Later in life he rid himself of his constant itch to paint and repaint and produced much freer and
often bigger paintings that really were a sight for sore eyes.
Not exact matches
The
biggest problems with Linklater's last two pictures, Boyhood and now Everybody Wants Some, is that far too
often they are
painted in broad strokes.
This
often puts them in the media limelight and
paints a
big target on their back.
The creators of
big budget films and television shows truly understand our love for images,
often painting rich tapestries of lighting and make - up and camera angles and famous faces and explosions.
[The trade] is
often painted as being made up of nothing but great,
big killer snakes, but what does that have to do with a Texas horned lizard or a bearded dragon?»
Gilliam is best known for the
paintings that came at the tail of this body of work, these
big drapey
paintings tie - dyed with color and hanging loosely off the wall,
often made with some site specificity in mind (or so I'm told).
Diebenkorn
often said how much he owed to European
painting and the debt is acknowledged here, in the second room of the show, in
big works depicting human figures framed in landscape — on a terrace, at a window — or secluded in shady interiors, in placid unanimity with their surroundings, sunken - eyed, reading, or lost in contemplation.
More
often, though, they appear indirectly at best, as in a tub of mist by Rafael Lozano - Hemmer with Max Estrella, folds in monochrome
paintings by Karin Schneider with Lévy Gorvy, or blood red splashed on
big canvases by Hermann Nitsch with Marc Straus.
In a market moment obsessed with the
often - spurious aesthetic innovations of its youngest artists, Honor Fraser's booth provided a welcome measure of historical perspective, showing
paintings by fresh - faced stars (bent canvases by Kaz Oshiro, KAWS's latest abstractions, a
big Sarah Cain) alongside some pretty cutting - edge compositions that turned out to be by — shocker — a bunch of supposedly tame midcentury names.
The small
paintings often take as long as
big ones funnily enough and they are
often worked in a different way.
Morag Myerscough's practice is characterised by strong colour and
big type, as well as her use of geometric structure,
often hand -
painted and assembled with an affinity for scale and drama.
The previous exhibit in Canaday, the
big gallery for temporary shows, featured 11 giant irregular polygons by Frank Stella, and another major show down the hall held
paintings by Fernando Botero,
often said to have earned more from his art than any other living artist.
Often I
paint a
big oil in the morning and another one in the afternoon.»
But it is dominated by her
big, collagelike
paintings, which
often depict voluptuous, imperious black women amid swaths of brightly patterned fabrics.
In some
paintings, there's something
big that interests you, and sometimes it is something extremely small that
often might even be overlooked by someone with a different temperament.
They also are
often the
biggest eyesore, particularly if the style of fronts,
paint finish, or color appears dated.
The artist: Artist Mary Ann Nowak of Tinley Park, Ill.,
paints many of the flowers she nurtures — but getting a
big floral display in shade is
often difficult.
And I find it interesting that you
painted the frame around the doors but not the windows which is awesome because I have
often decided against
painting trim as it's just such a
big job.
The
biggest problems I see people run into is they don't stick with a style, but instead pursue their interior decorating without a plan and begin
painting colors, and purchasing items that
often times don't enhance their décor or go with their style.
Small bathrooms are
often painted white or light colours in the hope that this will make them appear
bigger and brighter.