Sentences with phrase «of white spray paint with»

Not exact matches

Marble Oval Coffee Table: West Elm Canvas Dauville Gold Glazed Large Porcelain Bowl: Amazon Coffee Table Books: Glamorous Rooms + Influence Arrows: Shop HDB Moroccan Rug: Rugs USA Vintage Clock Shelves: IKEA (DIY with gold spray paint) Fashion: 150 Years of Couturiers, Designers, Labels Leopard Print Velvet Pillow Covers: c / o Arianna Belle White + Silver Throw Pillows: Shop HDB Gold Clip Lamps: Land of Nod Gold Sphere: West Elm Gold Pig Bookends: CB2 Gold Decorative Hex Nut: Target Candle Cloche: HomeGoods Aztec - Print Fabric Box: HomeGoods Gold Capiz Box: West Elm Je Vouse Aime Print: c / o By Luciana Crème de la Crème Print: c / o By Luciana The Little Things Gold Foil Print: c / o Charm & Gumption Wishbone Print: c / o Lindsay Letters Love Is The Only Gold Striped Print: c / o Lindsay Letters Lips Watercolor Print: c / o THE AESTATE White Frames: Blick
I also took some mini terracotta pots I had sitting around and gave them a quick coat of white spray paint, then gave them a copper ombré look by lightly layering the bottom with the copper spray paint.
The tables were overflowing with wild table runners of foliage, flower filled lanterns, white candles and feathers with our vintage spray painted gold and copper animals dotted in the greenery.
I reused vintage chairs I had and gave them a fresh coat of white spray paint and paired them with this bench & driftwood stained outdoor table.
I mixed up a quick batch of my diy chalky paint primer that I use on 90 % of my projects and used my Homeright Finish Max to spray the chair back with my favorite white, Polished Pearl.
The «normal» ways of prepping furniture for new paint are sanding with fine sandpaper, using a deglosser such as Klean - Strip Liquid Sander Deglosser, or priming with a paint primer such as Krylon All - Purpose White Primer Spray.
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Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.
He liked the effect, and made it his own, combining the wiped marks with sprayed loops to create complex abstract fields that began to look, squinted at from a distance, like black and white reproductions of paintings by Franz Kline or de Kooning.
Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
Sometimes, as seen in 2008 at Gagosian, he brushes white paint over canvas saturated with sprays of red and blue.
Chris Martin contributes a massive paint and glitter - saturated canvas; Mary Weatherford provides a big piece with blue brushstrokes overlaid with white neon light; Sterling Ruby adds a jumbo spray - painted landscape; and Stanley Whitney displays one of his colorful geometric abstractions.
Defacement again came into productive play with Wool's Untitled (2007), spray - painted on linen and rubbed raw with turpentine, and Guston's North (1961 — 2), which used a similar method of scribbles of black paint bleeding into a white ground to produce dense passages of grey.
In other pieces — collected under the title «Pixelator» — the surfaces are instead saturated by a close - knit checkerboard pattern of black and white, always created with spray paint, as if the digital skin of the images had been examined with a microscope and expanded into an optical rendering of its makeup.
Splashes of pink spray paint and rhinestones adorn the black - and - white file pages, which are punctuated with officious markings, the redacted names of ten informants, hand - written margin notes, and a stamp on the first page of the file reading, «Historical Value / Do Not Destroy.»
His varied output includes 18 - foot - tall phallic «stalagmites» dripping with seemingly viscous urethane; rough - hewn ceramics with primordial glazes; paintings done with Robitussin - red nail polish or graffiti - like spray - paint; sculptures of smudged and scratched white minimalist forms; bus - sized cages on wheels; and videos of frustrated male pornstars masturbating to no end.
There you find an abstract painting by David Hammons made of Kool - Aid drink mix; «Cuddly Painting (Delft),» a faux - fur panel picturing animals in snow in the blue and white hues of Delftware by Sylvie Fleury; and a sheet of cardboard spray - painted silver with cut - out circles to represent Puritan stocks, by Cadypainting by David Hammons made of Kool - Aid drink mix; «Cuddly Painting (Delft),» a faux - fur panel picturing animals in snow in the blue and white hues of Delftware by Sylvie Fleury; and a sheet of cardboard spray - painted silver with cut - out circles to represent Puritan stocks, by CadyPainting (Delft),» a faux - fur panel picturing animals in snow in the blue and white hues of Delftware by Sylvie Fleury; and a sheet of cardboard spray - painted silver with cut - out circles to represent Puritan stocks, by Cady Noland.
One of the best - known pieces is a crude, collaged, black - and - white spray - painting on cardboard from 1989 with the words «Eat Human Flesh» and a picture of a now - forgotten teen celebrity.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
It also acquired three acrylic - on - canvas paintings from the»60s by Lawrence Weiner — No Title, Title Unknown and Yellow Wheel with Orange Border — plus three other»60s - era conceptual installations — A Wall Pitted by a Single Air Rifle Shot; Gloss White Lacquer, Sprayed for 2 Minutes at 40 lb Pressure Directly upon the Floor and A 36 x 36 Removal to the Lathing or Support of Plaster or Wallboard from a Wall.
The show includes a wood panel covered with black cedar shingles by Aaron Aujla (b. 1986); a vertical monochrome whose surface is marked by circular holes, which turn out to be the insides of plastic caps for cans of spray paint, by Dylan Bailey (1985); and a ghostly square monochrome whose surface is made from horizontal rows of strapping tape, translucent but reinforced with white string, by Chris Duncan (b. 1974).
Peppermint Ice Cream (2010) features a mix of red, blue and black spray - paint covered with a thin layer of white that looks as if it is oozing across the composition's wood surface.
From your recycling bin: • two 2L pop bottles (I used Coke Zero) • mouth was bottle • two shampoo or conditioner bottles (plastic deodorant containers may work too) • round plastic dip or spread container • thin cardboard from cereal boxes or something similar • paper towel tube From the thrift store or the back of your closet: • old purse with brown faux - leather straps From the craft store, hardware store or your supply cabinet: • scissors and x-acto knife • glue gun and glue sticks • white glue • masking tape • wire • spray primer • spackling paste • silver spray paint • craft paint in bronze, pewter and black • paint brushes
So my dad kindly hauled it out here in a trailer along with a bunch of other items he was hauling to their house out here in Arizona, and my mom and I spray painted it white when it got here and my dad reinforced it in the back with a metal mending plate where the crack was.
I want to paint my window sills white and get rid of the» 90's look and update baseboards as well, I was wondering if you painted your windows with a paint brush, or did you spray them with a paint sprayer so they didn't have paint brush lines?
After I finished painting the legs, I sprayed the top of the table with a couple coats of spray primer, and a couple of coats of Heirloom White - colored spray paint.
The white pumpkins were already white, but I sprayed the little orange one with some leftover gold spray paint and then rubbed some of Miss Mustard Seed's antiquing wax onto it to make it look kind of like old brass:
Source List: Wall Color — Glass Slipper in a matte finish by Benjamin Moore Trim Color — Simply White in a semi-gloss finish by Benjamin Moore Rug — Pottery Barn Kids (during a sale this summer — I would have preferred the larger size but because of the price difference went with the smaller option) Vintage Chair and Desk — White Home Market Dresser — Target about six years ago Banner — Made from leftover wallpaper (PiP Studio — Birds in Paradise in White from Decorate to Go) Piggy Bank — Target Box Under Piggy Bank — Joyfolie Crown — H&M Little Vase — Target Flowers — Trader Joe's Boots — Sheplers Candle Sticks — Pottery Barn years and years ago, spray painted gold Candles — World Market Book Ledges — Target
Then I sprayed the Barn door with 2 coats of Whisper White Enamel paint by Behr.
The base is a large grapevine wreath that I spray painted with one coat of gold spray paint, and a thin coat of white spray paint over the top.
In week 4, my plan was in place for a wood planked statement wall, the nightstand was painted and I gave an old lamp new life with a coat of gold spray paint and a new white linen shade.
Therefore, I ordered these in a sort of brushed bronze finish and spray painted them with Rustoleum flat white paint.
• Cluttered closet items to organize such as hats, mittens, ear muffs, etc. • Lightweight dowel rods cut to size — this project used two rods cut to 20 inches • Spray paint in the color of your choice — this project used white • Small curtain rings with clips — this project used seven • Command ™ Medium Wire Hooks — this project used four
In this space, an old door found in a burn pile was paired with a vintage gate — reclaimed from a dump and brightened up with a mist of white spray paint.
Spray - paint small pinecones in three complementary hues — here we used blue, white, and silver — and accent with small items such as stars and a length of chiffon ribbon.
They used to be a shiny silver and I spray painted them matte black, because if you can't tell I'm kind of obsessed with black and white.
For the background, lightly spray a piece of white board with silver paint.
Create snowflake - shaped ornaments by hot - gluing four small twigs together, spray - painting them white and attaching an ornament hook to the top of them with a dab of hot glue.
My husband and I bought lumber, had it custom cut to fit our requirements, spray painted them in Benjamin Moore's «Maritime White» (to match the background colour of the wallpaper) and then paired them with brackets from Anthropologie.
Instead of basic white paint, Sarah had an artisan spray the walls with a watered - down blend of several creamy hues before troweling the plaster — yielding a rich effect with tinges of gray and putty and yellow that's different in every room.
Frames — Salvation Army — I sprayed them with off white spray paint and inserted bath time photos of my kids.
I'm staring down (with a can of white spray paint in hand) all the dark oil rubbed bronze stuff I collected only a few years ago.
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