Sentences with phrase «offer painting as both an object»
The category of painting is examined more generally in the wood panels on top of the pedestals: straddling the line between abstraction and representation, they offer painting as both an object within sculpture as well as a discrete project central to the artistʼs studio practice.
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Featured works — ranging from portraits of emperors and empresses, court paintings, religious sculpture, and ritual objects to fine ceramics, bronzes, lacquerware, jade, costumes, textiles, and furniture — will be combined with 3 - D virtual technology and architectural features to offer visitors an immersive experience, as if passing through the Forbidden City during the height of its glory and splendor.
This set - up offers up - to - date dialogue on the active life of painting, as immersive environment or interactive object.
Sculpture has always offered relief, in more ways than one, and Clement Greenberg made a point of painting as object.
Featured works — ranging from portraits of emperors and empresses, court paintings, religious sculpture, and ritual objects to fine ceramics, bronzes, lacquerware, jade, costumes, textiles, and furniture — will be combined with 3 - D printing technology and architectural features to offer visitors an immersive experience, as if passing through the Forbidden City during the height of its glory and splendor.
Bringing together some 80 paintings, collages, and objects, along with a selection of photographs, periodicals, and early commercial work, the exhibition offers fresh insight into Magritte's identity as a modern painter and Surrealist artist.
Adopting a multidisciplinary approach to his work through painting, assembling of objects, installation, photography, video, and performance art, his artwork offers a distant conceptual observation of the political and historical events that have shaped his country as well as subjectivity in regards to their resulting impact on humanity.
Duncan Campbell's acclaimed film It for Others — shown here in the context of Lismore Heritage Centre — tracks the object, from African artefacts to cheap, mass - market commodities, while Gerard Byrne's series of museum paintings offers a view of historic paintings as objects — photographed from behind, where their making and history is most evident
The change seems to emphasise the fact that the painting is to be regarded, not as an object, but simply the embodiment of an idea, whose «reality», if one can actually use this word in the context offered, is metaphysical.
Bringing together some eighty paintings, collages, and objects, along with a selection of photographs, periodicals, and early commercial work, the exhibition offers fresh insight into Magritte's identity as a modern painter and surrealist artist.
Also evident is the merging of painterly and sculptural space, as Stella's objects, mostly hanging on the walls like paintings, offer steel armatures that appear to function like the gestural brush strokes in Kandinski's work.