A new series
of woodblock prints published by the LeRoy Neiman Center for Print Studies, Columbia University, featured at the E / AB Print Fair, 2017
Part of a series
of woodblock prints, Chia's Surprising Novel: Chapter Six is rendered in the artist's typically vibrant palette, building a narrative that follows dynamic figures.
Part of a series
of woodblock prints, Chia's Surprising Novel: Chapter Seven is rendered in the artist's typically vibrant palette, building a narrative that follows dynamic figures.
This comprehensive survey is comprised
of woodblock prints, visceral cement sculptures, drawings, installations, and politically - charged performances and film, and spans over five decades of the artist's career.
His recent inventive, refreshing exhibition — Brandt's first solo show in Europe — presented three series
of woodblock prints, all made on the artist's handmade paper with his handmade ink, in frames crafted by him from his own matrices.
In addition to the exhibition
of her woodblock prints, the Clark presents As in Nature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the artist.
Galería Elvira González presents Judd: Furniture & Prints, a solo exhibition
of woodblock prints and furniture in wood and metal by Donald Judd.
Meanwhile, other examples
of woodblock prints can be seen at Lady Lever Art Gallery in the autumn, where works owned by local collector Frank Milner reveal the celebrities, sports champions, fashion icons and villains of 19th century Japanese culture.
Analysis
of woodblock prints provides unusual insight into wood - munching critters» territories
Water and Shadow: Kawase Hasui and Japanese Landscape Prints emphasizes Hasui's earliest and most creative period
of woodblock print design from 1918 to the Great Earthquake of 1923, when many of his early prints were destroyed.
Utamaro, the Japanese master
of the woodblock print, is one of Katz's own eclectic reference points — along with Jackson Pollock, Sixties television advertisements and an Egyptian sculptor from the second millennium BC.
Except for a central column covered in brightly colored strips, the patterning is black and white, and it was made by means
of woodblock printing and high - gloss house paint....
He works in the ancient tradition
of woodblock printing using as many as 15 colors in a single print.
Benjamin Buckley @ Space Station East meets West in these prints that lean on the traditional art
of woodblock printing.
Researchers have developed a new technique for printing live cells by drawing inspiration from an ancient Chinese method
of woodblock printing...
Not exact matches
Rabble wines include single varietals with labels showcasing a selection
of historical
woodblock print renditions from the Nuremberg Chronicles from the 1400s.
Inspired by
woodblock motifs from India, our
print features shades
of pretty plum and alluring aqua.
But a Hayao Miyazaki
print done in the style
of Japanese
woodblock prints may just come close.
The special display will also feature some memorabilia and artwork including large
woodblock country music concert
prints by Hatch Show Prints of Nashville and Print Mafia of Bowling Green, various pieces of country music memorabilia and autographed
prints by Hatch Show
Prints of Nashville and Print Mafia of Bowling Green, various pieces of country music memorabilia and autographed
Prints of Nashville and
Print Mafia
of Bowling Green, various pieces
of country music memorabilia and autographed items.
A spare, lyrical narrative and delicate
woodblock print and pencil illustrations capture the anticipation
of spring.
This photo gallery represents my third take on the famous Japanese
woodblock print series «12 Views
of Mt. Fuji», which showcases the nearly - symmetrical Mt. Fuji from 12 outstanding vantage points around the Japanese countryside.
The game concept is inspired by an appreciation for the craft
of ukiyo - e Japanese
woodblock prints and their depiction
of the environment and natural phenomena.
Within a week
of MoMA's reinstall, the Metropolitan Museum
of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue
of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese
woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver
prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.
Elsewhere throughout the exhibition, Asian art abounds: from Zao Wou - ki's 1953 «Lune Noire,» a dreamlike vision
of blue and gold, to the delicately detailed ukiyo - e
woodblock prints, to Nam June Paik's «Global Grove,» an avant - garde 1970s video art that both reflects on and foreshadows the growing impact
of television as «the landscape
of tomorrow.»
(1) The nine
prints on view from the 1960s, 70s and 80s, demonstrate his mastery through lithography, etching, silkscreen, and
woodblock, and further illuminate his extensive exploration
of line and mark making.
In his main studio, a kind
of square box with tall ceilings, were his
woodblocks — both the abstraction shown here and large
prints of vintage punk album covers.
Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese
woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language
of modern life, with the fundamentals
of art history.
In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups
of prints: seven enormous
woodblocks; a series
of unique body
prints; a group
of ten aquatints, collectively titled Matrix I — X; and eleven small line etchings.
Photograph
of the exhibition «Views
of Japan: Modern
Woodblock Prints by Hiroshi Yoshida,» June 20 - September 27, 1987, held at the Dallas Museum
of Art.
Zheng Xuewu orchestrates complex compositions by actively and freely transferring, one - by one, many hundreds
of images onto paper using hand - carved
woodblocks, cast metal
printing type, stamps and found objects as
printing tools.
Checklist
of works in the exhibition «Views
of Japan: Modern
Woodblock Prints by Hiroshi Yoshida,» June 20 - September 27, 1987 held at the Dallas Museum
of Art.
Her blend
of vintage
woodblock prints, antique texts and vintage sutras provide us with a rich and delightful viewing experience — Golden Poppy Acrylic, ink and watercolor on mixed media collage on paper — pictured above.
Each
print is unique, and painstakingly produced by an arrangement
of flower - shaped
woodblocks, each
printed in a single color.
Examples
of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use
of a recycled floorboard for her
woodblock print; Bourgeois» sculptural treatment
of the engraving process; and Nevelson's use
of fabric dipped in acid to create etching directly on the plate.
Then, I returned to the
Print Studio, cut a similar set
of stencils to those used in the Blue Lagoon sculptures, and used them to make a series
of large - scale
woodblock prints editioned on a traditional press.
New
Woodblock Prints Albert Merola Gallery Provincetown, MA Headless — Recent Paintings Barbara Krakow Gallery Boston, MA Rain Mary Ryan Gallery New York, NY The Seasons Museum
of Fine Arts Bostons Boston, MA
In the centre
of the gallery, he set up a fully functional
print studio, where he was present with a team
of assistants two afternoons per week, making carefully carved
woodblock prints as visitors observed him.
Sumptuous color plates showcase a dazzling array
of achievements — including Shanghai School paintings, modern calligraphy, commercial art, 1920s and 1930s
woodblock prints, modern guohua (traditional ink and color paintings), socialist realist paintings and other contemporary works.
These striking
prints by the Japanese - American artist and longtime Berkeley professor Chiura Obata present the classic American landscapes
of Yosemite and the High Sierra in the tradition
of Hokusai's 36 Views
of Mount Fuji, executed with a traditional Japanese
woodblock technique.
The exhibition highlights the influence
of Japanese art on Van Gogh with 60
of his paintings and drawings — and a collection
of Japanese
woodblock prints by Hiroshige, Hokusai and Kuniyoshi
The exhibition spans more than a century
of Japanese color
woodblock printing as represented by three generations
of artists who produced
prints from the 1830s to the 1970s.
Kawase Hasui (Japanese, 1883 - 1957), Asahi Bridge, Ojiya, from the series Souvenirs
of Travel, Second Series, August 14, 1921,
woodblock print, ink and color on paper.
Drawing inspiration from the rawness and decay
of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and
woodblock printing techniques.
Now at Chelsea's David Nolan Gallery, «Mel Kendrick:
Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoo
Woodblock Drawings» reassembles a series
of large - scale
woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoo
woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets
printed with equally enormous plywood stamps.
Water and Shadow: Kawase Hasui and Japanese Landscape
Prints presents more than 100 woodblock prints, rarely - seen screens, scroll and fan paintings, and preparatory materials that explore the dynamic early work of famous Japanese landscape artist Kawase
Prints presents more than 100
woodblock prints, rarely - seen screens, scroll and fan paintings, and preparatory materials that explore the dynamic early work of famous Japanese landscape artist Kawase
prints, rarely - seen screens, scroll and fan paintings, and preparatory materials that explore the dynamic early work
of famous Japanese landscape artist Kawase Hasui.
The selection presented here includes the work
of internationally renowned masters, such as Munakata Shikō, whose bold monochrome
woodblock prints redefined the possibilities
of that time - honored process, and Hamaguchi Yōzō, whose meticulous mezzotints inspired an entire generation to take up that demanding technique.
Yun - Fei Ji (Chinese, born 1963), «Migrants
of the Three Gorges Dam,» 2009, hand -
printed watercolor
woodblock mounted on mulberry paper and silk, 18-1/8 x 348-3/8 inches, number 106 from edition
of 108
Japanese Impressions: Color
Woodblock Prints from the Rodbell Family Collection is the first exhibition at the Clark to focus on the Institute's permanent collection of Japanese p
Prints from the Rodbell Family Collection is the first exhibition at the Clark to focus on the Institute's permanent collection
of Japanese
printsprints.
More recently, his work has addressed social and political controversies through large - scale narrative paintings that combine elements
of the Japanese
woodblock print with inspiration from Renaissance church art.
Frankenthaler has worked with Pace
Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut
printed from 15
woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book
of Clouds,» a large - scale
print using a combination
of aquatint, woodcut and pochoir techniques.