Sentences with phrase «of young sculptors»

On the other hand, though he did cause a lot of young sculptors to make abstract sculpture in welded steel, his example led others to find their own methods and idioms, even to reject formal sculpture altogether — for example, the young Barry Flanagan, Bruce McLean and the Gilbert and George partnership.

Claire Barclay is a leading figure in a generation of young sculptors that have defined a re-engagement with materials and the process of making artwork.

Not exact matches

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Ostensibly visiting so she can pose for sculptor Ian, her real purpose (in this dirty - old - man reverie of a flick) is to stir up the collective testosterone — old and young.

On the other hand, the treasure hunters are portrayed by an all - star international cast: married art expert James Granger (Matt Damon), the youngest of the lot, architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), French art dealer Jean Claude Clermont (Jean Dujardin), art historian Preston Savitz (Bob Balaban) and alcoholic British art expert Donald Jeffries (Hugh Bonneville).

I suspect that there are, and that generations of teachers — from master sculptors to piano teachers to sports coaches to parents of very young children — have used these principles naturally in their everyday teaching.

Meet Wyna Liu, a young mixed media sculptor and fabricator I met at the Museum of Arts and Design in New York City.

A YOUNG ARTIST BEAT THE ODDS Jeanne Walker Harvey's accessible picture book biography, Maya Lin: Artist - Architect of Light and Lines, is a handsome tribute to the visionary sculptor.

In 1550, Michelangelo's younger friend and colleague Giorgio Vasari published the first edition of his Lives of the Most Excellent Painters, Sculptors, and Architects (usually shortened to Lives of the Artists), a magisterial collective biography of the greatest Italian masters of the last three centuries.

Boston Globe's columnist Jim Berg covers the art section and gives the thumps - up or destroys the careers of upcoming young writers, musicians, sculptors, painters and actors.

This is the struggle of Pygmalion, a young sculptor, who finds himself drawn into the marital dispute of two very powerful gods.

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

RD: And then, then when I started getting into trouble with painting — I stay with it in spite of the trouble — but as a young sculptor now (chuckles) when I get into trouble, «No, no.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

He is one of the most important young sculptors working today, whose work has been included in the last two Whitney Biennials; the Lyon Biennale in 1997; and Sunshine & Noir exhibitions at the Louisiana Museum, Humblebaek; Castello di Rivoli, Italy; and the Armand Hammer Museum, Los Angeles.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

For the exhibition, Feelings has brought on a roster of iconic artists including Lynda Benglis and legendary sculptor John Chamberlain, as well as younger, equally innovative artists hitting the full stride of their careers like Jayson Musson and Justin Adian.

A Decade of American Drawings Whitney Museum of American Art New York, NY Young Americans — 35 Artists under 35 Whitney Museum of American Art New York, NY 1964 Painters and Sculptors as Printmakers The Museum of Modern Art New York, NY 14th Annual Print Exhibition Library of Congress Washington, D.C. 1963 National Prints Exhibition Brooks Memorial Gallery Memphis, TN 19th Annual Print Exhibition Library of Congress Washington, D.C.

From a major piece by one of the year's best - reviewed young artists to a head - turning historical prank by America's most famous living sculptor, these are works that could add major oomph to any collection.

1957 Fourth Annual International Art Exhibition, The Museum of Modern Art, New York, NY; National Museum of Modern Art, Tokyo, Japan Stable Gallery, New York, NY Young America 1957: Thirty American Painters and Sculptors Under 35, Whitney Museum of American Art, New York, NY

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Kenneth Armitage was one of eight young British sculptors, including Reg Butler, Lynn Chadwick, Robert Adams and Geoffrey Clarke whose work, when first shown at the Venice Biennale in 1952, was dubbed by Herbert Read «the geometry of fear».

The artist not only advanced the medium of clay — a hero for young and experimentally - inclined clay sculptors — he changed our system of value for what is the humblest of mediums.

[2][10] They were a gathering of young painters, sculptors, architects, writers and critics who were challenging prevailing modernist approaches to culture as well as traditional views of fine art.

1959 Six Young Americans, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY Documenta II, Kassel, Germany Ten Painters and Sculptors, The Fifth Säo Paulo Biennale, Brazil Turin Art Festival, Torino, Italy

In addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

Established artists Simon J Harris, Steven MacIver and Henrietta Dubrey all bring a unique interpretation to the medium of oil on canvas while Mark Beattie, a young sculptor who burst onto the London art scene a couple of years ago, brings a freshness of approach to formalistic pieces.

While critics frequently compare Dona Nelson to far more celebrated postwar painters, «Painters Sculpting / Sculptors Painting» instead placed her work in conversation with that of a diverse group of younger artists.

European - born, Whitney - native curators Chrissie Iles and Philippe Berge organized the show and, in one section, traced the influence of Europeans like Martin Kippenberger and Thomas Schütte on a young American sculptors.

The project space's first few shows have focused on younger black artists who have had little market exposure, such as the Yale MFA student Vaughn Spann and painter and sculptor Leonardo Benzant, subjects of the current show «Homeostasis,» curated by black curator and Aljira Center director Dexter Wimberly.

McShine's 1966 exhibition, Primary Structures: Younger American and British Sculptors, at the Jewish Museum was the first museum survey of Minimalist art.

[2] There he organized the first museum survey of Minimalist art, Primary Structures: Younger American and British Sculptors.

He questioned assumptions about form, material and subject matter in sculpture, and his work inspired a whole younger generation of British sculptors including Phillip King, Tony Cragg, Barry Flanagan, Richard Long and Gilbert & George.

In 1978 Peter HIDE, a young British sculptor, arrived to teach at the University of Alberta.

Upon graduation she was awarded the Kenneth Armitage Young Sculptor Prize, the Land Security Prize Award and was the winner of the Saatchi New Sensations.

The term «New York School», initially coined to describe a number of abstract painters and sculptors, widened to include younger artists and writers.

The first three ground - floor rooms trace Rodin's beginnings as a sculptor, from an early portrait of his pinch - faced father Jean - Baptiste Rodin (1860)-- the first sculpture he kept — to a terracotta bust of a Young Girl with Flowers on her Hat (1870), a vision as pretty as a Fragonard from his period in Belgium as an ornamental sculptor.

Ann Christopher has held numerous solos shows and also contributed to group exhibitions from the late 1960s onwards, winning several important prizes including the Peter Stuyvesant Award, the Daily Telegraph Magazine Young Sculptors Competition and the Otto Beit Medal for Sculpture of Outstanding Merit.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

The volume focuses on sixteen major works by the Young British Artists, a dynamic association of painters, sculptors, video artists, and photographers whose irreverent and genre - bending art first took London by storm in the late 1980s.

In 1980 she was the youngest female sculptor to be elected an Associate of the Royal Academy and in 1989 she became a full Royal Academician.

Previous exhibitions include: Uncertain States of America, a major survey of forty - five young American artists curated by Hans Ulrich Obrist, Daniel Birnbaum and Gunnar Kvaran (Summer 2006); major retrospective exhibitions of the Brazilian sculptor Tunga (1997) and American artist Dave Muller (2002); and the first museum exhibitions of Kara Walker (1995) and David Shrigley (2001).

Powell was inspired by Augusta Savage (A» 25), a young sculptor and the newly appointed director of the Harlem Arts Workshop.

During 2014, the Jewish Museum in New York staged «Other Primary Structures», a two - part update of their 1966 exhibition «Primary Structures: Younger American and British Sculptors», which established what would become the canon of minimalist sculpture.

Among several pieces, the showstopper is Crystal Cage (Berenice), a suitcase full of photos and papers collected by the assemblage sculptor that tell his invented story of a brilliant young girl.

When the show «Primary Structures: Younger American and British Sculptors» opened at the Jewish Museum, New York, in 1966, it was a watershed event that launched careers and inaugurated minimalism as a major movement of modern art.

Young Swiss artist Cristian Andersen builds a tower of unlikely objects, while British sculptor Gary Webb creates a modular column of colorful painterly blobs.

In a recent episode of his absorbing podcast, «Revisionist History,» cultural critic Malcolm Gladwell interrogates a statue modeled after a news photograph of a confrontation in 1963 between a police officer with a dog and a young black boy in Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their way.»

Latham, sculptor, conceptual artist and intellectual provocateur died in 2006, but his reputation seems to be getting ever stronger as a younger generation of artists catch up with his ideas.

Another notable artist of the pick is Helen Marten (b. 1985), a young experimental sculptor who presents hyperreal sculptures to test the boundaries between nature and commodity; she explains «we are generally obsessed with the «skins» of objects» without unpacking what they actually mean to us.