Sentences with phrase «of zombie film»

And there is a conclusion — the claim that on the basis that a catastrophe is merely plausible, the institutional apparatus to prevent it is necessary — which has the moral depth of a zombie film's final moments.

Wyrmwood: Road of the Dead (Kiah Roache - Turner, 2014) Original low - budget Australian version of the zombie film made as a weekend - warrior effort over several years.

This is the problem with the rise of the vampire movie and the rise of the zombie film.

Warm Bodies was a great film that turned our expectations of a zombie film upside down, making the dead come alive and love again.

Kicking off with a Grindhouse style clip of a zombie film with a synth soundscape that would make filmmaker John Carpenter proud, it's clear that «Paranorman» is made by people with a love for the macabre side of movies.

In theaters February 1 from Summit Entertainment is Warm Bodies, a new kind of zombie film from All the Boys Love Mandy Lane director Jonathan Levine.

It is a totally different type of zombie film.

It flouts convention in a number of ways in service of its genre - mash - up agenda while still contributing something original to the tradition of the zombie film.

Between now and the release of The Final Chapter scores of zombie films are set to release.

There's been a lot of zombie films in recent years, so it's with some trepidation that I sit down to watch another one.

There's been a lot of zombie films in recent years, so it's with some trepidation Continue reading Shaun of the Dead →

REVIEW: CARGO is another one of those zombie films, like 28 DAYS LATER, where the «Z - word» is never mentioned.

At least it will never be considered the Twilight of zombie films.

The lessons are obvious, going over undead identification and useful melee weapons, but who knows, maybe there's someone out there that hasn't already picked up these tips from hundreds of zombie films, shows, games, comics, etc..

Not exact matches

NEW YORK (AP)-- George Romero, whose classic «Night of the Living Dead» and other horror films turned zombie movies into social commentaries and who saw his flesh - devouring undead spawn countless imitators, remakes and homages, has died.

But all varieties of horror flick are easily identifiable at this point, whether they're spooky, low - budget films (numerous); viscera - stained slasher movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).

Characters in zombie films are willing to do terrible things to each other because of the fear of zombies and the urge for self preservation, while, in the real world, things like the use of torture (or «advanced interrogation»), preemptive war and drone strikes were being debated as options to fight a threat even scarier than zombies: terrorism.

«Crucially, the end of that film and others of its time, spoke of hope and featured the overthrow of the controlling voodoo master by his «zombie» slaves,» Dr Pearce explains.

The event will be an interactive talk on the metaphor of the zombie in everyday life, followed by a screening of the first ever zombie film, White Zombie (1932).

From computer games and films to organised zombie walks though Britain's cities, the proliferation of zombies seems to be everywhere.

The film's sequels had survivors holing up in places like shopping malls, through which zombies would wander aimlessly all day, as if retracing the steps of their former lives as consumers.

State - of - the - art zombie films — most notably 28 Days Later from 2002 and its sequel 28 Weeks Later — now use the undead to explore today's hazier ethical climate.

Racial conflicts among the film's living characters end up costing them valuable time and resources; against the backdrop of attacking zombies, the racial tension of the late 1960s seems positively ludicrous.

Like the hilarious but unironically fashioned book The Zombie Survival Guide (2003), here's a zombie tale for the 9/11 era, when fantasies of urban chaos and duct - tape - sealed apartment windows are no longer relegated to horror films; these paranoid scenarios became regular fare on CNN.

In horror films, people become zombies by whatever process is deemed scariest by the filmmaker of the era — magic, possession, viral infection — but the result is the same.

Spotting a horror - film zombie should be easy enough, but the zombies of philosophers» thought experiments are a different matter.

A vacuous entity that wouldn't be out of place in a post-apocalyptic zombie horror film.

We're sure you know of the original Italian band Gremlin, that was featured in Italian Splatter Cinema and George A. Romero's zombie films.

In some of my upcoming fan films I might play little bit with some zombies.

There are viral zombies that are the result of «real» zombie virus; the classic walking dead zombies made popular in the documentary films of George Romero.

I've seen many zombie moves in my time, «Dawn of the Dead» and «Evil Dead» to name a couple, and all the zombies in those films want to do is eat you!

Direct - to - video zombie films will devour the walls of the few video stores left in existence.

The following is a list of zombie feature films.

Welcome to Bristol Post Dating - Thesite where genuine singles meet and form relationships The following is a list of zombie feature films.

I'm 21 years old, I live in New York City, I like to make short films and I'm a fan of zombies.

And The following is a list of zombie feature films.

Some of the film's most inventive shots are from zombie - cam POV, as the dead rise, shake off clods of dirt, and slouch toward the mission church.

On the other hand, I really enjoyed seeing the odd, feral - looking beauty Mireille Enos (of TV's «The Killing») as Pitt's on - screen wife; I wish she had more to do in the film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn how to swim.

«World War Z» isn't your typical zombie movie, but rather a globe - trotting socio - political thriller that treats the zombies more like a viral disease than something out of a horror film.

In the interest, I suspect, of holding on to the film's PG - 13 rating, Forster never lingers on any of the gory details, which renders the zombies a bit, heh, toothless.

Another factor is that the trailers and other advertisements leading up to the release of the film already show you the climaxes of the best scenes, from the aforementioned traffic jam, the zombie horde working in unison to scale a great wall, as well as jumping onto helicopters that foolishly get too close.

Trouble Every Day shrouds itself in the aesthetic of vampires and zombie lore; the poetry and pain in that film are innate in the seduction of venereal destruction, the entanglement of love and sex, love and hate, sex and death.

The direction by Marc Forster (Quantum of Solace, Stranger Than Fiction) delivers a fast - paced zombie thriller, and with Brad Pitt front and center, there is a grounding of the film in seeming more intelligent and plausible than your typical scare flick.

More detailed gore and suffering were likely shorn to ensure an already budget - bloated production had the best possible chances of recouping its cost with the broadest possible audience, but a zombie film does need gore, and the restored material could've been a little bit nastier.

More an action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch quality, but the film lacks strong meat — of the emotional and bloody zombie - cannibal sort.

However, because the film ends just as humanity has managed to reach a positive tipping point, that means 99 % of WWZ's prior material follows special forces man Gerry Lane (Brad Pitt, who also co-produced the film) as he struggles to save his family from fast - moving, ravenous zombies, and then get back to the wife & girls after globe - trotting to hot zones in search of a solution to the viral contagion.

In the film production - within - the - film, the recycled story, during most of its running time, goes according to plan: the virgin's friends die, leaving Dana alone to kill the redneck zombies.

The PG - 13 rating keeps much of the actual violence off the screen, though Forster may have gone too far in removing nearly all of blood and gory moments that many zombie - flick fans relish (that crowd has dubbed the film, «World War Zzzzz»).

Roused from a dormant state by noise, or so the film posits, the zombies form an angry hoard that so swarms one on top of the other that they form a pyramid that allows them to surmount a protecting wall.

Fans of horror / zombie movies should enjoy this even if it is a step below quite a few other classic zombie films.