We've also looked at the presence
of women behind the camera in the film industry and found that there's a great disparity there also.
At a time when Hollywood is engaged in an ongoing dialogue about women directors, there turns out to be an abundance
of women behind the camera this year.
As for Rees, she made sure Mudbound was full
of women behind the camera, with Rachel Morrison (Dope, Fruitvale Station) handling cinematography, Mako Kamitsuna (Pariah) editing, Tamar - Kali (Bessie) composing music and Angie Wells (black - ish) leading the makeup department, among others.
Not exact matches
«Melissa [Rosenberg, the show's creator] is all about inclusion and representing
women and diversity in our show in front
of the
camera and
behind the
camera.»
Amy Pascal, who lost her job in the wake
of the attack, was just featured in The New York Times Magazine's look at
women behind the
camera in Hollywood.
«What we've seen through technological changes, the shift from film to video opened up a lot
of opportunities for
women to move
behind the
camera,» she said.
It wasn't until a while later that I noticed all
of my spare time was spent
behind the lens
of my
camera or buried in a stack
of women's magazines studying the way fashion editorials were put together.
Two
women stand with one
behind the other at a window and both facing the
camera; the second
woman shoots the first
woman in the back
of the head (we hear the loud gun report and see a flare
of light as the screen goes black and there's no blood).
Oscars 2018: The Post and Meryl Streep are Latest Additions to Record Year for
Women Behind and in Front
of the
Camera
ABOUT THE AWFJ and EDA AWARDS The Alliance
of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mo
Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association
of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about
women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mo
women — both in front
of and
behind the
cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition
of outstanding accomplishments (the best and worst) by and about
women in the mo
women in the movies.
The streamer's FYSee space at Raleigh Studios in Hollywood, Calif., was home to two such important conversations on Saturday — «leading the charge,» moderated by Variety's own Jenelle Riley, featured powerful
women in front
of the
camera, including Alison Brie («GLOW»), Danielle Brooks («Orange Is the New Black»), Sarah Gadon («Alias Grace»), and Regina King («Seven Seconds»); Variety «s executive editor
of TV, Debra Birnbaum, moderated a panel with those
behind the
camera — showrunners and «shot callers» Liz Flahive and Carly Mensch («GLOW»), Marta Kauffman («Grace and Frankie»), Gloria Allred («Seeing Allred»), Veena Sud («Seven Seconds»), Melissa Rosenberg («Marvel's Jessica Jones»), and Netflix's own vice president
of original series Cindy Holland.
The organization is dedicated to supporting film work by and about
women — both in front
of and
behind the
cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition
of outstanding accomplishments (the best and worst) by and about
women in the movies.
Whitney Cummings tries to breathe new life into the tired, men - are - like - this,
women - are - like - this style
of romantic comedy both in front
of and
behind the
camera with «The Female Brain.»
While the statistics are enduringly disheartening,
women have been working tirelessly
behind the
camera since the earliest days
of movies.
Our mandate is to recognize, support and raise consciousness about
women working in the film industry — in front
of and
behind the
cameras, and writing about film and the film industry — through coverage on our Web site at www.awfj.org, the presentation
of awards for outstanding achievements, and through outreach programs.
I think most Oscarologists project the chances
of a film this far out based on the pedigree and experience
of the man or
woman behind the
camera.
An inclusion rider means that those working on a production can request at 50 percent diversity within a production, meaning that in front
of and
behind the
camera, more
women, members
of the LGBTQ community and people
of different racial or ethnic groups must be hired.
We support work by and about
women — both in front
of and
behind the
cameras — through intra-group promotional activities, outreach programs and by presenting the AWFJ EDA Awards in recognition
of outstanding accomplishments (best and worst) in cinema each year.
Screenwriters Elizabeth Hannah and Josh Singer recount how their Pentagon Papers drama came to fruition with director Steven Spielberg and how
women in front
of and
behind the
camera came together to tell Katharine Graham's historic story.
«Wonder
Woman» Standard Definition DVD contains the following special features: · Crafting the Wonder · A Director's Vision: Themyscira: The Hidden Island · A Director's Vision: Beach Battle · A Director's Vision: A Photograph Through Time · A Director's Vision: Diana in the Modern World · A Director's Vision: Wonder
Woman at War · Warriors
of Wonder
Woman — · The Trinity · The Wonder
Behind the
Camera · Finding the Wonder
Woman Within · Extended Scenes · Blooper Reel
Creative talent returning
behind the
camera included director
of photography Erik Alexander Wilson («Tyrannosaur,» «Submarine»), production designer Gary Williamson («Bunny and the Bull,» «Submarine»), Oscar - winning costume designer Lindy Hemming («Wonder
Woman,» «The Dark Knight»), and editor Mark Everson («Mindhorn,» «Alan Partridge»), joined by editor Jonathan Amos («Baby Driver»).
To say film critics lack relevance ignores the cyclical nature
of abuse and neglect
of women and people
of color
behind the
camera.
A
Woman's Life could be an oppressive cinema outing if the quality
behind and in front
of the
camera wasn't so magnetic.
The following quote from Ryan Coogler, writer and director
of Black Panther — a superhero blockbuster — on working with Rachel Morrison, supports the notion that there is no reason for the dearth
of women cinematographers
behind the
camera when shooting action — or any other kind
of scene.
Writer - director Dash made a huge impact on indie filmmaking at a time when
women of color were rarely seen
behind the
camera.
Not so in the case
of Greta Gerwig, as from the looks
of things the Frances Ha and 20th Century
Women actor has delivered a confident and substantial first feature
behind the
camera with Lady Bird.
The evening, presented by Max Mara and Lancôme, honored all the
women, in front
of and
behind the
camera, who have been nominated for an Academy Award this year.
Every Secret Thing is the rare contemporary film that focuses on female characters and gives
women the opportunity to tell their story, in front
of and
behind the
camera.
That these lighter textures
of mischief and spiritiness can be found in a story that ultimately sees most
of these young
women bartered off into marriage like chattel or worse, is a testament to Erguven's sensitivity and intelligence
behind the
camera, and to the uniformly winning performances she elicits from her largely non-professional cast, especially Günes Sensoy as the youngest and most irrepressible
of the sisters.
Regardless, it's definitely a positive to hear that this movie is still happening, and that it's got
women both
behind the
camera and in front
of it.
The 4 - year - old initiative, whose mission is to highlight to role
of women before and
behind the
camera, has already begun to bear fruit.
But this year, issues
of gender politics have leapt to the fore, with
women stirring things up
behind the
camera, in front
of it, and in the conversation.
Hot off
of his screen adaptation
of CORIOLANUS, Ralph Fiennes has stepped
behind the
camera once again for THE INVISIBLE
WOMAN, based on a...
Joanna Lumley's introducing speech pays tribute both to the celebration
of women's suffrage and to the Time's Up movement, while also stressing that the night is to celebrate all those involved in the filmmaking process: both in front
of, and
behind the
camera.
KTEP 88.5 FM's ON FILM host Charles Horak discusses The Alliance
of Women Film Journalists» annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about w
Women Film Journalists» annual and festival EDA Awards recognizing the work and contributions done by
women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about w
women and about
women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about w
women, both in front and
behind the
camera, points to the decreased level
of opportunity for
women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about w
women behind the
camera in 2016, and elicits a list
of must - see undervalued 2016 films by and about
womenwomen.
We need more
women — not just
behind the
camera, but in all aspects
of the business.
The Alliance
of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the
Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association
of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about
women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the
women — both in front
of and
behind the
cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition
of outstanding accomplishments (the best and worst) by and about
women in the movies, and EDA Awards at selected film festivals throughout the
women in the movies, and EDA Awards at selected film festivals throughout the year.
«
Women don't get priority in front
of or
behind the
camera because ultimately, at least at MGM, we're looking for the best person for the job.»
I'm very lucky to have worked with a lot
of women in powerful roles on set, both in front
of and
behind the
camera.
CBS held its first - ever «Eye Speak» summit in L.A. yesterday, which gathered powerful
women both in front
of and
behind the
camera at CBS Studios productions for an in - depth discussion about how to empower, inspire and provide opportunities for
women in the television industry.
Less a story
of how Wonder
Woman began, and more a tale
of living life on your own terms, Professor Marston and the Wonder
Women is sensual and smart, a stunning film with incredible and totally badass women both in front of and behind the ca
Women is sensual and smart, a stunning film with incredible and totally badass
women both in front of and behind the ca
women both in front
of and
behind the
camera.
Hollywood's getting a little better at telling stories that incorporate more diverse perspectives, with
women and people
of color getting more opportunities both in front
of the
camera and
behind it.
Despite the massive financial success
of recent movies like Get Out, Black Panther and Wonder
Woman, the film industry has still been incredibly slow to diversify its talent both in front
of the
cameras and
behind them.
Portman's effort
behind the
camera yields one
of the film's most forgettable segments in the story
of an apparent manny (that's «male nanny», impressed
women explain) enjoying a day in Central Park with a playful young girl.
It not only sheds light on a pivotal, and little seen, moment in
women's» history, but it also features a plethora
of strong female talent both in front
of and
behind the
camera.
ABOUT THE EDA AWARDS: The AWFJ presents EDA Awards to honor
women's achievements in front
of and
behind the
cameras.
ABOUT THE ALLIANCE
OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movie
OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mo
WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association
of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movie
of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on
women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mo
women's voices in the film community by broadening opportunities for
women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mo
women who write about film and supporting films by and about
women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mo
women — both in front
of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movie
of and
behind the
cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition
of outstanding accomplishments (the best and worst) by and about women in the movie
of outstanding accomplishments (the best and worst) by and about
women in the mo
women in the movies.
The success
of Patty Jenkins» 2017 Wonder
Woman was undoubtedly groundbreaking as comic book adaptations seek to elevate their female characters by adding more
women behind the
camera.
While we mourn the passing
of fiery actress Maureen O'Hara, we look to the need for more
women in front
of the
camera,
behind the
camera and in the boardroom.
Left to its own devices, the industry hasn't managed to implement meaningful and sustained change for
women and people
of color — not to mention other underrepresented groups — both in front
of and
behind the
camera.