Thanos might not have the physical intimidation of Christopher Nolan's Bane, the benchmark of physicality, but he is less of a pushover than Marvel's ensemble
of weak villains.
Marvel has long been levied with claims
of weak villains, but across nearly 20 films (and several TV shows) they've crafted a few of cinema's finest antagonists.
OK, the not so good stuff: I am beginning to despise 3 - D (it adds nothing, while diminishing the brightness of colors); Jotunheim (land of the Frost Giants) is plain, gray and boring; Natalie Portman, fresh off an Oscar is just terrible as an astro - physicist with a teenager - style crush on Thor; Tom Hiddleston as Loki is one
of the weakest villains I have ever seen in a super - hero / comic book movie; Rene Russo must not have read the script prior to accepting her role — she has about 3 lines and is totally wasted.
Not exact matches
Aside from the romantic interlude, this movie is bogged down by the
weak villains, neither
of whom are convincing or threatening in any manner (and this, like the comments made repeatedly about the virus and the cure, reflects on how the hero is perceived).
The plot is
weaker than some
of Marvel's more recent stories (I'm looking at you Winter Soldier), and the
villain is the biggest mustache twirling megalomaniac the studio has yet produced, but what it lacks in completely solid writing it makes up for in its wonderfully charming cast, an impressive use
of special effects, and at least a baby step forward as far as female supporting characters are concerned.
His presence as a competing
villain against the work
of Billy & Nick doesn't contribute anything to the story but a
weak adversary.
The
villains here are pretty
weak, even though a couple
of them are capable
of much more.
Apocalypse is a
weak, bland
villain, and a «Sweet Dreams» scene involving Quicksilver, that combines slow - motion and fast - moving elements, has the arrogantly, unfunny tone
of «X-Men» spinoff, «Deadpool» — and we don't want to go there.
The Avengers is the most overrated movie
of the year, people act like it was this big surprise, in reality the movie was going to be a big success no matter what, it was always going to make a lot money, but people kept saying how grate it was, and how it was the best movie
of the year, when in reality the movie was average, it was boring, there was zero tension, the
villain was
weak, the dialog was annoying and the characters were unlikable.The movie have a lot
of the same problems that everybody complaint in other movies like Transformers and Avatar, like to much special effects and
weak story.
by Walter Chaw John Dahl's latest foray into knock - off B - movie territory is Joy Ride, a film that indulges an awkward dedication to hiding the face
of its
villain (which results in the biggest cheat
of the film at its conclusion), presents predictably misogynistic victimizations for both
of its female characters (followed by
weak - wristed salvations), and demands an ironclad suspension
of disbelief that the bad guy is omniscient, omnipresent, and only ruthless when there isn't a long speech to be made.
Equally underused is the menace and power
of Mads Mikkelsen, who struggles to round out yet another
weak MCU movie
villain.
Amid much badly accented dialogue that does nothing to clear up the plot's convolutions, Kinnaman proves the film's
weakest link, chewing scenery so voraciously as the tale's nominal
villain that he ultimately undermines any faint semblance
of seriousness.
Nero's a bit
of a yelling
villain and Bana can only do so much to make him interesting and that's the film's one
weak point.
The Mother F**ker is a pretty
weak villain, a lot
of characters are totally underdeveloped, and some story elements were definitely a little messy.
Bobby Canavale is
weak as the
villain, some
of the humor didn't land, it can drag a little bit, and I do think certain scenes could've been filmed a little better but that doesn't take away from the enjoyment I did get from this film.
The
weakest part
of the design is the grille, a bit too Aston Martin influenced but finally looking rather like the mustache
of a nineteenth - century stage
villain.
Rorke is
of course supposed to act as the face
of the enemy, somebody we can focus our hatred on, but he's such a
weak villain that I honestly had no feelings toward him whatsoever, nor did I feel any dislike
of the Federation because they didn't seem to be any different from the United States.
But unfortunately, the
villain Delilah is the
weakest aspect
of the game, embodying the trope
of the sinister seductress to a T, with her sultry speech and her sexualized clothing and animations.
So for me, Cyrus is the
weakest of the
villains, which is ironic considering that Platinum is one
of my favorite Pokemon games.
Heroes can translate these into will powers, making them stronger on the battlefield, while
villains will be able to take advantage
of the yellow fear powers, strengthening themselves against
weaker parties.