A fairly generic
offering of action cinema, never developing conflicts to satisfaction, preferring gunfire to suspense, but it does periodically distract.
Not exact matches
In a year when Gareth Evans's next - to - plotless The Raid: Redemption
offered a vision
of a kind
of pure
action cinema, and Christopher Nolan capped off his largely entertaining, stiflingly serious...
The early 1970s to the late 1980s was a unique moment in Australian
cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry
of exploitation films — sex comedies, horror movies and
action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also
offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.
Coming two years after Kim Jee - woon's 2008 Korean spaghetti western The Good, the Bad, the Weird, Daniel Lee's historical
action epic 14 Blades
offers another instance
of mainstream Asian
cinema attempting to give Western genre tropes a distinctly Eastern flavor.
The Hurt Locker (# 1) This Iraqi war drama about a company
of bomb disposal technicians recalls the best
of classical Hollywood
action cinema (i.e., Ford and Hawks), in spite
of the near - constant use
of handheld cameras, and
offers an intriguing critique
of masculinity besides.
With bold and lovable new characters, sharp and creative
action, and a killer sense
of humor, Guardians
of the Galaxy easily qualifies as some
of the most fun
cinema has to
offer this year.