This figure, often fragmented, sometimes even completely abstracted, takes on various forms, from the human face, at once raw material and object of symbolic representation, as with Benglis's objectifying caresses, to the full body as place and tool of the trial and pleasure of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the traces and physical prints left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry of LeWitt, to the peers (Donald Judd) and tutelary figures in the history of art who inspire Flavin's
evanescent structures... Now a disenchanted statement «Double Eye Poke»
offers a challenge to the being of perception and thought.
But its
evanescent spirit, together with its emphasis on the body and role - playing, does
offer a brilliant platform from which to address and critique a narcissistic culture.