Sentences with phrase «of younger abstract painters»

What isn't well - known is the gallery's subsequent shift in favor of a group of younger abstract painters starting in the late 1950s into the 1960s.
Their intrinsic worth aside, Heilmann and Phelan are but two of a larger number of younger abstract painters whose work is critical to the larger practice of contemporary painting.
Abstract The same applies to non-representational painting which continues to attract a host of young abstract painters, and spawn numerous mini-movements, without producing the concomitant results one might expect.
This generation of young abstract painters employs practices that are fluid, referential, and self - aware.

Not exact matches

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.
P.S. 1 is proud to present a retrospective and the first solo exhibition in a U.S. museum of the renowned American abstract painter Peter Young.
Peter Young: 1963 — 1977 is the first solo exhibition in a U.S. museum of the renowned American abstract painter Peter Young.
The influence of abstract expressionism on Eggleston, partly through his friendship with the painter Tom Young, is addressed at points throughout the show, and it is important to recognise that perspectival lines, the balance of colour throughout a composition, and the presence of contextual details such as logos and pavements, are as important as the features, dress and celebrity identity of the subjects.
A recent spell in Bali has affected John Hoyland, prompting violent clashes and disturbances, a use of acrylics that mocks the controlled slippages and seepages of younger generation abstract painters.
In contrast to younger painters like Joe Bradley or Oscar Murillo who merely ape a vapid simulacrum of abstract painting's vocabulary, Jensen incorporates a larger and deeper understanding of the history of his chosen style.
Like a lot of people, my fantasy when I was younger was to be the kind of painter that that made big abstract paintings.
The term «New York School», initially coined to describe a number of abstract painters and sculptors, widened to include younger artists and writers.
One of the younger members of the New York School painters, Richard Pousette - Dart is also credited with having produced the group's first large - scale abstract painting, Symphony No. 1: The Transcendental, which he created from 1941 to 1942.
One of our favorite young abstract painters here at Supertouch is Brooklyn - based artist Eddie Martinez, whose show of gorgeous new work, Nomader, at Kohn Gallerycould easily be mistaken for a MoMA retrospective if you managed to forget what building you walked into.
They were so fresh and inventive, yet from their complexity and the assurance of the vocabulary — loose geometry, gridlike formations, unnamable shapes, and squiggly lines — I knew at once that this was the work of a confident and mature artist, even though it fit into the context of what many younger painters were engaged in at the time, when abstract painting had returned to issues of eccentric composition and irregular forms realized through diverse approaches of painting styles.
Cochrane took a special interest in the abstract painting being developed by Jean - Paul Riopelle and Nicholas de Stael in France, in the work of Jean Dubuffet and the Cobra painters including Asger Jorn, as well as some of the young Americans then active in Paris, such as Sam Francis and Ellsworth Kelly.
One of the first artists to convert to using it was a young abstract painter named Morris Louis.
It became a serial motif for her and linked her practice in New Mexico with that that of younger New York abstract painters, such as Mark Rothko and Ellsworth Kelly, who created multiple works around a repeated form.
Von Bartha's stable of artists runs pretty cool and abstract, with a solid helping of late - twentieth - century geometrical and minimal painters alongside younger artists.
One of our favorite young abstract painters here at Supertouch is Brooklyn - based artist Eddie Martinez, whose show of gorgeous new work, Nomader, at Michael Kohn Gallery could easily be mistaken for a MoMA retrospective if you managed to forget what building you walked into.
She's gone from California surfer - girl ceramicist in the 1970s to New York abstract painter — with nods to both Pop and Punk — a decade later, to eminence gris, School of Visual Arts professor and a potent influence on a younger generation of artists today.
They both knew that the two of us, I a young conceptual artist, and Goldberg an abstract painter had a common interest — though decidedly different views on the relation between art and politics.
The abstract painter's «thumping epic 25 - foot - wide painting installed at the Rubell Family Collection was * the * standout artwork of the week by any young -LRB-- ish) artist anywhere, in all of Miami Beach,» wrote the art adviser Todd Levin on his Facebook page — a sentiment that was echoed throughout the week.
Meanwhile, he became known as one of the most promising young abstract painters in his home country, Germany.
There is, in van Velde's work, a quality of indecision and incompleteness, of being improvised rather than planned, of being left in a transitional stage, in other words, of Provisionalism — as defined by Raphaël Rubinstein in his now famed article from 2009 — which makes it relevant to today's state of affairs in abstract painting as well as to the young painters loosely grouped under the name of New Casualists.
He is one of the youngest painters of the original group of abstract expressionist painters, which included Jackson Pollock, Willem de Kooning and Mark Rothko.Read more
It was left to de Kooning to give an almost physical reassurance and an imaginative sense of a possible future to younger painters in Europe and American in the late Fifties, when many artists were seeking out ways of sustaining the validity of figurative painting at a time when abstract imagery of all kinds seemed to be so strongly in the ascendant.
Of equally lasting importance, it was at the institute that Truitt met Kenneth Noland, the brilliant young painter who would go on to become one of the leading lights of the Washington Color School, a group whose abstract color paintings would lead the art - world limelight to shine oh so briefly on the nation's capital in the 1960Of equally lasting importance, it was at the institute that Truitt met Kenneth Noland, the brilliant young painter who would go on to become one of the leading lights of the Washington Color School, a group whose abstract color paintings would lead the art - world limelight to shine oh so briefly on the nation's capital in the 1960of the leading lights of the Washington Color School, a group whose abstract color paintings would lead the art - world limelight to shine oh so briefly on the nation's capital in the 1960of the Washington Color School, a group whose abstract color paintings would lead the art - world limelight to shine oh so briefly on the nation's capital in the 1960s.
This solo show gained him a reputation as one of the top young 20th - century painters, and a key exponent of Tachisme - the French gesturalist style of Art Informel - a European variant of abstract expressionism pioneered by the New York School.
These issues, however, had been redefined by a younger generation of abstract artists and theorists, the Minimalists and Color Field painters, into a question of painting's essential identity: was it a thing or a surface or both?
Bavington, who lives in Las Vegas, makes a good example of how younger abstract painters reinterpret the styles of an earlier generation.
In your essay on young abstract painters, you mention that most of them are very idiosyncratic.
This is the case in the works of many young abstract painters today.
In his own idiosyncratic way, Qureshi combines these traditional motifs and techniques with conceptualism and abstract painting, and keen observations of current - day Pakistan are in evidence throughout this young painter's work.
You also might discover young abstract painters who claim that they are in the minority and that the art of the last 15 years has shunned abstraction, banishing it to the sidelines.»
One of the youngest members of the first generation of abstract expressionist painters, Price taught painting at UA from 1958 until his death in 1970.
With the auction prices of many once - fashionable young abstract painters now in decline, Mr. Wood has become the figurative painter of the moment.
Those weary of shows of austere, faux - naïve, inanely insider - y abstract painting will do well to visit this tight grouping of work by five promising, young painters whose work is joyfully brash, lively and sophisticated.
Allison Miller is a young abstract painter who lives in Los Angeles, a city of few pedestrians.
Many younger artists returned to observation around that time, but her exploration did not lead toward the abstract realism of painters like William Bailey or Janet Fish, where objects are rendered in great three - dimensional specificity, but to the creation of an alternate universe of «realist» abstraction.
In an informal lecture given many years ago, the abstract painter Robert Ryman remarked that abstraction is such a relatively young form of art that it was impossible for him to fathom how anyone could suggest that it might be exhausted.
Alex Bacon is a scholar, curator, and critic who has defended some of those abstract painters celebrated by collectors and maligned by critics — a loose group of young «sensations» called everything from «flip artists,» «crapstractionists,» «opportunists,» to «zombie formalists.»
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