Sentences with phrase «often explore the world with»

As gross as it sounds, sweaty, salty skin can be intriguing to dogs, who often explore the world with their mouths and are comforted by the scent of their owners.

Not exact matches

However, the effects of climate change are evident, and we, as travelers, are often conflicted with our desire to explore new places while wanting to be responsible stewards of the natural world.

Separation anxiety often pops up in toddlerhood when a child begins exploring the world with his new mobility and agility.

In fact, international collaborations are often funded to explore specific scientific or conservation objectives in developing countries without first engaging in genuine dialogue with in - county scientists and / or communities to learn more about their perspectives and observations concerning their natural world.

While most platformers simply tasked the player with scrolling from left to right to reach the end of a stage, Metroid instead featured a sprawling, interconnected world that begged to be explored, often times requiring players to retrace their steps after earning new abilities and power - ups to progress: a staple mechanic that would define all future titles in the series.

Yet it was a fascinating if formidable task, one which so often filled us with a deep sense of wonder and inspiration.As entertaining as it is deeply enlightening, this is a truly incomparable anthology for anyone interested in greatly expanding their knowledge and personal power, and notably fascinating for anyone interested in exploring the realities underlying the ancient accounts of a legendary world of light in the Himalayan wilderness.For more information, please see the «Look Inside» feature on this page.

I often read blogs from digital nomads who are always on the move exploring the world while earning money with technology.

In between exploring the world and solving its puzzles are plenty of instances of combat, with Senua often facing off against a myriad of foes at once in battle as she looks to balance out defensive manoeuvres with her own attacks.

The Legend of Zelda: Breath of the Wild is going to be Link's biggest adventure yet, and with an open - world Hyrule that Link can explore, and an open - ended story that can end in two hours with Link making a beeline across the landscape to Hyrule Castle to fight Ganon, Nintendo has apparently done its best to make certain that The Legend of Zelda: Breath of the Wild is something that's going to keep people coming back to the game as often as possible to do everything they can.

While most platformers simply tasked the player with scrolling from left to right to reach the end of a stage, Metroid instead featured a sprawling, interconnected world that begged to be explored, often times requiring players to retrace their steps after earning new abilities and power - ups to progress: a staple mechanic that would define all future titles in the series.

The story is unlikely to keep you logged in, and the missions will often feel annoyingly familiar, but if you connect with and really explore this high - tech world, there are plenty of virtual — and emotional — rewards to harvest.

His work is often concerned with introducing Children to travel, encouraging them to explore the world and their imagination through colourful vector graphics.

Often in dialogue with literature, the early work of this visionary artist explored mythology and cultural archetypes related to gender, while more recent projects address our complex relationship to the natural world.

Our artworld is one in which artists are exploring new media and new ideas often with political or personal overtones — like the Triennial at the New Museum with art from all over the world.

By exploring the fringes of high art and pop culture, Reyle creates often visually spectacular works that simultaneously confront us with a conceptual nihilism, at times incorporating everyday material such as fluorescent paint, neon light, silver Mylar and effect lacquer, most of which are usually considered as suspect in the art world.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

The title was taken from a piece by featured artist Julia Wachtel — it reflects the larger theme of the show, exploring the irony of art world glamour contrasted with the often isolating experience of being a female artist working today.

Throughout a remarkable career that has spanned more than 70 years, she continued to create work that vulnerably explored the way she came into contact with the world, often placing particular emphasis upon the disjunctions between her own self - image and the way she was seen by others — as a woman, as a painter, and as a person living through the dramatic technological and cultural developments that have marked the century of her lifetime.

Often making abstractions from popular culture to explore the way in which meaning is mediated in an image driven world, his prints and sculptural work engage with the dialectic of desire and value.

Though the artist has shown at institutions like the Guggenheim, MoMA, the Whitney, and the Museum of Contemporary Art Los Angeles, he often collaborates with historical societies and museums in small communities to explore how objects become meaningful in a world that relies largely on mass production.

This summer, Tate Liverpool is going all out with (often quite grotesque) paintings of the body, exploring the fundamental problem of its location, both on canvas and in the world, by presenting a double bill of exhibitions of two key figurative artists from the 20th century, Francis Bacon (1909 - 92) and Maria Lassnig (1919 - 2014).