Sentences with phrase «of white paint sitting»

I had the can of white paint sitting on the piano ready to go.

Not exact matches

When I glance down, I can see my toenails are painted a shade of vampy maroon, my feet sit flat against a white tile floor covered in a hideous patina of flour, sugar, and fiber particles that have migrated from the jute runner in the hallway.

'' [Topsøe] just went rogue and painted one of them,» Murphy said, referring to the DIY white - and - wood painted chairs we sat on.

The painted solid wood frame of the Blames high chair is available in bold red or black, and a simple white plastic tray sits on top.

So, as I sit here staring at these nimbus clouds so white they look painted onto the sky, I decide to compile a list of what I learned from Ronan.

A light beige upholstered bed sits against a beige wall painted Benjamin Moore Embassy Green and is dressed in blue bedding accented with a yellow chevron bolster pillow placed in front of blue and white pillows.

I also took some mini terracotta pots I had sitting around and gave them a quick coat of white spray paint, then gave them a copper ombré look by lightly layering the bottom with the copper spray paint.

The painting and the dresser are expertly blended with the help of the white lamp and the two busts that sit on the dresser.

I already painted white Christmas trees here and I have one of them sitting pretty in my black room.

The Mini Clubman is painted in a new matte white special color and sits on a new set of 15 - inch Oxigin rims, 8» x 18» wheels (also painted in white with use of special coating).

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

From the fat cat Skabenga who sits aloofly on the red carpet outside the hotel, to the lemon scented reception area and the striking black and white floor tiles (funnily enough we had the same tiles in our sunken lounge at home but the effect wasn't quite as striking and as a result they have disappeared under a lick of white road paint!)

In «Titanic Orange Sea» (2012), Bradford does something counterintuitive and inexplicable; she makes the sea a thickly painted orange rectangle with a diffuse stroke of white paint spanning both the top and bottom, turning the painting into a monochromatic abstraction on which both a ship and iceberg (an unavoidable collision and disaster) sit.

The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a small white plinth no more than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).

Untitled (2009) shows a woman sitting before a self - portrait and pointing to a white daub of paint on her oversized palette, as if to emphasise the lack of black tones required to complete her work.

Reinterpreting the Otto Dix image using recent polaroids of himself and Elke nude, sitting in a similar position as Dix's parents, the artist painted the figures using predominantly black and white palette and addressed the powerful themes of his celebrated «Avignon» canvases exhibited at the 2015 Venice Biennale.

«We're sitting in a room,» he says, «that down to the paint color and the trim and the carpet is a recreation of a more domestic visual experience that pre-dates the white - cube experience we have now in galleries.»

«I went there with the intention of studying writing and poetry, but the art teachers were totally electrifying,» she says, sitting in her high - ceilinged Gowanus cubicle amid black - and - white murals and colorful paintings of muscular female nudes, diving or in states of languorous repose.

Solo exhibitions include «The Birth of Form», Mothers Tankstation Limited, Dublin, 2017; «Doubles», Ideas Platform, Artspace, Sydney; «Jungle Paintings», Murray White Room, Melbourne; «Moods», The Young, Wellington, 2016; «Nine Times Modern Man and Moon», Siegfried Contemporary, London; «House of Joy / Hello Ladies», Chapter House Lane, Melbourne; «Alasdair McLuckie», with Mothers Tankstation, Liste, Basel, 2015; «Two Lovers Sit on a Beach Dreaming at the Night Sky as the Waves Wave Hello to their Eternal Moon Friend, Who Smiles and Waves Right Back», Murray White Room, Melbourne; and «Cosmic Soul Sugar», Studio 12, Gertrude Contemporary, Melbourne, 2014.

There was a painting that looked like a Milton Avery composition of an almost whimsical, white snow patch or pond surrounded by light brown earth and green - gray sky sitting on the high horizon.

The fragile Nadelman sat on an enormous pedestal in the middle of the room; the Oldenburg — the lone Pop work in the space — crowded out the best painting in the gallery, Jackson Pollock's pre-drip The Blue Unconscious (1946), on loan from a private collection; and the bright yellow hard - edge Stella, a significant recent acquisition, was inexplicably sandwiched between two black - and - white Franz Kline paintings, interrupting a potentially interesting conversation.

In the 1952 «event», the Black Mountain lecturer MC Richards and the poet Charles Olsen read poetry from ladders; Rauschenberg's «White Paintings» hung overhead while he played Edith Piaf records on an old phonograph; David Tudor played the piano; Merce Cunningham danced in and around the audience (chased by a barking dog); and Cage sat on a step - ladder for two hours - sometimes reading a lecture on the relation of music to Zen Buddhism, sometimes listening silently.

When I visit him in his studio [in the summer of 2003], he opens a good white wine, is slightly surprised when I decline to join him, and sits down in front of one his latest paintings, Les Baigneuses (The Bathers), completed in 2003.

Paintings on scrap wood, cardboard, and canvas hang on the walls or sit on the floor, while a spray - painted banner, reading «Do Your Part for the Resistance,» and an enormous black - and - white photograph dominate the upper portions of the space.

At a recent overly - crowded tour by Hilton Als of Alice Neel's stunning exhibition «Uptown» at David Zwirner, an elderly woman showed me a painting on her phone of a small girl sitting in a large chair wearing a blue and white ruffle dress.

For «Scan 1», Smith sat one group of white - robed performers in front of television commercials that asked them, according to pre-determined signals embedded in the skit, to blow bubblegum, smoke or stick out color - painted tongues.

In the latter case, the six pieces of fruit sit close to the bottom of the field — four are painted in black and two are in white.

three naked nymphets lounge in various positions in front of a blazing fire, while a fourth in the foreground sits in her underwear with her legs open talking on the telephone, her face painted white and purple and her expression innocent, happy, and crazed.

The surface of each form has been meticulously, painstakingly, covered by layer upon layer of colored enamel paint, and they sit boldly upon plinths constructed from stacked cardboard boxes painted white.

«When I go to the movies, I'm expected to identify with all of the characters, and most of them are white,» says the African - American artist Kerry James Marshall, sitting on the top floor of David Zwirner's immaculate gallery in a Mayfair townhouse in London, where his new exhibition of paintings Look See has just opened.

People were paid $ 20 a piece — in the form of a number check drawn by the artist — to sit at one of several tables and, using materials provided, paint a black, eight - inch - diameter dot on a white, 12 - inch square canvas.

She prefers her paint to be as thin as possible while still holding color so that the light of the white surface it sits on will suffuse and enhance the color.

It sits on a porous nanofilm of titanium dioxide (the stuff used to paint white lines on grass tennis courts) within the solar cell.

Oh my goodness... I think IF she plans on keeping it and not tearing it down and starting over, paint the outside, keep the white, do black shutters and a great color for the front door or get a new solid wood one, 2nd... on the inside, seeing that J Lo transformed her husband's NY place into more modern fare, I think that she would definitely add color (all the walls are white) in the lighter neutrals, reverse the dark stained wood molding in the sitting area around the ceiling and windows into something lighter to coordinate with whatever wall color she chooses or white, 3rd... she would remove most of the colonial furniture pieces, especially sofas and chairs, and add something with more interest, 4th... holy cow... that red carpet on the stairs would definitely go and she would do hardwoods, 5th... kitchen and FR complete overhaul, I can see her doing 2 different seating areas in the FR and gut the kitchen..

But I have a sitting room that is currently painted with 3 white walls and one wall of oak cabinets backed with that Melted Butter color.

We built on an addition of white side boarding 3 years ago and the addition has a pointed roof that comes down over an upstairs porch, we put in two bedrooms, a kitchen, bath and a library sitting room, the original part of the house was built 1979 and is ranch with a gable like picture I believe number 6 under the Victorian that was painted.

In the sitting room, the upper portion of the walls was painted soft gray while the lower portion was painted white to keep the baseboard heating units virtually invisible.

On one side of the living room sits an old buffet that I painted white a year or so ago.

With a matt white outside and a striking copper painted inside, simply light and watch the light dance through the windows of these little lightweight metal houses as they sit on the mantelpiece, window ledge or table.