mathew Brady, who changed the course of war photography, and whose stable of photographers shaped our vision of the Civil War.

Not exact matches

When a Norwegian newspaper editor — who posted the photo as part of a series on war photography — tried to re-post it, along with a response from Phuc herself, his account was suspended.

Just a few weeks ago, the social network repeatedly deleted posts and suspended the account of a Norwegian newspaper editor after he published a Pulitzer Prize - winning photo of a young Vietnamese girl running away from her bombed village in 1972, as part of a series on compelling war photography.

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More generally, she hopes to demonstrate the archaeological value of using noninvasive methods like lidar and high - resolution photography to explore sensitive areas — techniques that could be used at sites as diverse as the killing fields in Cambodia and World War II — era shooting trenches in Eastern Europe.

Planet Books / / Specialised reference books, arts, fashion, architecture, design, photography, war, self - help, history, travel, cooking, kids, teens, fiction, classic novels and a lot of gifts Planet Music & Video / / Alternate films, foreign cinema, limited editions, records, cd's, collectables Miraposa / / Luxe Beauty, Body and Skin Care products, Fragrance & Candles flower places

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Perhaps best remembered for their mid-century plywood and fiberglass furniture, the Eames Office also created a mind - bending variety of other products, from splints for wounded military during World War II, to photography,

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

After the war, he continued to work as a director of photography and was noted for his exquisite work on the films of John Ford.

Lucasfilm and director Rian Johnson have announced the end of principal photography on the 2017 sequel to «Star Wars: The Force Awakens.»

Director of photography Rob Hardy beautifully captures the disparate environments of the three main characters (Caleb's environment is appropriately a mix of the two worlds) who are subtly but undeniably all playing a game of tug of war with one another.

Benicio del Toro, Laura Dern and newcomer Kelly Marie Tran have joined the cast of «Star Wars: Episode VIII,» which began principal photography this morning at Pinewood Studios in London.

He also announced that the film is half way through principal photography as we etch closer to the December 2017 release date in which we get the continuation of the story began in Star Wars: The Force Awakens.

Behind the scenes, Dougherty's creative team includes director of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production designer Scott Chambliss («Guardians of the Galaxy Vol.

In selecting a director of photography for his haunting, elegiacal war drama, Malick chose two - time Academy Award - winning director of photography John Toll, ASC (Legends of the Fall, Braveheart), whose work on The Thin Red Line recently earned him both the New York Film Critics» and National Society of Film Critics» awards for Best Cinematography.

Retelling the L. Ron Hubbard origin story as a way of exploring American masculinity after World War II, The Master spoils its audience with rich photography from Mihai Malaimare Jr. (replacing regular Anderson DP Robert Elswit), a dreamy Jonny Greenwood score, and two dueling lead performances that infuse Anderson's fifth feature with a jolt of darkly comic energy.

Vying for their first nods are Danish Dan Laustsen for Guillermo del Toro's lush»60s romantic fantasy - thriller, «The Shape of Water,» Dutch Hoyte Van Hoytema (BAFTA - nominated for «Interstellar» and «Tinker Tailor Soldier Spy») for his 65 mm photography on Christopher Nolan's World War II epic «Dunkirk,» and Rachel Morrison, who is the first woman to break into the ranks of nominated directors of photography for Dee Rees» southern epic «Mudbound.»

FEBRUARY 21, 2017 — Cameras are rolling on the adventure - filled past of the iconic scoundrel and everyone's favorite Wookiee; principal photography on the untitled Han Solo Star Wars Story officially began February 20 at Pinewood Studios, London.

Principal photography took place that year in the plains of Alberta, Canada (standing in for the Texas panhandle shortly before World War I), and the movie that emerged in 1978, after two years of editing, did away almost all of it.

John Frankenheimer (who replaced the film's original helmer, Arthur Penn, at Lancaster's request) directs with a muscular style that puts the themes into action and the crisp black and white photography captures the busy industrial detail of the train yard and the gritty war - torn atmosphere of France in the final days of the German occupation.

That's not to everybody's taste — especially if you're not a fan of deeply restrained storytelling — but in The Beguiled, her work with director of photography Philippe Le Sourd turns a Civil War - era Southern plantation into a kind of horrible alien landscape.

With the release of Solo: A Star Wars Story a little over a week away, a new «Rebels on the Run» featurette has arrived online for the Star Wars anthology movie which includes interviews with director Ron Howard, director of photography Bradford Young, stars Donald Glover and Emilia Clarke, and members from the hair, make - up, costume, -LSB-...]

Inspired by a true story from the Civil War and rewritten as comedy with a romantic air and a happy ending, it maintains an admirable fidelity to authenticity in costumes and props — the imagery evokes Matthew Brady's Civil War photography — and the visual scope of the film is not simply impressive, it is dramatic and cinematic and at times awesome.

Although principal photography of Marvel's «Avengers: Infinity War» isn't scheduled to begin until November, directors Anthony and Joe Russo today unveiled a behind - the - scenes look at Thanos actor Josh Brolin dressed in his motion - capture suit.

Salute to France (1944) U.S.A. Production Company: Office of War Information Project Officer: Burgess Meredith Distribution: United Artists Screenplay: Philip Dunne, Jean Renoir, Burgess Meredith Photography: George Webber (Army Pictorial Service) Music: Kurt Weill Supervising Editor: Helen van Dongen Editors: Marcel Cohen, Maria Reyto, Jean Oser Technical Advisor: Office of Strategic Services Cast: Burgess Meredith (Tommy), Garson Kanin (Joe and Commentary Voice), Claude Dauphin (Narrator and French soldier)

The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).

It's the most influential American action movie of the decade, and if you've seen John Wick, you've seen its influence on everything that has come after, up to and including Marvel movies (the co-directors of the first JW directed the second - unit action photography for Captain America: Civil War).

A U.S. Dramatic Special Jury Award for Best Cinematography was presented to: Director of Photography Daniel Landin for The Yellow Birds (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto)-- Two young men enlist in the army and are deployed to fight in the Iraq War.

This is a story set in the years immediately following the Civil War in and around the state of Arkansas and the adjacent wilderness, shot in stark photography by the master cinematographer and Coen collaborator Roger Deakins.

Of Guatemalan - American descent, Benjamin witnessed the effects of transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia UniversitOf Guatemalan - American descent, Benjamin witnessed the effects of transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia Universitof transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia Universitof the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia University.

20th Century Battlefields by Peter and Dan Snow Medal of Honor by Peter Collier, photography by Nick Del Calzo The Bedford Boys by Alex Kershaw The Coldest Winter by David Halberstam Franklin and Winston by Jon Meacham Now the Drum of War by Robert Roper Eleventh Month, Eleventh Day, Eleventh Hour by Joseph Persico 11 Days in December by Stanley Weintraub Jarhead by Anthony Swofford

Through lovingly drawn, complex characters and explicit details about photography, Dowell introduces a war that will seem familiar to contemporary readers in spite of the historical setting.

Past, present and future collide in glorious ways in these art and photography books, whether it's a modern photographer witnessing history come alive on Civil War battlefields or a discussion of why the Yellow Brick Road was yellow in The Wizard of Oz.

Allyson Latta a picture's worth 1000 words author interview Blog of Green Gables Canada) Carin Makuz Cheryl Andrews Christy Ann Conlin Costa Rica creative nonfiction Endymion Studios Photography family history Kristen den Hartog life writing lifewriting Matilda Magtree memoir memoir writing memories Memories into Story memory memory prompt memory trigger memory triggers nature photography poetry publishing success Second World War Seven Treasures (a memoir series) short memoir summer travel visual writing prompt wildlife Wordless Wednesday writers retreat writing writing advice writing contest writing inspiration writing method writing prompt writing tip wPhotography family history Kristen den Hartog life writing lifewriting Matilda Magtree memoir memoir writing memories Memories into Story memory memory prompt memory trigger memory triggers nature photography poetry publishing success Second World War Seven Treasures (a memoir series) short memoir summer travel visual writing prompt wildlife Wordless Wednesday writers retreat writing writing advice writing contest writing inspiration writing method writing prompt writing tip wphotography poetry publishing success Second World War Seven Treasures (a memoir series) short memoir summer travel visual writing prompt wildlife Wordless Wednesday writers retreat writing writing advice writing contest writing inspiration writing method writing prompt writing tip writing tips

An ABC Of Cat Care 1961 & 2003 Brief History of Cats & the Law Caring For Cats During the World Wars Cats, Fits and Megrims in the Nineteenth Century Cat Photography & Cat Artists (1903) Early Genetics papers on Coat Colours in Cats (Genetics) History of Cat Rescue - SPCAs, Bands of Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (GeneticOf Cat Care 1961 & 2003 Brief History of Cats & the Law Caring For Cats During the World Wars Cats, Fits and Megrims in the Nineteenth Century Cat Photography & Cat Artists (1903) Early Genetics papers on Coat Colours in Cats (Genetics) History of Cat Rescue - SPCAs, Bands of Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cats & the Law Caring For Cats During the World Wars Cats, Fits and Megrims in the Nineteenth Century Cat Photography & Cat Artists (1903) Early Genetics papers on Coat Colours in Cats (Genetics) History of Cat Rescue - SPCAs, Bands of Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue - SPCAs, Bands of Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Geneticof Cats (Genetics)

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At Gladstone Gallery, Thomas Hirschhorn explored «de-pixelation,» or the removal of blurs and pixels that typically obscure graphic images in the media, drawing a line between fake news, modernist abstraction, fashion advertising, and war photography.

Samira Yamin's work explores the narrativization and representation of war through an interrogation of documentary war photography.

Debi Cornwall will be giving a public talk with Lewis Bush at Photography in the Age of Global Surveillance and Perpetural Wars.

His career spans his resistance to the Viet Nam war, the 1980's Pictures Generation, the 1990's Los Angeles social activist community, and the current era of experimental digital photography.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

Gustave Courbet may have drawn on frank depictions of nudes and landscapes, and wars gave photography a greater urgency.

2011 Video Exhibition Highlights Wadsworth Atheneum's History Wadsworth Atheneum Receives $ 21,000 From NEA to Support MATRIX Exhibition Series Wadsworth Atheneum Commemorates Civil War's 150th Anniversary in New Collection Installation Claire Beckett / MATRIX 163 Opens Nov. 3 Robin Jaffee Frank Named Chief Curator and Krieble Curator of American Painting and Sculpture Wadsworth Atheneum to Receive Significant NEH Funding Wadsworth Atheneum Presents Photography by Patti Smith Shaun Gladwell / MATRIX 162 Opens June 2 Wadsworth Atheneum's Morgan Great Hall Opens to the Public

Philip «Snapdragon» Stern was an American photographer noted for his iconic portraits of Hollywood stars, as well as his war photography while serving as a U.S. Army Ranger in the «Darby's Rangers» unit in the North African and Italian campaigns during World War war photography while serving as a U.S. Army Ranger in the «Darby's Rangers» unit in the North African and Italian campaigns during World War War II.

She loves the photography displayed in the museum and recommends seeing Star Wars ™ and the Power of Costume when it opens November 13, 2016.

Mosse said in an interview with The British Journal of Photography «I wanted to export this technology to a harder situation, to up - end the generic conventions of calcified mass - media narratives and challenge the way we're allowed to represent this forgotten conflict... I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is construcPhotography «I wanted to export this technology to a harder situation, to up - end the generic conventions of calcified mass - media narratives and challenge the way we're allowed to represent this forgotten conflict... I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is construcphotography is constructed.»