Sentences with phrase «often color a film»

If we start the movie with a blank slate, the packaging and menu will often color a film before we watch it.

Not exact matches

The best part of Lars von Trier's fascinating, engaging and often didactic Nymphomaniac is that, despite the sometimes - grim tone and bleak color palate, it's an extremely funny film, playful, even.

Pellington is working from an uncharacteristically sentimental screenplay from Alex Ross Perry, known for his biting, incisive and often merciless portrayals of human nature in the independent films he's written and directed himself, including «The Color Wheel» and «Queen of Earth.»

Even in the age of Blu Ray and High - Def TVs, mainstream films are translated to video in a complex process that often results in color and sound being slightly «off» from the theatrical (i.e., celluloid) standard.

His subversive sense of humor and convoluted plots, which often circle back through time, keep his films from being merely melodramatic, but at their worst they can seem frenetic, all color - saturated surface and no substance.

As often happens, documentary tendencies ran through some of the festival's best fictions, notably The Florida Project by Sean Baker (whose previous film was the astonishing Tangerine) and The Rider by Chloé Zhao: the first an excursion into the candy - colored stucco dilapidation of the residence motels and junk shops clustered a few streets away from Disney World, the second a trip into the ranches and rodeo arenas of South Dakota's High Plains.

One of the first animated features made in Brazil, «Boy & the World» is a brightly colored, often charming film that juxtaposes simple, hand - drawn animation with kaleidoscopic computer - generated patterns.

Colors are bold and contrast and black level strong, abetting a pleasingly sharp image, and the film's emphasis on location work often lends a convincing dimensionality less common in studio - lit scenes.

Highly stylized and reminiscent of B - movies from that era, the color palettes are often a sickly green with a dated synth music score (of the sort Carpenter's films were noted for) on the soundtrack.

The country's vibrant colors and life are affectionately captured by director of photography Seamus McGarvey (whose stunning cinematography alone makes the film worthy of a cinema release), with the work of production designer Johnny Breedt and art director Vivienne Gray further giving the place and community a character and pulse of its own: warm and inviting, often funny and friendly, but also not without real danger lurking on the fringes and beneath the surface.

Perhaps the main advantage of these larger screen China tablets is obviously the visually display element, this will more often than not feature a greater pixel count, higher resolutions and better color depths than smaller screen models, which makes watching films and playing games much more enjoyable.

Often working with both color and black - and - white stock, Melconian digitally transfers the film after shooting it and then begins editing.

Rolls of film or 16 mm projectors often become compositional elements in kinetic sculptures that project sequences of colored light, focusing attention on the idea of movement and rhythm.

Deploying film and television favorites for his toys, large - scale sculpture and bold, nearly abstract painting, KAWS recasts the familiar colors and forms of popular entertainment in cheeky and often poignantly human terms.

In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large - scale paintings, often with dramatically cropped faces.Utilizing characteristically wide brushstrokes, large swathes of color, and refined compositions, Katz created what art historian Robert Storr called «a new and distinctive type

Kuchar's paintings often reflect the same themes as his film and video works while also sharing their fauvist - like color scheme.